The Mystery of Lincoln's Inn — Background and Themes

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Machray, Robert, 1857-1946 Project Gutenberg 2012
Detective and mystery stories; England -- Fiction; Embezzlement -- Fiction Readers of public-domain and historical texts
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Words: 90,559
Reading time: 394 min
Text sections: 8
Robert Machray's 1910 mystery novel uses the enclosed world of Lincoln's Inn and the financial pressure of Beauclerk Mansions to structure a tale of embezzlement and suspicion. The narrative moves between tense office confrontations and property visits, with recurring motifs of letters, deadlines, and hidden knowledge.
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There was a moment of silence, and then Silwood remarked to Williamson that he might go, but as the head-clerk was withdrawing he called him back.

"Has Mr. Eversleigh come in yet?" he asked.

"Yes, sir; a few minutes ago."

"Have you told him about this letter from Mr. Thornton?"

"That's right, Mr. Williamson. I'll tell him about it myself."

Silwood nodded Williamson's dismissal, and the clerk, who had undoubtedly been studying his principal intently and wonderingly during their conversation, bowed and went out.

"It's plain that Williamson has his suspicions," said Silwood to himself, after the door had closed upon the head-clerk. "He is inclined to think there's something wrong--I could see it in his manner--it suggested he was afraid there was some trouble impending. But he knows nothing--he can know nothing."

He assured himself, however, that what Williamson knew or suspected did not matter much.

But what did matter, what did matter enormously, was this letter of Thornton's.

Taking it up again, he read it over very carefully twice or thrice; then, still holding it in his hand, he walked up and down the floor many times, absorbed in thought. His small, hard, keen eyes gleamed angrily, the lines of his cold, pale, clean-shaven face seemed to become deeper, and his hands opened and shut convulsively as he paced his room. Now and again he looked at a large japanned box which stood in one corner. With a quick, nervous movement peculiar to him in moments of doubt, he stopped and pushed up the heavy brown wig which he always wore by day, and sat down at his table. Once more he re-read Thornton's letter.

"Thornton's coming back in this unexpected way," he said to himself, "upsets my plan--that is quite clear; my hand is forced. What is to be done now? The worst of it is that Thornton does not say when he is coming--which is more than a little strange. He is well on his way, no doubt, by this time; he may drop in upon us any day. I must prepare for it. I never looked for his return--at least, not for a long time. His coming precipitates the crisis. Well, it was bound to come sooner or later. I must consider my position coolly."

He knew he would not be disturbed for an hour, as it was a fixed rule of the office that no one was to be shown in to him till half-past eleven. He thought best, pen in hand, seated at his table, and there he sat, a still, immovable figure, save when he jotted something on his blotting-pad, for several minutes. But his was a nimble brain, and his mind was soon made up.

"I must see Eversleigh," he told himself, "and acquaint him with--everything." As he thought this, he half smiled, and his eyes for an instant had in them the same threatening gleam that had flashed upon Williamson.

Next he went to the large japanned box that stood in the corner, and touching a spring cleverly concealed in the moulding round its base, gained access to a narrow, shelf-like cavity at the bottom, which was stuffed with papers. From this secret place he extracted a folio sheet covered with figures, against which were various initials, "M.T." being conspicuous from their frequency amongst them.

He went over this document very carefully, added up the figures opposite the "M.T."s, and put down the total on his pad.

"A quarter of a million," he whispered almost aloud. "It's an immense sum. What a thing to have to tell Eversleigh!"

Then he folded up and replaced the sheet of figures in the receptacle hidden at the bottom of the big box, but when he tried to close up the aperture he experienced great difficulty in getting the spring to act; finally, however, he succeeded.

"I ought to see to that at once," he said with decision, "but I dare not."

He now proceeded to skim over the rest of his correspondence with extraordinary rapidity but with little real attention; at the back of his mind he was still occupied with the return of Morris Thornton.

All at once a thought struck him.

"I wonder if Kitty Thornton has heard from her father by the same post? If so, she may know the date on which to expect him," was what he said to himself, adding, "if she knows, Eversleigh will know." For Miss Kitty Thornton lived practically as a member of the family of Francis Eversleigh, the senior partner of the firm.

Silwood went to the door of his room, opened it quietly, and looked out. A young and handsome man was springing lightly up the stairs; the two men exchanged somewhat cold nods.

"Good morning, Gilbert," said Silwood, but without much cordiality.

"Good morning," returned the other, with a distant air.

"Going up to see your father, I suppose?" asked Silwood.

