The Sign of the Stranger — Inside the Classic
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Why did he make that inquiry regarding Lolita, I wondered? My father, Sir George Woodhouse, having been an intimate friend of the old Earl's, and his aide-de-camp when he was Viceroy of India, I had been taken into the latter's confidential service as soon as I came down from Cambridge, and for the past ten years had lived as a careless bachelor in a pleasant old ivy-covered house at the end of the village, being treated more as one of the Stanchester family than as the millionaire landowner's confidential secretary. The present Earl had been at Cambridge with me, and there was a strong bond of friendship between us.
"Yours has been a strange life," said the publican at last, in order to obtain more details of the stranger and his motive for inquiring after the people at the Hall.
"It has; I've drifted half over the world, but the passion for wandering is now pretty well worn out of me," wearily responded the other, taking a sip at his beer. "They say there's no place like home. I used to think so when the ship was steaming over the blue sea at nights with all asleep below and the clear stars shining over me. I don't think I shall live long; that's why I'm back again once more in England. But," he added, "we were talking of Lol--er, I mean Lady Lolita. Isn't she even engaged?"
"Not that I know of," answered the innkeeper. "If she were, some of the servants would be sure to chatter. There ain't much as goes on up at the Hall without me knowing it."
The estimable Warr was right. The tap-room of the _Stanchester Arms_ was the village forum where the footmen, stablemen, kennel-hands and others employed in the Earl's great establishment assembled nightly to drink beer and discuss the gossip of the day.
"Ah! I suppose she's just as beautiful as ever?" remarked the stranger reflectively. His voice quivered oddly, and he rose wearily, brushing the knees of his frayed and shiny trousers. "She's one of the prettiest women in all England," added the ragged wayfarer, whose inquiries seemed to me to be made with some distinct purpose.
"She's lovely," declared Warr. "The papers often have portraits of her. Perhaps you've seen them?"
"Yes, I have," he answered, and the words came out with something like a groan.
At that instant there reached our ears the familiar jingle of harness bells, and Warr, turning quickly, cried--
"Why, she's just coming along! You'll see her in a moment!" And they both dashed to the small diamond-paned window which looked out upon the village street.
The stranger stood with his dark eyes peering out, his body drawn back as though fearing recognition, until a few moments later, when a smart victoria and pair of chestnuts dashed passed, and lolling within, beneath a pale blue sunshade, was the sweet-faced woman in white returning to the Hall after making afternoon calls.
"Ah!" he gasped as the marvellous beauty of that countenance burst upon him, and was next instant lost to view as the jingling bells receded. "You're right!" he said, turning from the window sadly, his face blanched. "She's more beautiful than ever--she's absolutely lovely!"
The man was a mystery. He attracted me.
The publican remained gravely silent, utterly at a loss to understand the stranger's meaning, while at that moment the latter apparently recollected my proximity, for he looked across towards where I, having had business with the innkeeper, still stood awaiting his return.
Suddenly turning to Warr, he said--
"I notice you have a gentleman in the parlour, there. I wonder whether you would give me just a couple of minutes alone? I want to ask you a question."
The landlord again glanced suspiciously at the mysterious stranger, but seeing the earnest, determined look upon his grizzled face, rather reluctantly consented, and conducted his customer across the low entrance-hall to a room on the opposite side, the door of which he closed behind them.
What transpired therein was in secret, but about five minutes later I heard the door open again, and the stranger, with heavy tread, walk firmly to the door.
"You won't forget the name," he called back to Warr in a strange hard voice just before he went forth. "Richard Keene--K-e-e-n-e."
"I've promised. Trust me," was the innkeeper's response, while a moment later the shabby stranger's form cast a long shadow across the sanded tap-room and vanished.
"That's a queer customer?" I remarked to Warr when he returned to me, for I had come down to pay him an account. "I don't like the look of him somehow."
"Neither do I," the landlord answered. "At first I took him for a burglar spying around to ascertain who was at home up at the Hall, but I've formed a very different conclusion during the past five minutes. He isn't a burglar, but he's somebody who evidently knows Lady Lolita."
"Knows her?" I exclaimed, surprised. "What do you mean? What did he tell you in private?"
