The Cardinal Moth — Key Ideas to Explore

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White, Fred M. (Fred Merrick), 1859-1935 Project Gutenberg 2013
England -- Fiction; Love stories; Mystery fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

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Words: 69,722
Reading time: 304 min
Text sections: 9
In Fred M. White's 1905 mystery, Sir Clement Frobisher's orchid-house, costing over £100,000, sets a stage of opulent deception. Disguises, a threatened Shan throne, and a lady of the rubies entangle Harold and Angela in a plot against the cynical host.
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hings he might have obtained openly and easily. But there was the delight of puzzling other people.

He looked up presently, conscious of a presence beyond his own. In the dark Frobisher could always tell if anybody came into the room. He crooked his wicked head sideways with the air of a connoisseur, and in sooth there was good cause for his admiration. Here was something equal at least to his most beautiful and cherished orchids, a tall, graceful girl with shining brown hair, and eyes of the deepest, purest blue. Her complexion was like old ivory, and as pure, the nose a little short, perhaps, but the sweet mouth was full of strength and character.

"I came for the flowers that you promised me, Sir Clement," she said.

"Call me uncle and you shall have the conservatory," Frobisher grinned. "I am your uncle by marriage, you know, and your guardian by law. Angela, you are looking lovely. With the exception of a peasant woman I once met in Marenna, you are the most beautiful creature I ever saw."

Angela Lyne listened with absolute indifference. She was accustomed to be studied like this by Sir Clement Frobisher, whom she loathed and detested from the bottom of her heart. But Lady Frobisher was her aunt, and Frobisher her guardian for the next year, until she came of age, in fact.

"Give me the flowers," she said. "I am late as it is. I have sent my things on, for I shall dine with Lady Marchgrave after the concert, and come home alone. Hafid will let me in."

"Better take a latchkey," Frobisher suggested. "There! Let me pin them in for you. I’ll show you an orchid when you have time to examine it that will move even you to admiration. But not now; she is too superb a creature for passing admiration. Now I think you will do."

There was no question of Frobisher’s taste or his feeling for arranging flowers. The blossoms looked superb and yet so natural as they lay on Angela’s breast—white orchids shot with sulphur. They were the theme of admiration an hour later at Lady Marchgrave’s charity concert; they gleamed again on Angela’s corsage as she sat in the Grosvenor Square drawing-room at dinner. Five-and-twenty people sat round the long table with its shaded lights and feathery flowers. There were distinguished guests present, for Lady Marchgrave was by way of being intellectual, but Angela had eyes for one man only. He had come a little late, and had slipped quietly into a chair at the bottom of the table—a tall man with a strong face, not exactly handsome, but full of power. The clean-shaven lips were very firm, but when the newcomer smiled his face looked singularly young and sweet. Angela’s dinner partner followed her glance with his eyes.

"If it isn’t that beast Denvers," he muttered. "I thought he had been murdered in the wilds of Armenia or some such desirable spot. You ought to be glad, Angela."

"I am glad, Mr. Arnott," Angela said coldly. "Permit me to remind you again that I particularly dislike being called by my Christian name; at least, at present."

The little man with the hooked nose and the shifting, moist eye, put down his champagne glass savagely. For some deep, mysterious reason, Sir Clement favoured George Arnott’s designs upon Angela, and if nothing interfered he was pretty sure to get his own way in the end. At present Angela was coldly disdainful; she little dreamt of the power and cunning of the man she was thwarting. She turned her head away, absently waiting for Lady Marchgrave’s signal. There was a flutter and rustle of silken and lace draperies presently, and the chatter of high-bred voices floating from the hall. A good many people had already assembled in the suite of rooms beyond, for Lady Marchgrave’s receptions were popular as well as fashionable. Angela wandered on until she came to the balcony overlooking the square. She leant over thoughtfully—her mind had gone back to such a night a year or so before.

"Mine is a crescent star to-night," a quiet voice behind her said. "I seemed to divine by instinct where you were. Angela, dear Angela, it is good to be with you again."

The girl’s face flushed, her blue eyes were full of tenderness. Most people called her cold, but nobody could bring that accusation against her now. Her two hands went out to Harold Denvers, and he held them both. For a long while the brown eyes looked into the heavenly blue ones.

