The Rubicon — A Reader’s Guide
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The little red-roofed town of Hayes lies in a furrow of the broad-backed Wiltshire Downs; it was once an important posting station, and you may still see there an eighteenth century inn, much too large for the present requirements of the place, and telling of the days when, three times a week, the coach from London used to pull up at its hospitable door, and wait there half-an-hour while its passengers dined. The inn is called the Grampound Arms, and you will find that inside the church many marble Grampounds recline on their tombs, or raise hands of prayer, while outside in the churchyard, weeping cherubs, with reversed torches, record other pious and later memories of the same family.
But almost opposite the Grampound Arms you will notice a much newer inn, where commercial gentlemen make merry, called the Aston Arms, and on reference to monumental evidence, you would also find that cherubs are shedding similar pious tears for a Sir James Aston, Bart., and his wife, and, thirty years later, for James Aston, first Lord Hayes, and his wife. But for the Astons, no marble knights keep watch on Gothic tombs.
The river Kennet, in its green wanderings, has already passed, before it reaches Hayes, two houses, one close down by the river, the other rather higher up and on the opposite bank. The smaller and older of the two is the residence of Mr. Grampound, the larger and newer of Lord Hayes. These trifling facts, which almost all the inhabitants of Hayes could tell you, will sufficiently indicate the mutual position of the two families in the latter half of the nineteenth century.
Grampound House was a pretty, ivy-grown old place, with a lawn stretching southwards almost to the bank of the river, and shaded by a great cedar tree, redolent of ancestors and as monumental in its way as the marble, sleeping figures in the church. It was useful, however, as well as being ancestral, and at this moment Mrs. Grampound and her brother were having tea under it.
It was a still, hot day at the beginning of August, and through the broad, fan-like branches, stray sunbeams danced and twinkled, making little cores of light on the silver. Down one side of the lawn ran a terrace of grey stone, bordered by a broad gravel walk, and over the terrace pale monthly roses climbed and blossomed. Most of the windows in the house were darkened and eclipsed by Venetian blinds, to keep out the sun which still lingered on the face of it; and Mr. Martin, also--Mrs. Grampound's brother--was in a state of eclipse for the time being, for he wore a broad-brimmed Panama hat, which concealed the upper part of his face, while a large harlequin tea-cup prevented any detailed examination of his mouth. Mrs. Grampound sat opposite him in a low, basket chair, and appeared to be thinking. It is a privilege peculiar to owners of very fine, dark grey eyes, to appear to be thinking whenever they are not talking.
Mr. Martin finished his tea, and lit a cigarette.
"They've begun cutting the corn," he said; "it's very early."
Mrs. Grampound did not answer, and her brother, considering that he had made his sacrifice on the altar of conversation, relapsed into silence again.
Perhaps the obvious inference that the summer had been hot reminded her that the day was also hot, for in a minute or two she said,--
"Dear Eva! what a stifling journey she will have. She comes back to-night; she ought to be here by now."
"Where has she been staying?"
"At the Brabizons. Lord Hayes was there. He comes home at the end of the week; his mother arrived yesterday."
"The old witch," murmured Mr. Martin.
"Yes, but very old," said she, whose mind was apparently performing obligato variations on the theme of the conversation. "Haven't you noticed--"
She broke off, and presumably continued the obligato variations.
Mr. Martin showed no indications of having noticed anything at all, and the faint sounds of the summer evening pursued their whisperings unchecked until the distant rumble of carriage wheels began to overscore the dim noises, and came to a long pause, after a big crescendo, before the front door.
"That will be Eva," said her mother, filling up the teapot; "they will tell her we are here."
A few minutes afterwards, the drawing-room window was opened from inside, and a girl began to descend the little flying staircase.
Apparently she was in no hurry, for she stooped to stroke a kitten that was investigating the nature of blind cord with an almost fanatical enthusiasm. The kitten was quite as eager to investigate the nature of the human hand, and flew at Eva's outstretched fingers, all teeth and claws.
"You little brute!" she remarked, shaking it off. "Your claws want cutting. Oh! you are rather nice. Come, Kitty."
But the kitten was indignant, and bounced down the stairs in front of her, sat down on the path at the bottom, and pretended to be unaware of her existence. Eva stopped to pluck a rose from a standard tree, and fastened it in her dress. Her foot was noiseless on the soft grass, and neither her uncle or mother heard her approaching.