"Nothing. He asked me to render him a service by giving a letter in secret to her ladyship, and as recompense gave me this." And opening his hand, Warr showed me a sovereign. "Something fresh, this!" he added. "A tramp who gives sovereign tips;" and he laughed very heartily to himself.
I did not join in his laughter, for on being handed the letter I saw it was inscribed to her ladyship and marked "Private" in a neat educated hand, and sealed with black wax with an unfamiliar coat-of-arms bearing a coronet and many quarterings.
"He told me also to tell her that Richard Keene has returned, and said that she would understand. Strange, ain't it?" observed the landlord, with a long pull at his clay.
"Very. If you wish, I'll undertake the responsibility of giving Lady Lolita this letter and delivering the message," I said.
"No. I'll have to come up to the Hall myself," was the innkeeper's reply. "The chap actually compelled me to take a solemn oath to deliver it into no other hands but her own!"
"Then it must contain something of supreme importance, otherwise it might surely have been sent by post," I remarked suspiciously.
"Yes, I feel sure it does. Did you notice how the fellow's face changed when he saw her drive past? He went as white as a ghost. He's a mystery--that he is."
"He is, without a doubt," I said. His announcement that Richard Keene had returned seemed to convey some covert threat. I recollected the tone in which he had uttered the name as he had crossed the threshold, and it caused me to ponder deeply--very deeply.
Little, however, did I dream of the terrible significance of that name; little did I at that moment anticipate the strange events that were to follow--that remarkable mystery of real life which proved so tantalising, so bewildering and so inscrutable.
CONCERNS LADY LOLITA.
I strolled back up the long beech avenue to the Hall, apprehensive and puzzled. The stranger's manner, his curious expression when he had spoken of Lolita, and the bold way in which he had sent her the announcement of the return of Richard Keene were ominous. What, I wondered, did the letter contain, sealed as it was with the arms of some noble house?
I scented mystery in it all; mystery that somehow concerned myself. Why? Well, I will confess to you now--at the very outset. I, although but a paid servant of the Stanchesters, like any of that army of footmen and grooms, loved Lady Lolita in secret, and although no word of affection had ever passed between us, I nevertheless felt that her interests were my own.
My position was, I admit, a unique one. Lolita and I had been friends ever since our childhood days in India, when her father held the highest official position in the East and mine was his confidential assistant, and now, her brother having succeeded, she seemed to regard me as a harmless and necessary director of things in general. Very frequently I was invited to luncheon or to dinner, and treated always as one of the family, even though I was but a paid dependant. Yes, both the young Earl and his sister were extremely kind and considerate, and surely I had no cause for complaint, either in matter of salary, which was a handsome one, or in that of social standing.
So thoroughly had I mastered all the details of the great estate during the haughty old Earl's lifetime that I suppose my existence was necessary for the well-being of my college friend who had so suddenly found himself a millionaire. Indeed, he had admitted to me that he had never met several of his estate agents in various parts of the country, therefore I had the absolute control of them and generally superintended the revenue and expenditure, an office which entailed considerable work, inasmuch as besides Sibberton, the family possessed Stanchester House, that big white mansion in Park Lane, Stanchester Castle in Warwickshire, Dildawn and its great deer-forest in Argyllshire, Chelmorton Towers in Sussex, and the Villa Aurora on the olive-clad hill above San Remo.
Sibberton Hall was, however, the seat which the young Earl preferred, and where he usually spent the few weeks of summer between the season at Cowes and that of the moors. As I came up the straight shady avenue of ancient beeches which met overhead for more than a mile, the magnificent facade of the splendid old place with its countless windows, its towers and high twisted chimneys stood in the soft crimson haze of the brilliant afterglow, its delicate traceries and marvellous architecture giving it almost the appearance of an illustration from some fairy tale. Built in the early days of Elizabeth by the first Earl of Stanchester, her celebrated minister, it was in the form of a quadrangle with wings abutting from the sides and ending at the extremities in towers, while its princely proportions were such as to place it among the largest and most notable family mansions in the country.
The last rays of sunset flashed upon its many windows as I emerged from the avenue, and then passing across the level lawns and ancient bowling-green, I entered the great hall with its wonderful ornamental fireplace and stands of armour, and proceeded along one corridor after another to the cosy room in the west wing which served me as study.