"Still the same?" Denvers asked. "Nobody has taken what should be my place, Angela?"

"Nobody has taken it, and nobody is ever likely to," Angela smiled. "There is supposed to be nothing between us; you refused to bind me, and you did not write or give me your address, but my heart is yours and you know it. And if you changed I should never believe in anything again."

"If I should change! Dear heart, is it likely? If you only knew what I felt when I caught sight of you to-night. My queen, my beautiful, white queen! If I could only claim you before all the world!"

Angela bent her head back behind the screen of a fluttering, silken curtain and kissed the speaker. He held her in his arms just for one blissful moment.

"It seems just the same," he said, "as if the clock had been put back a year, to that night when Sir Clement found us out. The son of the man whom he had ruined and his rich and lovely ward! There was a dramatic scene for you! But he only grinned in that diabolical way of his, and shortly after that mission to Armenia was offered to me. I never guessed then who procured it for me, but I know now as well as I know that Sir Clement never intended me to come back."

"Harold! Do you really mean to say that—that——"

"You hesitate, of course. It is not a pretty thing to say. Life is cheap out there, and if I was killed, what matter? Let us talk of other and more pleasant things."

"Of your travels and adventures, for instance. Did you find any wonderful flowers, like you did, for instance, in Borneo, Harold? Where did you get that lovely orchid from?"

A single blossom flamed on the silk lapel of Denvers’ coat—a whitish bloom with a cloud of little flowers hovering over it like moths. It was the Cardinal Moth again.

"Unique, is it not?" Harold said. "Thereby hangs a strange, romantic tale which would take too long to tell at present. What would Sir Clement give for it?"

"Let me have it before I go," asked Angela, eagerly. "I should like to show it to Sir Clement. He has some wonderful flower that he wants me to see, but I feel pretty sure that he has nothing like that. I shall decline to say where I got the bloom from."

Denvers removed the exquisite bloom with its nodding scarlet moths and dexterously attached it to Angela’s own orchids. The thing might have been growing there.

"It seems strange to see that bloom on your innocent breast," Harold said. "It makes me feel quite creepy when I look at it. If you only knew the sin and misery and shame and crime that surrounds the Cardinal Moth you would hesitate to wear it."

Angela smiled; she did not possess the imaginative vein.

"You shall tell me that another time," she said. "Meanwhile you seem to have dropped from the clouds.... Are your plans more promising for the future?"

"A little nebulous for the present," Denvers admitted, "though the next expedition, which is not connected with Sir Clement Frobisher, promises well for the future. There is a lot to be done, however, and I am likely to be in London for the next three weeks or so. And you?"

"We are here for the season, of course. My aunt is staying at Chaffers Court till Friday, hence the fact that I am here alone. If you are very good you shall take me as far as Piccadilly in a taxi. I must see a good deal of you, Hal, for I have been very lonely."

There was a pathetic little droop in Angela’s voice. Harold drew her a little closer.

"I wish I could take you out of it, darling," he said. "For your sake, we must try and make the next venture a success. If we can only start the company fairly, I shall be able to reckon on a thousand a year. Do you think you could manage on that, Angela?"

"Yes, or on a great deal less," Angela smiled. "I could be happy with you anywhere. And you must not forget that I shall have a large fortune of my own some day."

Other people were drifting towards the cool air of the balcony now, George Arnott amongst the number. It was getting late, and Angela was tired. She whispered Harold to procure her a cab, and that she would say good-night to Lady Marchgrave and join him presently. The cab came, and so did the lights of Piccadilly all too soon. Denvers lingered on the steps just for a moment. He was going down to a big country house on Saturday for the week-end. Would Angela come if he could procure her an invitation? Angela’s eyes replied for her. She was in the house at length by the aid of her latchkey. The dining-room door opened for a moment; there was a rattle of conversation and the smell of Egyptian cigarettes. Evidently Sir Clement was giving one of his famous impromptu dinner-parties. Angela took the spray of orchids from her breast and passed hurriedly in the direction of the orchid-house. The bloom would keep best there, she thought.