"The brute scratched me," she repeated as she neared them; "its claws want cutting."
Mrs. Grampound was a little startled, and got up quickly.
"Oh, Eva, I didn't hear you coming. I was just saying it was time you were here. How are you, and have you had a nice time?"
"Yes, quite nice; but the Brabizons are rather stupid people. Still, I enjoyed myself. I didn't see you, Uncle Tom; anyhow, I can't kiss you with that hat on."
She touched the top of his Panama hat lightly with the tips of her fingers, and sat down in her mother's chair, who was pouring her out a cup of tea.
"We had a tiresome journey," she went on. "Why will people live in Lancashire? Is this your chair, mother?"
"I'm going in," he said; "you can have mine. At least, I'm going for a ride. Is the tea good, Eva?--it has been made for some time--or shall I tell them to send you out some more?"
"It seems to me very bad," said Eva, sipping it. "Yes, I should like some more. Are you going for a ride? Perhaps I'll come."
"Yes, it's cooler now," said he. "Do come with me."
"Will you order my horse, then, if you are going in? Perhaps you'd better tell them to have it ready only, and not to bring it round. I won't come just yet, anyhow. If I'm not ready, start without me, and I daresay I'll follow you, if you tell me where you are going."
"I want to ride up to the Whitestones'--to see him."
"Very well, I daresay I shall follow you."
Mr. Martin stood looking rather like a servant receiving orders. Eva always managed to make other people assume subordinate positions.
"How long do you think you will be?" he asked.
"Perhaps half-an-hour. But don't wait for me."
Eva threw off her hat impatiently.
"I have been horribly hot and dusty all day," she said, "and there was nearly an accident; at least, there was a bit of an accident. We were standing in a siding for the express to pass, and we weren't far enough back or far enough forward or something, and it crashed through a bit of the last carriage. That is what made me so late. It is very stupid that people, whose only business is to see about trains, can't avoid that sort of thing."
"My darling Eva," said her mother, "were you in the train?"
"Yes; in the next carriage--I and Lord Hayes. He was dreadfully nervous all the rest of the way. That is so silly. It is inconceivable that two accidents should happen on the same day to the same train."
"I thought he wasn't coming back till the end of the week."
"Yes, but he changed his mind and came with me," said Eva. "The Brabizons were furious. I sha'n't go there again. Really, people are very vulgar. I owe him three-and-sixpence for lunch. He said he would call for it, if he might--he always asks leave--to-morrow morning."
Mrs. Grampound did not reply, but the obligato variations went on jubilantly. Eva was lying back in her chair, looking more bored than ever with this stupid world. Her mother's eyes surveyed the slender figure with much satisfaction. It really was a great thing to have such a daughter. And Lord Hayes had changed the day of his departure obviously in order to travel with Eva, and he was coming to call to-morrow morning in order to ask for three-and six!
Eva, quite unconscious of this commercial scrutiny, was swinging her hat to and fro, looking dreamily out over the green distances.
"On the whole, I sha'n't go for a ride," she said at length. "I think I'll sit here with you, if you've got nothing to do; I rather want to talk to you."
"Certainly, dear," said her mother; "but hadn't you better send word to the stables? Then they needn't get Starlight ready. I must go into the house to get my work, but I sha'n't be a moment. I wonder what you want to talk to me about."
"No," said Eva, "don't get your work. You can't talk when you are working. Besides, I daresay I shall go later. Leave it as it is."
"Dear Eva," said Mrs. Grampound, "I am so anxious to hear what you have to say. Shall I be pleased?"
"I don't know," said Eva, slowly. "Well, the fact is that Lord Hayes--well--will have something to say to me when he comes for the three-and-six. He would have said it at the Brabizons, only I didn't allow him, and he would have said it in the train, only I said I couldn't bear people who talked in the train. I may be wrong, but I don't think I am. I like him, you know, very much; he is not so foolish as most people. But I do not feel sure about it."
"My darling Eva," began her mother with solemn gladness.
"It's all rather sudden," Eva interrupted. "I want to wait a little first. Do you know, I think I shall be out to-morrow when he comes, or I might send him the three-and-six by post. He is not stupid; he would easily understand what I meant."
To say that this was the cherished dream of her mother's heart would almost be understating the fact, and now the cherished dream was perhaps going to be transformed into a most cherishable reality. Mrs. Grampound, if not knowing exactly how to deal with Eva, at least was conscious of her ignorance and was cautious.