"Yes. Mr. Williamson, whom I met in the square, told me he was in," replied Gilbert Eversleigh, and with another nod went on upstairs.

"I'll just give you five minutes," said Silwood, under his breath, addressing the back of the unconscious Gilbert, who knocked at a door on the second floor and was admitted.

"I thought I'd look in, sir, to ask how they all are at home," said Gilbert to his father, Francis Eversleigh. Gilbert had his own chambers in the Temple, of which he was a member, and for the past three years had not lived at his father's house in Surbiton.

Francis Eversleigh gazed at his son before answering the implied question, and a father's pride expressed itself clearly in his face. The son was dear to the father's heart.

"They're all very well at home--your mother and your sister and Kitty," responded Francis Eversleigh, lingering somewhat on the last word. Glancing away from his son to the window, he remarked casually, "Really, I think Miss Kitty grows prettier and more charming every day."

"She is lovely," cried Gilbert, with rising colour.

"By the way," observed the father, pointedly, "Harry Bennet came in last evening, and it was not hard to see the attraction."

"But Harry Bennet!" said Gilbert, in a voice of protest.

"Yes. He stayed quite late."

"But you know, sir," objected Gilbert, with a frown, "that Harry is said to be going the pace--making the sparks fly furiously."

Francis Eversleigh did not reply. He thought he had given his son a plain enough hint; besides, Bennet was a client of his own, and he did not wish to pursue the subject further. Gilbert walked over to the window and stood there, while his father covertly watched him. Presently he faced round; the frown had disappeared; his expression was confident and eager.

Father and son looked at each other. Seen thus together, the family likeness between them was pronounced; seen apart, the differences became prominent.

Francis Eversleigh was a tall, stout, florid, handsome man; genial, easy-going, unsuspicious, self-indulgent--not a typical solicitor in appearance or character. Inheriting early in life a fine business, he had gradually allowed himself to give way to a constitutional indolence, a fatality of temperament which Gilbert happily had escaped. Gilbert was tall and fair and good-looking, but he was more slimly made than his father, and was charged with far more vitality and force. He was alert, active, resolute. In brief, he was strong and keen where his father was weak and slack.

"It's a glorious day, sir," said Gilbert, "and as it's a Saturday and I have nothing on of importance, I think I'll run over to Surbiton and spend the afternoon and evening. I'll wire mother I'm coming."

"What! No work to do!" the father made laughing demur. But he immediately followed with the words, "Well, well, my boy, go and enjoy yourself. It's fine to be young!"

What he really meant, of course, was, "Go and see Kitty, you lucky young dog, and good fortune go with you." He knew that Gilbert loved the girl, and there was nothing in all the world he desired more than that Gilbert should succeed in his court to her.

As Gilbert turned to leave the room, Cooper Silwood entered it, carrying an open letter in his hand. After Gilbert had withdrawn, Silwood took care to see the door was shut.

"Here is a letter from Morris Thornton," said Silwood, shooting a keen, swift glance at his partner, but it escaped the other's notice.

Francis Eversleigh's thoughts, in fact, played pleasantly around his son Gilbert and Kitty Thornton, or if he had seen that look it might have startled him out of the complacent musings which forecast a fortunate ending only.

"Yes," he said, rather apathetically. For though the mention of the name of Kitty's father chimed in agreeably with his reflections, the firm received communications frequently from Morris Thornton--which was only natural, as he was by far the most important client it possessed, and therefore the arrival of this particular letter excited no special interest in his breast. "Is it more money for investment?" he inquired, tranquilly.

But Silwood did not answer the question. Instead of doing so, he scanned the letter with those little, sharp eyes of his, while his smooth, pallid face was as void of expression as a block of stone.

"What does Morris say?" asked Eversleigh, after a pause.

"Did you see Miss Kitty this morning?" Silwood queried, ignoring the other's words; moreover, he spoke in such a tone as was significant of the relations between the two partners--it suggested the idea that he was accustomed to direct Eversleigh, and not to be directed by him.

"Certainly, I saw her this morning," replied Eversleigh, beginning to wonder a little.

"Did she have nothing to tell you about her father?"

"She did not allude to him at all."

"Do you happen to know if she received a letter from him this morning?"

"I'm pretty sure she did not; if she had, she would doubtless have mentioned it," said Eversleigh, looking blankly at the questioner. "But what are you driving at, Cooper?" he asked.

"Morris Thornton informs us in this letter that he is coming back to England----"

"Indeed!" cried Eversleigh, breaking in; "that's good news. I shall be very glad to see him again."