As she passed along the corridor the figure of a man preceded her. The stranger crept along, looking furtively to the right and the left. From his every gesture he was doing wrong here. Then he darted for the orchid-house and Angela followed directly she had recovered herself. She would corner the man in the conservatory and demand his business. In the conservatory Angela looked about her. The man had vanished.

He had utterly gone—he was nowhere to be seen. Angela rubbed her eyes in amazement. There was no other way out of the conservatory. She stood therewith the Cardinal Moth in her hand, aware now that she was looking into the scared face of Hafid.

"Take it and burn it, and destroy it," he said in a dazed kind of way. "Take it and burn it at once. Dear lady, will you go to bed? Take it and burn it—my head is all hot and confused. Dear lady, do not stay here, the place is accursed. By the Prophet, I wish I had never been born."

Hafid came into the library and pulled to the big bronze gates of the orchid-house like the portals of a floral paradise. There were flowers here: stephanotis climbing round the carved mantel, ropes of orchids dangling from the electroliers, in one corner a mass of maiden-hair fern draped the wall. Even the pictures in their Florentine frames were roped with blossoms.

Frobisher glanced beyond the carved and twisted gates with a peculiar smile after Angela had departed. His luncheon guests were late. He looked more like a mischievous bird than usual. There was an air of pleased anticipation about him as of a man who is going to witness a brilliant comedy.

There came to him a tall man with a heavy moustache and an unmistakable military swagger. If Frobisher resembled a parrot, Lefroy was most unmistakably a hawk. He passed in society generally as a cavalry officer high in favour of his Majesty the Shan of Ganistan; more than one brilliant expedition against the hill-tribes had been led by him. But some of the hill-men could have told another tale.

"Well, Lefroy," Frobisher exclaimed, genially. "This is a pleasure, a greater pleasure than you are aware of. Mr. Manfred, take a seat."

Lefroy’s secretary bowed and sank into a deep chair. His face was absolutely devoid of emotion, a blank wall of whiteness with two eyes as expressionless as shuttered windows. Most people were disposed to regard Manfred as an absolute fool. The hill-men at the back of Ganistan muttered in their beards that he was, if possible, worse than his master.

Lefroy reached for a cigar, lighted it, and looked around him. The white-faced Manfred seemed to have lapsed into a kind of waking sleep. A more utter indifference to his surroundings it would be hard to imagine. Yet he was a kind of intellectual camera. He had never been in Frobisher’s library before. But a year hence he could have entered it in the dark and found his way to any part of the room with absolute certainty.

"I came to see you over that central Koordstan Railway business," Lefroy said.

"Precisely," Frobisher smiled. "I might have guessed it. As an Englishman—though you have so picturesque a name—you are anxious that England should receive the concessions. In fact, you have already promised it to our Government."

Lefroy made a motion as who should move a piece on a chess-board.

"That is one to you," he said. "Yes, you are quite right. Whereas you?"

"Whereas I am interested on behalf of the Russian Government. I tried our people here two years ago, but they refused to have anything to do with me."

"Refused to trust you, in point of fact."

Frobisher laughed noiselessly. The wrinkled cunning of his face and the noble expanse of his forehead looked strange together.

"Quite right," he said. "They refused to trust me. Any man who knows my record would be a fool to do so. But in that instance I was perfectly loyal, because it was my interest to be so. Still I bowed with chastened resignation and—immediately offered my services to Russia. Then you slipped in and spoilt my little game."

"There is half a million hanging to the thing, my dear fellow."

"Well, well! But you have not won yet. You can do nothing till you have won the Shan of Koordstan to your side. Whichever way he throws his influence the concession goes. And He of Koordstan and myself are very friendly. He dines here to-night."

Lefroy started slightly. He glanced at Frobisher keenly under his shaggy brows. The latter lay back smoking his filthy clay with dreamy ecstasy.

"Yes," he went on, "He dines here to-night to see my orchids. My dear fellow, if you and Manfred will join us, I shall be delighted."

Lefroy muttered something that sounded like acceptance. Manfred came out of his waking dream, nodded, and slipped back into conscious unconsciousness again.