"Yes, darling, it's very sudden," she said. "Don't do anything in a hurry--of course I know how heavy the responsibilities will seem to you, as they must to every young girl who goes out from the what's-its-name of home life, and all that sort of thing, to those very much wider spheres, but you will do your best, dear, I know. Eva, darling, I must kiss you."
Mrs. Grampound surged out of her chair, and bent over Eva to kiss her. Eva received the kiss with absolute passivity, but sorry, perhaps, a moment afterwards, for her want of responsiveness, bent forward and kissed her again.
"It wasn't exactly the responsibilities I was thinking of," she said; "it was"--she got up from her chair quickly, and stood quite still, looking down over the lawn to the reddening sunset--"it was that I am not quite sure about myself."
Mrs. Grampound seized hold of anything tangible which Eva's speech conveyed, and sympathised with it.
"Yes, darling, I know," she said. "Just wait a little, and think about it. I think your plan about not seeing him to-morrow is very wise. He will, probably, in any case, write to your father first. It is very faint praise to say that he is not so foolish as most people. A most brilliant and well-informed man! He was telling me, the other day, about a flower he has in his conservatory which ate flies or something of the sort, which seems to me most extraordinary. Such an admirable landlord, too. He has just built some new labourers' cottages in Hayes, and I declare I want to go and live in them myself. I feel sure he will write to your father, and, no doubt, he will talk to you about it."
"You would like it, then, would you?" said Eva. "Tell me exactly what you think?"
Mrs. Grampound had a very decided opinion about it, and she expressed herself fully.
"Darling, that is so sweet of you. Ah, how can I have but one opinion! It is a girl's duty to marry as well as she can. This is a brilliant match. I know so many mothers--good, conscientious mothers--who think only of their children's happiness, who would give anything to have Lord Hayes as their son-in-law. A mother's happiness lies in the happiness of her children. They are bone of her bone, and all that sort of thing. How can they but wish for and pray for their happiness! You see, Eva, you are quite poor; your father will leave you next to nothing. Riches are a great blessing, because they enable you to do so much good. Of course they are not everything, and if you wanted to marry that dreadful Lord Symonds, whom they tell such horrible stories about, I would fall down on my knees and beseech you not to mind about poverty, or anything else. Or if I thought you would not be happy, for it is your duty to be happy. But this is exceptional in every way. You get position, wealth, title and a good husband. No one can deny that the aristocracy is the best class to marry into; indeed, for you it is the only class, and you bring him nothing but the love he bears you, of course, and your beauty."
"Yes; he pays a long price for my beauty," said Eva, meditatively.
"My dear Eva, we are all given certain natural advantages--or, if they are withheld, you may be sure that is only a blessing in disguise--talents, beauty, and so on--and it is our clear duty to make the most of them. Beauty has been given you in a quite unusual degree, and it is your duty to let it find its proper use. Don't you remember the parable of the ten talents? We had it in church only last Sunday, and I remember at the time that I was thinking of you and Lord Hayes, which was quite a remarkable coincidence. And then the good you can do as Lady Hayes is infinitely greater than the good you can do as the wife of a poor man. You have to look at the practical side of things, too. Ah, dear me, if life was only love, how simple and delightful it would all be! This is a work-a-day world, and we are not sent here just to enjoy ourselves."
Eva did not seem to be listening very closely.
"Tell me about your own engagement," she said at length. "I don't know what exactly one is supposed to feel. I have many reasons for wanting to marry Lord Hayes. I like and respect him very much. I believe he is a very good man; he is always agreeable and considerate."
"That is the best and surest basis for love to rest on," broke in her mother, who was charmed to find Eva so sensible. "That is just what I have always said. Love must spring out of these things, darling, just as the leaves and foliage of a tree spring out of the solid wood. So many girls have such foolish sentimental notions, just as if they had just come away from a morning performance at the Adelphi. That is not love; it is just silly, schoolgirl sentimentality, which silly schoolgirls feel for tenor singers, and a silky moustache, and slim, weak-eyed young men. Real love is the flower of respect and admiration, and solid esteem. _Aimer c'est tout comprendre_; and to do that you must have no illusions--you must keep the lights dry--you must regard a man as he is, not as you think he is."
"Yes, I see," said Eva, slowly; "I daresay you are right. I certainly never felt any schoolgirl sentimentality for anyone. I think I shall go for a ride, mother; it is nice to get a breath of fresh air after a long journey."
