The Bomb-Makers Being Some Curious Records Concerning the Craft and Cunning of Theodore Drost, an Enemy Alien in London, Together with Certain Revelations Regarding — Background and Themes

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Le Queux, William, 1864-1927 Project Gutenberg 2012
Short stories; Spy stories; Mystery fiction; Germans -- England -- Fiction; World War, 1914-1918 -- England -- London -- Fiction Readers of public-domain and historical texts
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Words: 34,044
Reading time: 149 min
Text sections: 4
An editorial note on William Le Queux's 'The Bomb-Makers', focusing on its episodic structure, recurring images of bombs and disguise, and the movement between public and private spaces in wartime London.
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Fatherland were professors of something or other--yet Drost had been professor of chemistry at the Imperial Arsenal at Spandau--that great impregnable fortress in which the French war indemnity of 1870 had been locked up as the war-chest of golden French louis.

How strange it was! And yet it was not altogether strange. Ella, whose heart--the heart of a true British girl trained at her mother's knee-- had discovered a curious "something" and, aided by her British airman lover, was determined to carry on her observations, at all hazards, to the point of ascertaining the real truth.

England was at war at the battle-front--and she, a mere girl, was at war with the enemy in its midst.

Three-quarters of an hour later Ella--whose comfortable car was waiting outside the dingy little place--had driven her father home, but on the way she expressed her decision to stay with him, as it was late and her French maid, Mariette, had no doubt gone to bed.

As they stood in her father's large, well-furnished dining-room, Ella drew some lemonade from a siphon and then, declaring that she was sleepy, said she would retire.

"All right, my dear," replied the old man. "All right. You'll find your room quite ready for you. I always order that it shall be kept ready for you. Let's see! You were here a week ago--so the bed will not be damp."

The girl bent and imprinted a dutiful kiss upon her father's white brow, but, next instant, set her teeth, and in her blue eyes--though he did not see it--there showed a distinct light of suspicion.

Then she switched on the light on the stairs, loosened her furs, and ascended to the well-furnished room that was always regarded as hers.

The room in which Ella found herself was large, with a fine double wardrobe, a long cheval-glass, and a handsome mahogany dressing-table. The curtains and upholstery were in pale-blue damask, while the thick plush carpet was of a darker shade.

Instead of retiring, Ella at once lit the gas-stove, glanced at her wristlet-watch, the face of which was set round with diamonds, and then flung herself into a deep armchair to think, dozing off at last, tired out by the exertion of her dancing.

The striking of the little gilt clock upon the mantelshelf presently aroused her, and, rising, she switched off the light and, creeping upon tiptoe, slowly opened her bedroom door and listened attentively.

Somewhere she could hear the sound of men's voices. One she recognised as her father's.

"That's Nystrom again! That infernal hell-fiend!" she whispered breathlessly to herself.

Then, removing her smart shoes and her jingling bangles, she crept stealthily forth along the soft carpet of the corridor, and with great care ascended the stairs to the floor above, which was occupied by that long room, the door of which was always kept locked--the room in which her father conducted his constant experiments.

From the ray of light she saw that the door was ajar. Within, the two men were talking in low deep tones in German.

She could hear a hard sound, as of metal being filed down, and more than once distinguished the clinking of glass, as though her father was engaged in some experiment with his test-tubes and other scientific paraphernalia which she had seen arranged so methodically upon the two long deal tables.

"What has Ortmann told you?" asked Theodore Drost's midnight visitor, while his daughter stood back within the long cupboard on the landing, listening.

"He says that all is in order. We have a friend awaiting us."

"And the payment--eh?" asked the man Nystrom, a German who had been naturalised as a Swede, and now lived in London as a neutral. As a professor of chemistry he had been well-known in Stockholm and, being a bosom friend of the Dutch pastor's, the pair often delighted in dabbling together in their favourite science.

"I shall meet Ernst on Friday night. If we are successful, he will pay two thousand pounds--to be equally divided between us."

"Good," grunted the other. "We shall be successful, never fear--that is if Ortmann has arranged things at his end. _Himmel_! what a shock it will be--eh, my friend?--worse than the Zeppelins!"

Theodore Drost laughed gleefully, while his daughter, daring to creep forward again, peered through the crack of the door and saw the pair bending over what looked like a square steel despatch-box standing upon the table amid all the scientific apparatus.

The box, about eighteen inches long, a foot wide, and six inches deep, was khaki-covered, and, though she was not aware of it at the time, it was of the exact type used in the Government offices.