"That picturesque and slightly drunken young rascal has a passion for orchids," said Frobisher. "It is the one redeeming point in his character. But you know that, of course. You haven’t forgotten the great coup so nearly made with the Cardinal Moth."

"The plant that was burnt at Ochiri," Lefroy said uneasily.

"The same. What a wax the old man was in, to be sure! Ah, my dear Lefroy, we shall never, never see a Cardinal Moth again!"

"If I could," Lefroy said hoarsely. "Your chances with the Shan of Koordstan wouldn’t be worth a rap. With that orchid I could buy the man body and soul. And the plant that was stolen from us at Turin is dead long ago. It must be, such a find as that couldn’t possibly have been kept quiet."

"I’ll bet you a thousand pounds that orchid is alive," Frobisher said dryly.

Lefroy sat up straight as a ramrod. The waxed ends of his big moustache quivered. He turned to Manfred, anxiety, anger, passion, blazing like a brief torch in his eyes. Manfred seemed to divine rather than know that he was under that black battery, and shook his head.

"I fail to see the point of the joke," Lefroy said.

Frobisher signed to Hafid to throw back the gates. Lefroy was on his feet by this time. He breathed like one who has run fast and far. Manfred followed him with the air of a man who is utterly without hope or expectation.

"There!" Frobisher cried with a flourish of his hand. "What is that you see beyond the third tier of ropes? Ah, my beauty, here comes another lover for you!"

Lefroy’s black eyes were turned up towards the high dome of the orchid-house. Other tangled ropes and loops of blossoms met his gaze and held it as he glanced in the direction indicated by Frobisher. And there, high up above them all he could see the long, foamy, pink mass of blooms with the red moths dancing and hovering about them like things of life.

"The Cardinal Moth," he screamed. "Manfred, Manfred, curse you!"

He wheeled suddenly round in a whirl of delirious passion, and struck Manfred a violent blow in the mouth. The secretary staggered back, a thin stream of blood spurted from his split lip. But he said nothing, manifested no feeling or emotion of any kind. With a handkerchief he staunched the flow with the automatic action of a marionette.

"The Cardinal Moth," Frobisher said as genially as if nothing had happened. "The gem has but recently come into my possession. It will be a pleasant surprise for our friend the Shan to-night."

Just for an instant it looked as if Lefroy were about to transfer his spleen from Manfred to his host. But Frobisher had been told enough already. The cowardly blow said as plainly as words could speak that Frobisher had obtained the very treasure that Lefroy was after. He imagined that his secretary had played him false. And, moreover, he knew that Frobisher knew this.

"You’ve got it," he said. He seemed to have a difficulty in swallowing something. "But you could not bring yourself to part with it. You couldn’t do it."

"My good Lefroy, every man has his price, even you and I. My beloved Moth may not be a very good trap, but I shall find it a wonderfully efficient bait."

"I dare say," Lefroy returned moodily. "Can I examine the flower closer?"

"Certainly. Hafid, bring the extending steps this way. Be careful of those ropes and tangles. An active man like you could climb up the stays and bracket to the roof."

Lefroy was a long time examining the flower. He was torn by envy and admiration. When he came down again his face was pale and his hands trembled.

"The real thing," he said, "the real, palpitating, beautiful thing. But there is blood upon it."

"Born in blood and watered with the stream of life. No, I am not going to tell you where I got it from. And now, my dear Lefroy, what will you take for your Koordstan concessions?"

Lefroy said nothing, but there was a gleam in his downcast eyes. Then presently he broke into a laugh that jarred on the decorous silence of the place.

"The game is yours," he said. "White to play and mate in three moves. Still there may be a way out. And, on the other hand, you must be very sure of your game to show me that. Lord, I’d give twopence to have you alone in a dark corner!"

He rose abruptly, turned on his heel, and made for the door, followed by the white automaton with the bleeding lip. He could hear Frobisher’s diabolical chuckle as the big bronze gates closed behind him. It was perhaps the most silent meal ever partaken of at Frobisher’s. He was glad at length to see the last of his luncheon guests.

Once in the streets Lefroy’s manner changed. He looked uneasy and downcast.

"I’m sorry I hit you, Manfred," he said. "But when I caught sight of that infernal plant I felt sure that you had sold me. But even you couldn’t have carried the thing off quite so coolly as that. And yet—and yet there can’t be two Cardinal Moths in existence."