From the window where I stood for a moment in deep reflection I commanded a view for several miles across the great level park which was some ten miles in extent, and where, in the distance, rose another low, old-fashioned Jacobean building with clock-tower, the kennels of the Earl's famous foxhounds. My room was an old-fashioned one, like everything else in that fine mansion. Lined from floor to ceiling with books and in the centre a big writing-table, it had been given over to me by the old Earl when I had first entered upon my duties ten years before. The floor was of oak, polished like a mirror, and over the arched chimney was carved in stone the greyhound courant of the Stanchesters, with the date 1571.
I glanced at severed notes that had been dropped into the rack in my absence, and then casting myself into an easy chair lit a cigarette and continued my apprehensive reflections.
The summer dusk darkened into night, and having a quantity of correspondence to attend to, I went to the room I sometimes occupied, changed, dined alone, and then about nine o'clock returned to my study to finish my work.
Not a sound penetrated there. That wing was but little used, for above was the long picture-gallery with the dark old family portraits by Vandyke, Sir Joshua Reynolds, Kneller, and others, as well as priceless examples of Gainsborough, Turner, Hobbema, and the world-famous Madonna of Raphael. The room had been given to me so that I should not be disturbed by visitors who, owing to the enormous proportions of the place, usually wandered about hopelessly lost in their attempt to reach their rooms without a servant as guide.
The name of Keene was puzzling me. Somehow I had a distinct and vivid recollection of having heard it before, but in what connexion I could not recollect, although I had been racking my brains ever since I had left the village inn. I took down the old address-book used by my predecessor, but there was no entry there. No, I felt somehow that I had heard the name outside my connexion with the family, but where, or in what circumstances, I could not for the life of me remember.
My hands were clasped behind my head, and with my work cast aside, I was smoking vigorously, when there came a low tap at the door, and in response to my permission to enter, Lady Lolita came forward gaily, a sweet almost girlish figure in her cream dinner-gown girdled with turquoise blue, exclaiming--
"Mr Woodhouse, I do wish you would do me a favour, would you?"
"Most certainly," I exclaimed, springing quickly to my feet. "What is it?"
"I want you to copy out something for me, will you?" And seating herself at my writing-table, she took up a pen and scribbled some lines.
Her gown suited her to perfection, the low-cut bodice revealing her white throat, around which sparkled a splendid necklet of diamonds that flashed beneath my lamp with a thousand fires. Upon her white wrist was a quaint Chinese bracelet cut from a solid piece of bright green stone.
Her face was perfect in its symmetry, and her finely-chiselled features were almost an exact reproduction of those of Lady Mary Sibberton in Sir Joshua's picture in the gallery above. The loveliness of the Sibberton women had been proverbial back in the Jacobean and Georgian days, and assuredly Lady Lolita inherited the distinctive beauty of the female members of the family. The delicately-moulded cheeks, the pointed chin, the sweet, well-formed mouth, the even set of pearly teeth, the wealth of auburn hair and the laughing blue eyes so full of mischief and merriment rendered her peerless among women, while her wit and easy-going good-humour endeared her to all, rich and poor alike.
As I stood by, watching her bent head beneath the lamplight, I saw that although she tried to write, her small white hand trembled so that the attempt was by no means successful. She seemed nervous and upset, for I now noticed for the first time that her breast rose and fell quickly beneath her laces, and that she was trying in vain to repress a wild tumult of agitation that raged within her.
"No," she cried, throwing down the pen and looking up at me, "I can't write. I--" And she stopped without concluding her sentence, fixing her beautiful eyes upon me. She was magnificent. That look of hers was surely sufficient to make any man's head reel.
"Do you know," she exclaimed suddenly, bursting into a nervous laugh, "I didn't really want you to write a letter at all! I only wanted an excuse to come into this den of yours--to speak to you."
Her laugh somehow sounded unnatural. With her woman's subtle tact she was, I knew, trying to conceal her agitation.
"To speak to me? What about?"
She grew grave again in an instant, and rising, crossed towards me. I saw that all the colour had died from her face and that she grasped the edge of the table to steady herself.
"I wanted to ask you--I wanted to see if you would do something for me," she said in a low tremulous voice, very harsh and intense.