And there was a pleasant smile on Eversleigh's face.

"Yes, he's coming home," Silwood went on; "but he doesn't state exactly when. I thought he probably would write Miss Kitty about the same time that he wrote us, giving the precise date--say, of his sailing from New York; he generally comes by that route."

"I should think he has written her," said Francis Eversleigh, "but she had not received a letter this morning up to the time of my leaving Surbiton, so far as I know. Did the letter to us come by the first delivery or the second? If it came by the latter, then most likely she would get her letter, if there was one for her, by it also. But that would be after I had left Surbiton."

"That's it, I believe," observed Silwood, who had been examining the postmarks on the envelope in which Thornton's letter had been enclosed; "our letter came by the second delivery. I am convinced that when you return to Surbiton you will find Miss Kitty has heard from her father. He will certainly have told her when to expect him, and we must get to know the exact date he specifies; it is most important."

"It is certainly very odd," remarked Eversleigh, leisurely and without much curiosity, "that so business-like a man as Morris does not give a positive date either for leaving New York or for arriving here; but I don't know, after all, that it is so particularly important. The important thing, of course, is that he is coming back again, and I'm heartily pleased to hear it. He's been away a long time without a holiday at home--seven years, isn't it? Kitty was only fourteen," continued Eversleigh, in a vein of reminiscence, "when he left her in my wife's charge, and now she is twenty-one. How happy the news will make the child! Strange he doesn't mention a date--strange, as you say, Cooper. But can't you make a pretty fair guess at the approximate date from his letter? You haven't yet told me what he says in it. What does he say?"

Cooper Silwood glanced at the letter as if to refresh his memory, yet he knew its contents so perfectly that he could have repeated it word for word.

"He tells us," said Silwood, deliberately, "that the reason for his returning to England is the state of his health, which is now most precarious."

"Dear me!" interrupted Eversleigh, with lively concern.

"He says he is subject to exceedingly serious heart-trouble, and has been warned by his doctor that he may not have long to live."

"Good Heavens!" ejaculated Eversleigh, his face suddenly grown grave. The friendship between him and Morris Thornton had lasted many years; indeed, they had been boys together at Rugby, and the sad tidings pained him greatly. "Poor Morris!" he said, in a low, hushed voice; "how dreadful! I thought I should be so glad to see him once more, but--but this is too terrible--too terrible!"

Silwood had been almost as much of a friend to the doomed man as his partner, but he uttered no words of regret, far less of sorrow. While Eversleigh was speaking, he turned away, with a slight gesture of impatience, and fixed his eyes on some shelves filled with law-books.

There was a short silence, and then Eversleigh, still in that small, hushed voice, asked if there was anything more in Thornton's letter.

"He intends to consult Sir Anthony Mortimer, the great heart specialist, but he has no real hope of recovery," replied Silwood, with another glance at the letter. "Then he goes on to say that he will devote the whole of the time left him to putting all his affairs in thorough order, so that Miss Kitty will have no trouble in the future. He thanks us for the care and judgment we have shown in investing the sums of money he has from time to time remitted us from Canada, and, as a matter of form, he would like to check over the securities, certificates of shares, etc., we hold for him. He concludes by stating that when his agents have realized the remainder of his estate in British Columbia the proceeds will be placed in our hands, and that he will leave instructions to this effect."

Though Eversleigh had asked for the information Silwood thus gave him, his mind was so stunned by the grave news concerning the condition of his friend that he hardly took in what his partner said. Silwood saw that Eversleigh was not following him. He now spoke sharply and abruptly, so that Eversleigh was compelled to listen.

"Morris, I take it," said he, "wishes to make an examination into his affairs--an investigation, one might call it; _that_ is the meaning of his desire to check over the securities, certificates of shares, etc., in our hands."

"Well, it's very natural in the circumstances," observed Eversleigh. "Poor Morris! Poor fellow! To have fought all these long years for his fortune--to have won--and now to be robbed of the fruits of the struggle; it must be bitter--bitter! Such a fine fortune, too! Thanks to your financial ability, Cooper," continued Eversleigh, with returning complacency, "his estate is in a highly satisfactory condition; everything is in apple-pie order; he will be delighted with your admirable management. It's a great fortune," he added, meditatively. "What we hold of it, Cooper, is something like a quarter of a million, is it not?"