Mrs. Grampound rose too, and drew her arm through Eva's.
"Yes, darling, it will do you good," she said. "And you can think about all this quietly. Your father is out still; he went down to the river just before you came, to see if he could get a trout or two. And Percy comes this evening. I will ring the bell in the drawing-room for your horse to come round, if you will go and get your habit on. Give me one more kiss, dear; it is so nice to have you home again."
Eva put her horse into a steady canter over the springy turf, and soon caught her uncle up, who was ambling quietly along on a grey pony. He was staying with his brother-in-law for a week or two, before going back to America, being a citizen of the United States. He rode for two reasons--indeed, he never did anything without a reason--both of which were excellent. Riding was a means of progressing from one place to another, and it was a sort of watch-key which wound up the mechanism of the body. He was rather hypochondriacal, and his doctor advised exercise, so he obeyed his doctor and rode. He did much more good than harm in this wicked world, but comparatively little of either.
His sister had married Mr. Grampound early in life. She had a considerable fortune left her by her father, by aid of which, as with a golden spade, she hope to bury her American extraction. This she had succeeded in doing, with very decent success, but her golden spade had, so to speak, been broken in the act of interment, for her husband had speculated rather wildly with her money, and had lost it. Mrs. Grampound cared very little for this; her golden spade had done its work. She had married into the English aristocracy, for the Grampounds, though their accounts at banks did not at all correspond to the magnificence of their origin, and though the family estates had been sold to the last possible acre, held, in the estimation of the world, that position which, though it takes only a generation or two of great wealth to raise, requires an infinite number of generations of poverty to demolish.
Eva found the society of her uncle very soothing on this particular afternoon. He very seldom disagreed with anybody, chiefly because he hated argument as a method of conversation, but his assent was not of that distressing order which is more irritating than a divergent view, for he always took the trouble to let it appear that he had devoted considerable thought to the question at issue, and had arrived at the same conclusions as his interlocutor.
It was nearly eight when they reached home, and the dusk was thickening into night. Mr. Grampound had just got in, when they dismounted at the door, and he greeted Eva in his usual dignified and slightly interested manner. The extreme finish of his face suggested that the number of Grampounds who had been turned out of the same mediæval mould, was very considerable.
Eva's father held the door open for her to pass into the inner hall, and Eva, going to the table to take a bedroom candle, noticed that there was a note lying there for him. She turned it over quickly, and saw a coronet and "Aston House" on the back. She handed it to her father, who took it and said,--
"From Lord Hayes. I thought he had not come home yet."
Eva was standing on the lowest step of the flight of stairs.
"Yes; he came home with me to-day," she said.
"Was he with you at the Brabizons?"
"Yes; we travelled together."
The novel begins not with a character but with a paradox: a 'Professor of Ignorance' writes a maxim about judging men by their best, only to discover the next morning that he has merely copied it from a book. This self-aware opening sets a tone of ironic detachment that recurs throughout. The story then settles into the Wiltshire town of Hayes, where the narrator maps the social terrain through inns—the old Grampound Arms and the newer Aston Arms—and the river Kennet, which separates Grampound House from Lord Hayes's residence. These physical details establish a landscape of rivalry and hierarchy.
Benson moves fluidly between country and city scenes, often using meals and chance encounters to expose unspoken tensions. The dowager Lady Hayes, for instance, disrupts a dinner by demanding her 'pepsine' pills and criticizing her daughter-in-law's driving a dogcart alone. Such moments reveal character through gesture and dialogue rather than direct commentary.
A Landscape of Rivalry
The opening chapters devote unusual attention to the physical setting of Hayes, using architecture and geography to encode social relations. The Grampound Arms, an oversized eighteenth-century inn, recalls the town's coaching days, while the Aston Arms caters to commercial travelers. Inside the church, marble Grampounds recline on tombs, but for the Astons, only cherubs weep. The river Kennet separates the two estates: Grampound House, older and ivy-grown, sits low by the water; Lord Hayes's residence is newer and higher on the opposite bank. This spatial arrangement mirrors the families' mutual positions in the late nineteenth century, as the narrator explicitly notes. The great cedar tree at Grampound House is described as 'redolent of ancestors' and 'monumental' as the marble sleepers, linking nature to lineage. Such details ground the narrative in a specific, tangible world where every inn sign and tombstone tells a story of status and change.