Was it possible that Warr had already seen her and delivered the note and message from that mysterious stranger?
"What do you wish me to do?" I inquired eagerly.
"I want you to help me, Willoughby," she said. "I am in peril--deadly peril. You can save me if you will."
"Peril? Peril of what?"
"Ah! That I cannot tell you," she answered; then suddenly losing all control of herself she exclaimed wildly, "The past has risen against me, to torment me, to hound me down to the very depths of hell. Ah! Willoughby, save me--you will, won't you? You are my friend. Say you are--say you will help me," she implored with clasped hands.
"But what do you fear, Lady Lolita?" I asked in the hope of learning her secret.
"I fear death," she cried hoarsely. "The blow has fallen, and I am lost--lost."
"No, no," I said, taking her soft hand gently in mine and finding it cold, trembling in fear. "Do not anticipate the worst, whatever may be your danger."
"Ah! if I could tell you all--if I only dared to tell you," she sighed. "But even then you wouldn't believe it--you couldn't."
"But may I not know something of this peril of yours?" I urged. "If you tell me, I shall then know how to deal with it."
"You can only serve me at great risk to yourself," was her quick reply.
"In any way I can serve you, Lolita, do not hesitate to command me," I said, deeply in earnest and still holding her trembling hand in mine. By that wild look in her beautiful eyes I saw that her heart was gripped by some nameless terror, and that she was in desperation. Then, in a moment of deep sympathy, recollecting the stranger's ominous words, I added: "I love you now, Lolita, with the deepest devotion with which any man has loved."
And before she was aware of it, I had raised those thin white fingers reverently to my lips and imprinted upon them a tender lingering kiss.
In my hot passionate declaration I repeated my readiness to serve her, at the same time acknowledging the difference in our stations and the fear that my dream of happiness must be a vain one.
She smiled very sweetly upon me, and I saw her eyes were dimmed with tears. Her lips moved, but in the first moments no sound escaped them. I had taken her by surprise, I think, for she had always regarded me as friend, and not as lover.
"I thank you for your kind promise to assist me in this hour of my need," she answered at last in a voice that seemed to have strangely altered. "I know now that I enjoy your regard, although I--well, I must confess that I had no idea that, good friends that we have been all these years, you would end by really falling in love with me. You have, however, told me the truth, and a woman always respects a man for that. I know now that I have at least one firm and devoted friend." And as she spoke her fingers closed upon my hand.
As I feared, I had presumed too far. I had no right to love her, I, a mere paid servant of the family, yet she had treated my confession with sweet dignity and womanly tact that so well became her, and cleverly turned my declaration of love into one of friendship.
"To serve me in this matter would be to imperil yourself," she went on in deep seriousness after a moment's pause. "My enemies hold my future in their hands. To me it is a matter of life or death."
"I am prepared to undertake any risk for your sake," I declared. "Only suggest a course, and I will adopt it instantly."
"Ah, you are very good!" she cried. "How can I sufficiently thank you? In all the world you are the only friend I can really trust. Well, what I want you to do is this. Take the first train to London to-morrow and go to 98, Britten Street, Chelsea, where you will find a certain Frenchwoman named Lejeune. Tell her that I have sent you to implore her to tell me the truth; that if she fears to approach me direct you will act as intermediary; that if she withholds the secret it must result in my death--my death--you understand."
"In your death!" I gasped, puzzled.
"Yes. I cannot face exposure. I would prefer death!" was her hoarse reply. "Tell that woman that Richard Keene has returned! She will know." I watched her face and recognised how desperate she was. I had never before seen such a look in any woman's eyes.
"And what else?" I asked mechanically.
The novel begins not with a crime but with a stranger's weary entrance into a village tap-room. The landlord Warr studies the man's frayed clothes and peaked hat, noting his claim to have travelled ten or eleven thousand miles. The stranger's slip—speaking of Sibberton as though he knows it—and his quick denial set the first note of suspicion. The narrator, observing from a corner, detects that the man's dark eyes betray untruth. This opening scene, heavy with unspoken tension, establishes a pattern of close observation and withheld information that runs through the excerpts.