"Yes, yes," assented Silwood, speaking rapidly. "Francis," he went on, his manner for the first time showing a trace of nervousness, his speech a touch of incoherence, "that's what I must talk to you about--there's a very good reason why I am so anxious as to the date of Morris Thornton's arrival--something must be done at once."

"What do you mean, Cooper?" asked Eversleigh, his attention aroused; "I don't understand you."

Silwood had up to this point been standing; he now seated himself and gazed fixedly at his partner, on whose face was to be seen some uneasiness but no great alarm--rather a vague wonder.

"Frank," said Silwood, steadily, and now master of himself, "prepare yourself--I have something to say--I have a confession to make."

As he heard these words, Eversleigh, with a sudden movement, pushed his chair back from the table. Fearful of what was coming, he stared at Silwood, his mild eyes big with surprise and terror.

"What is it?" he stammered, in increasing agitation--"what is it?" And he jumped up to his feet excitedly, exclaiming, "A confession to make! You! Am I going out of my senses? My God! What do you mean, Cooper?"

"What I mean is this," said Silwood, keeping his eyes fastened snake-like on Eversleigh as if to magnetize him: "when Morris Thornton comes to look into his affairs and ask for the securities and so forth we are supposed to hold----"

"Supposed to hold!" cried Eversleigh, in tremulous accents.

"When he asks us for his property he will discover----"

"No, no, no--never that, Cooper!" interrupted Eversleigh, at last perceiving the other's drift.

"He will discover that his estate has vanished; it does not exist," said Silwood.

"What!" ejaculated Eversleigh, staring wildly at his partner, and still only half believing his ears, still only half comprehending the sweep of the calamity in which he was involved.

"The truth is, Frank, that, unknown to you, I've been speculating on the Stock Exchange, and I've lost everything, or practically everything. If we were called upon to-day," Silwood went on in a hard, penetrating tone which forced conviction on the mind of the miserable man to whom he spoke, "to produce our clients' securities, bonds, shares and monies, we should have very little to give them--the bulk has disappeared."

"We are defaulters," moaned Eversleigh, in accents of horror. And as he spoke, realizing and overwhelmed by the disaster that had overtaken him, the big, soft man seemed to shrivel and shrink up. With a pitiful sound, plaintive, appealing, like the cry of a hurt child, he covered his face with his hands and sank into his seat.

"Some years ago," Silwood resumed, "I was tempted to speculate. It appeared to be a certainty, but I lost. To gain back what I had ventured, I speculated again, with no better result. And this happened over and over again. I did not always lose, or I might have become discouraged. So I kept hoping and hoping to right myself, but I only sank deeper and deeper in the mire."

While Silwood was speaking, a dark painful flush overspread Eversleigh's face, then the blood ebbed slowly away from it, and left the cheeks deathly pale.

"I have put off telling you of our position," continued Silwood, in the same measured, monotonous, curiously callous voice that he had spoken in during most of the interview, "but the early coming--he may be here any day--of Morris Thornton compels me to state exactly how we stand. You see now why I am so anxious to know the date of his return to England."

Eversleigh slowly raised his head and looked at Silwood the reproach, anger, and rage he felt but could not express--he was so overcome, so dazed, that his tongue could not find words. He saw with appalling clearness, as in a flash of lightning, all that Silwood's disclosure meant--dishonour, ruin, and the convict's cell for himself, the brand of shame and infamy for his family. He had blindly trusted Silwood all these years, and, though he himself had taken not a penny of the clients' funds, the law would hold him equally guilty with his partner.

"Something must be done," urged Silwood.

"There is only one thing to do," said Eversleigh, finding words at last; "we must make the truth known at once."

"No," said Silwood, emphatically; "that would be sheer folly; it will be soon enough to act in that way when we must. Besides, is there no scheme that we can devise to----"

"What scheme could be devised?"

"I have thought of one," said Silwood, and for several minutes he spoke to Eversleigh in low tones of persuasion, but Eversleigh refused to agree to what he proposed.

"No," said Eversleigh, finally; "I'll never consent to that--never, come what may."

"Think it over, Frank," Silwood pressed him--"think it over calmly; and, in any case, there is no need for precipitancy."

"If I did my duty," said Eversleigh, with a groan, "I should hand you and myself over to the police!"

"That would be madness," replied Silwood. "Think of it, man! You will never be such a fool."