"There are not," Manfred said impatiently. "That is the same one I hoped to have had in my possession to-night. Didn’t Frobisher say it had recently fallen into his hands?"

"I recollect that now. Manfred, I’m done. And yet I regarded it as a certainty."

The novel opens with a striking description of Sir Clement Frobisher's orchid-house, a "vast dome" filled with "thousands upon thousands" of blossoms, where the host sits smoking a clay pipe and drinking thin Rhine wine. This juxtaposition of extravagant beauty and coarse taste immediately establishes Frobisher as a man of contradictions: he claims to hold his floral folly "cheap at the money" yet warns that picking a single orchid would provoke his wrath. The conservatory becomes a stage for disguise and intrigue, as Harold adopts a false identity to infiltrate Frobisher's home, aided by Angela. The narrative voice shifts between lavish sensory detail and terse dialogue, creating a tension between the exotic setting and the characters' calculated schemes.

Contrasts in Character and Setting

The excerpts reveal a deliberate pattern of contrasts. Frobisher's orchid-house is described as having a "diabolical suggestiveness" that orchids alone possess, blending beauty with menace. Inside, the atmosphere is "misty silence and the coaxed and pampered atmosphere of the Orient," while outside, the "throaty roar of Piccadilly" intrudes. This clash between the artificial paradise and the mundane city mirrors Frobisher himself: a man who tolerates robbery and lies but not the theft of a flower. His preference for "atrocious grape juice and common ship's tobacco" further underscores his perverse tastes. Similarly, Angela is portrayed as eager to help Harold, insisting she is "a great deal stronger and braver" than he imagines, yet she is tasked with a simple errand—a hint of the gendered dynamics at play.

Disguise and Deception as Narrative Engines

Disguise is central to the plot. Harold assumes a false identity to enter Frobisher's house, a scheme hatched with the Shan, whose throne is in danger. Harold himself finds the deception "repugnant to his finer feelings," yet proceeds because it serves to defeat a scoundrel. The Shan, too, is complicit, and Angela is kept deliberately ignorant: "it is far better that you should not know," Harold tells her. This layered secrecy creates a web of mistrust. The lady of the rubies, Mrs. Benstein, is also drawn into the scheme, unknowingly placed under a lamp as a signal. The text repeatedly emphasizes the fragility of appearances: Angela cannot penetrate Harold's disguise, and the Shan's warning eye coordinates their moves. The conservatory, with its dim light and shaded lamps, becomes a space where identities shift and truths are hidden.

Voice and Dialogue: Tension Between Politeness and Urgency

The dialogue in the excerpts is marked by a contrast between formal politeness and urgent whispers. Angela speaks in exclamations—"You will let me help you?"—while Harold responds with measured caution: "I should like to kiss you at this moment, but I dare not take any risks." Mrs. Benstein's voice is frank and weary: "I am not used to it. And I can't stand all their silly folly." This directness contrasts with the conspiratorial tones of Harold and the Shan. The narrative also uses physical cues—"Harold touched his companion on the arm"—to convey unspoken communication. The prose itself shifts between lush description and clipped exchanges, as when Frobisher's cynical remark about his orchid-house is followed by a terse summary of his character. This variation in pace keeps the reader attuned to both the sensory richness and the plot's undercurrents.

Readers should pay close attention to the recurring motif of flowers—particularly orchids—as they are not merely decorative but carry symbolic weight, hinting at danger and deception. The title itself, The Cardinal Moth, may echo this botanical theme. The excerpts offer only fragments of the larger plot, but the tensions between appearance and reality, and between the exotic and the mundane, are clearly established. Approach the novel as a puzzle where every detail, from a clay pipe to a shaded lamp, may prove significant.

Some evenings I think of Frobisher’s gilded orchid-house, all that costly beauty shielding a hollow man, and my mind wanders to another shelf where fortunes are weighed against honor. Both books hold that ache of ambition wearing a velvet glove. Master of Men — Themes and Context whispers a quieter sort of reckoning, much like a lamp left burning after the guests have gone.

John Clark
1 week ago

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