The Unreliable First Impression
The stranger's initial appearance as a shabby, hungry wayfarer is undercut by small but telling details. He draws out a handful of money roughly, as if to forestall suspicion, and his speech carries a knowing tone: he mentions the old church and the windmill that 'generally wants a sail.' The landlord's deference shifts once he decides the man is 'no ordinary tramp.' The narrator, too, revises his judgment. By the later excerpt, the same man is a welcomed guest in the house of Lady Stanchester, who reacts with terror. The reader is left to reconcile these two images—the weary wanderer and the feared antagonist—without a clear explanation of how the transformation occurred.
A Confession of Fear
Lady Stanchester's private conversation with the narrator reveals a woman 'sorely in need of a friend.' She admits to being 'utterly' in the stranger's power, though the nature of that power remains unspecified. Her language is marked by desperation: she calls his presence 'utterly impossible' and considers fleeing. The narrator urges her to 'disclaim all knowledge of him' and to 'assert to his face that you have never met before.' This advice suggests that the threat is tied to a shared past—a 'skeleton in her cupboard'—but the excerpts provide no further details. The reader must weigh her fear against her own admission of a reputation for 'giddiness and flirtation.'
The Narrator's Role as Observer and Mediator
The narrator, Woodhouse, positions himself as a confidant and advisor, yet his knowledge is limited. He admits he 'could not guess' the truth of the situation, and his suspicions are vague: 'some curious romance in the days prior to her marriage.' He extracts a promise from Lady Stanchester to prove her 'true affection' for her husband, George, in exchange for his help. This conditional loyalty adds a layer of moral ambiguity. Woodhouse is not a detective but a witness who pieces together clues from gestures and half-spoken words—the stranger's 'keen, dark eyes,' Lady Stanchester's 'hoarse unnatural tone,' and her anxiety about her husband's jealousy.
Setting as a Source of Tension
The story unfolds in the village of Sibberton, with its 'old thatched houses,' church, and windmill. The stranger's nostalgic remark about these features hints at a prior connection, though he denies it. The tap-room, with its buzzing flies and grandfather clock, becomes a stage for veiled exchanges. Later, the action moves to the Stanchester home, where domestic spaces—the door, the table—are charged with unease. Lady Stanchester's Norfolk jacket and short tweed skirt mark her as a figure of country gentility, but her fear undercuts that composure. The contrast between the tranquil setting and the characters' hidden turmoil drives the narrative forward.
Readers approaching The Sign of the Stranger should attend to the gaps between what characters say and what they reveal through gesture and tone. The excerpts offer no resolution to the central mystery—the stranger's identity and his hold over Lady Stanchester—but they establish a pattern of suspicion and withheld confession. The novel rewards careful attention to the narrator's limited perspective and the way setting mirrors psychological tension.
That rainy afternoon, The Sign of the Stranger kept circling the same quiet dread—how a single misstep can unravel a life. The shabby stranger’s hidden past lingered with me, and I found myself thinking of secrets as weather, gathering without warning. Later, nearly by accident, I reached for The Cardinal Moth — Key Ideas to Explore, and noticed the same thrum of concealed histories beneath ordinary rooms.
Joseph White
1 week agoDaniel Perez
3 weeks agoGabriel Wright
6 days agoEvelyn Johnson
6 days ago-
Brittany Woodward - 2 weeks ago
This is an entertaining and fast-paced mystery with a solid premise. The story moves along briskly, and there are some genuinely surprising moments. However, the character motivations feel a bit thin, and the resolution relies on a few coincidence too many. Still, if you're looking for a light, engaging thriller, this is a decent choice. -
Darryl Gordon - 6 days ago
I was excited to read this, but it fell flat for me. The characters are one-dimensional, and the plot is full of improbable events and convenient twists. The writing feels amateurish at times, and the dialogue is unnatural. The mystery itself is predictable, and the ending is unsatisfying. I've read better thrillers by far. I wouldn't recommend it unless you have nothing else on your shelf. -
Tiffany Carter - 5 days ago
An absolutely riveting thriller that kept me guessing until the very end. The plot is filled with unexpected twists and turns, and the pacing is perfect. The characters are richly developed, and the tension is palpable throughout. I was completely immersed in the world of international intrigue. It's the kind of book that you'll want to read in one sitting. Highly recommended for anyone who loves a good mystery.
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Benjamin Harris
1 week ago