Dinner-Table Diplomacy
Benson repeatedly stages crucial interactions at meals, where social rituals barely contain underlying conflict. In one extended scene, the dowager Lady Hayes arrives 'fractious' because her homoeopathic dinner pills have not been set out. She announces their contents—'Pepsine; obtained from the gastric juices of pigs'—and declares she would 'sooner eat a box of tin tacks' than an ordinary English dinner without them. The other diners react in distinct ways: Mrs. Davenport is torn between laughter and politeness, while Eva adopts 'respectfully insolent' indifference, which Benson likens to a chemical affinity that turns oxygen and hydrogen into water. The dowager then commandeers the conversation, demanding attention as she criticizes her daughter-in-law for driving a dogcart alone. These scenes reveal character through small, telling choices—Reggie's rapid talk about the Ascot cup, Mr. Davenport's awkward question about gas—and show how the threat of social disruption is always present beneath polished surfaces.
Unspoken Tensions and Self-Betrayal
Benson often conveys inner conflict through oblique gestures and half-finished thoughts. In one passage, a character feels she has 'inadvertently said something she did not mean to say' and looks up quickly, fearing 'self-betrayal.' Mrs. Davenport remembers a conversation from months ago, and their eyes meet, but the mystery remains 'unsolved.' The narrator dismisses the idea that Gertrude might be prey to 'jealous fear' as 'too ridiculous to be entertained,' yet the very denial hints at unspoken currents. Such moments accumulate without explicit resolution, inviting the reader to infer motives from behavior rather than authorial explanation. The dowager's entrance 'opportunely' at this juncture underscores how external events can interrupt or redirect private dramas. Benson trusts his readers to catch these signals, much as the characters themselves must navigate what is left unsaid.
Movement Between Worlds
The narrative shifts between the country society of Hayes and London settings, using travel and arrival as structural pivots. The opening description of the coaching inn establishes Hayes as a place once connected to London by regular coach, and the novel's own movement echoes that historical route. In the excerpts, characters appear in drawing rooms and at dinner tables, but the story also glances at the Park, where the dowager sees her daughter-in-law driving a dogcart—an activity she deems 'quite unheard of' in her youth. These transitions are not merely scenic; they highlight changing social norms and generational conflict. The dowager's complaints about modern behavior—dogcarts, dinner hours, the food itself—serve as a running commentary on the erosion of old certainties. Benson uses the physical journey between locations to mirror the characters' navigation of social codes, making movement itself a theme.
Readers attentive to setting and gesture will find Benson's method rewarding: he builds character through what is seen, heard, and left unsaid. The novel rewards close attention to its opening paradox, its mapped rivalries, and its dinner-table skirmishes. As the title suggests, crossing a point of no return may be the central action, but the excerpts leave that crossing—and its consequences—for the full text to reveal.
Sometimes I think of Hayes, the quiet riverfront, and how Benson’s Professor scrawls a borrowed thought, only to meet it in print. There’s a similar, sly echo in The Bomb-Makers Being Some Curious Records Concerning the Craft and Cunning of Theodore Drost, an Enemy Alien in London, Together with Certain Revelations Regarding — Background and Themes. Both feel like watching strangers move through rooms of unspoken rules, each pill and dogcart carrying a weightier secret than anyone admits aloud.
Joseph Thompson
1 month ago-
Antonio Rojas - 4 weeks ago
The Rubicon offers a solid, well-researched narrative that fans of Roman history will appreciate. The portrayal of Julius Caesar and his cohorts is nuanced, and the political machinations are engaging. However, at times the story gets bogged down in historical details, slowing the momentum. The character of Cleopatra felt slightly underdeveloped, but overall it's a worthwhile read. -
Stephanie Martinez - 3 weeks ago
Despite its promising premise, The Rubicon fails to deliver a compelling narrative. The prose is overly dense and the pacing is inconsistent, with long stretches of exposition that drain all tension. The characters, especially Caesar, are bland and lacking in charisma. The excitement of crossing the Rubicon is lost in a sea of unnecessary detail. I would recommend other Roman historical novels instead. -
Richard Lisa Contreras - 3 weeks ago
The Rubicon is a masterful blend of political intrigue and personal drama. The author's meticulous research brings the ancient world to life, and the characters are so vividly drawn that you feel their triumphs and defeats. The pacing is perfect, building to a climax that left me breathless. A must-read for anyone who loves historical fiction with depth and emotional resonance.
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John White
2 weeks ago