The novel opens with a precise temporal marker—half-past ten on a Saturday in July—and immediately establishes the regulated world of Lincoln's Inn. Mr. Cooper Silwood, a solicitor, enters his office to find his head-clerk, Williamson, troubled by a letter from Morris Thornton, who is returning from Vancouver due to serious illness. The exchange is charged with unspoken tension: Silwood's 'curious glittering light in his eyes' and Williamson's 'apprehensive' scrutiny suggest hidden stakes beneath the professional calm. This scene sets a pattern of controlled surfaces giving way to unease.

The Office as Stage

The narrative repeatedly returns to the solicitor's office at 176 New Square, Lincoln's Inn, as a stage for confrontation. The opening chapter's measured dialogue—Silwood's 'calmly' and 'evenly' versus Williamson's 'anxiety'—establishes a rhythm of veiled threat. Later, Francis Eversleigh's room becomes the site of a different power struggle: Harry Bennet's blunt demand for an advance of ten thousand pounds on Beauclerk Mansions. Eversleigh's 'choking gasp' and forced smile contrast with Bennet's 'grin' and 'strange expression'. The office walls contain these escalating pressures, making the setting itself a silent participant.

Letters and Their Weight

Letters function as plot engines and emotional barometers. Thornton's letter from Vancouver, with its 'no precise date' and ominous medical warning, triggers Silwood's 'sinister and menacing' reaction. The head-clerk's careful sorting of correspondence—'opened and sorted out methodically'—implies a system where every document carries potential danger. Later, Bennet's return from Beauclerk Mansions brings a demand for 'an explanation of a circumstance which puzzles me extremely'. The written word, whether a letter or a property report, becomes a tool of revelation and accusation.

Movement Between Spaces

The narrative structure depends on physical movement between distinct locations: the formal office, the unseen Vancouver, and the Kensington property of Beauclerk Mansions. Bennet's journey 'down on the Underground to High Street' to inspect the Mansions bridges these worlds. His return 'at four o'clock' with a 'threatening' expression marks a shift from passive receipt of news to active investigation. The novel's rhythm alternates between static, dialogue-heavy scenes in Lincoln's Inn and these offstage journeys that bring back new information, reshaping the power dynamics.

Recurring Financial Pressures

Money—its absence, its urgency, its mismanagement—runs through the excerpts. Silwood's firm deals with 'important matters' and 'embezzlement' (per the catalog subjects). Bennet insists on selling Beauclerk Mansions outright: 'I do not desire a mortgage... It must be sold outright.' The repeated mention of 'thirty or forty thousand' and 'an advance of ten thousand' grounds the mystery in concrete financial stakes. Eversleigh's 'determination to make as much of a stand as he could' suggests a reckoning tied to ledgers as much as to personal loyalty.

Readers attentive to the novel's structure will note how each scene in Lincoln's Inn is framed by arrivals and departures—letters, visitors, journeys—that carry the plot forward. The excerpts offer no resolution, only mounting pressure. Pay particular attention to what characters choose not to say: the silences, the 'forced smiles', and the 'strange expressions' that hint at knowledge withheld. The mystery lies as much in the gaps between words as in the words themselves.

I finished The Mystery of Lincoln's Inn the other night and found myself remembering the quiet pressure of its letters and deadlines—that ache of knowledge tucked behind closed doors. It reminded me somehow of An American Girl in London — Background and Themes, where new places hold their own hidden weights, and just being somewhere unfamiliar feels like a secret you’re still learning to carry.

Dylan Flores
4 weeks ago

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  • ...
    William Jackie Collins - 4 weeks ago
    {'content': "The Mystery of Lincoln's Inn is a tedious read with a convoluted plot that fails to engage. The mystery is contrived, and the characters are as wooden as the paneling in the Inns of Court. The author relies on coincidences rather than genuine detection, and the pacing sags with unnecessary subplots. Even the final twist is underwhelming. There are far better mysteries out there; skip this one."}

  • ...
    Susan Davis - 3 weeks ago
    {'content': "The Mystery of Lincoln's Inn is a riveting legal thriller set against the backdrop of London's Inns of Court. The author masterfully interweaves cryptic clues and red herrings, leading to a stunning revelation. The protagonist is resourceful and engaging, and the period detail is impeccable. I couldn't put it down! A must-read for mystery enthusiasts who enjoy a classic whodunit with a clever twist."}

  • ...
    Jerry Hall - 2 weeks ago
    {'content': "This novel delivers a solid, if not entirely fresh, mystery. The legal setting is fascinating, and the plot benefits from a brisk pace and intriguing clues. The main character is likable, though the supporting ones are a bit flat. The solution is a little convenient, and the final explanation feels rushed. Still, it's an entertaining read for fans of old-school detective fiction."}


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