Fridtjof Nystrom, a tall, dark-haired man, with a red, blotchy face, rather narrow-eyed and round-shouldered, was adjusting something within the box, while old Drost, who had discarded his shabby black pastor's coat and now wore a dark-brown jacket, took up a small glass retort beneath which the blue flame of a spirit-lamp had been burning, and from it he poured a few drops of some bright red liquid into a tiny tube of very thin glass. Then, taking a small blow-pipe, he blew the flame upon the tube until he had melted the glass and sealed it hermetically.

The blotchy-faced man watched this latter operation with great interest, saying:

"Have a care now, my dear Theodore. The least mishap, and not a piece of either of us would remain to tell the story."

"_Ja_! Leave that to me," answered Ella's father. "We do not, I agree, desire a repetition of the disaster which happened last week."

Ella, hearing those words, stood aghast.

A week before all London had been mystified and horrified by a most remarkable explosion which had occurred one night in a house in one of the outer suburbs, whereby the place had been set on fire and utterly demolished. Whoever were present in the house had been blown to atoms, for no trace of the occupants, or of what had caused the disaster, had been discovered. At first it was believed to have been caused by an incendiary bomb dropped from the air, but expert evidence quickly established the fact that something within the house had exploded.

Was it possible that her father and his dastardly companions possessed knowledge of what had actually occurred there?

Suddenly, Drost having handed the tiny sealed tube to Nystrom, the latter proceeded to place it in position within the box, using most infinite care. Then her father turned upon his heel, and came forward to the door behind which his daughter was standing.

In a second Ella had shrunk back noiselessly into the cupboard, which the old man passed in the darkness, and descended the stairs.

He had passed the door of Ella's room when, having gained the bottom of the stairs, he paused and whistled softly. In a few seconds Nystrom came forth.

"Come, Fridtjof," he urged in a low whisper. "Let us drink to the success of our expedition to-night, and the victory of our dear Fatherland," an invitation which his visitor at once accepted.

Ella heard the two men descend, making but little noise, and a moment later she crept into the long, well-lit laboratory where, upon the table, stood the big official-looking despatch-box.

A second's glance was sufficient to reveal the truth even to her, a woman unversed as she was in such things. It was a most ingeniously-constructed infernal machine which would detonate the quantity of high-explosive which she saw had been placed within.

Though her father had taken the greatest precaution to conceal from his daughter the exact line of his chemical experiments, yet, if the truth be told, Ella and her lover had watched carefully, and Kennedy--who had shared his well-beloved's suspicions--had ascertained, without doubt, that Drost and Nystrom had been engaged in that long, low room beneath the roof, in treating toluene with nitric and sulphuric acid for several days under heat thus producing tri-nitro-toluene--or trotul--that modern high-explosive, of terrible force, which was rapidly superseding picric acid as a base for shell-fillers.

At a glance Ella saw that the square steel bomb, fashioned like an official despatch-box, was filled with this highly dangerous explosive, and that the thin glass tube which, when broken, would explode it, had already been placed in position. Such a bomb, on exploding in a confined space, must work the most terrible havoc.

In those few seconds the girl verified the suspicion which Kennedy had entertained. Some desperate outrage was to be committed. That was quite certain.

A bomb from a Zeppelin could not cause greater injury to life and property than that ingeniously contrived machine, the delicately constructed fuse of which, fashioned on the lathe by her father's own hands, could be arranged to detonate at any given time.

A second's pause, and then the girl, beneath her breath, took a deep oath of vengeance against the ruler of that hated land wherein she had been born.

"Thank Heaven that I am English!" she whispered to herself. "And I will live--and die, if necessary--as an English girl should."

With those words upon her lips she crept away from the laboratory, down the stairs to her room, and, swiftly putting on her fur coat, she went into the basement, from which she let herself out noiselessly, and then hurried through the night, in the direction of Hammersmith Bridge.

On gaining the bridge, she saw the red rear-light of a motor-car, and knew that it was Kennedy's. He had drawn up against the kerb, and had been consuming cigarettes waiting in impatience for a long time.

"Well, darling?" he asked, as they met. "I got your message from the theatre to-night. What is in progress?"

"Something desperate," was her quick reply. "Let's get into the car and I'll explain."

Both entered the comfortable little coupe, and then Ella explained in detail to her flying-man lover all that she had discovered.

The keen-faced, clean-shaven young officer in uniform who, before he had gone in for aviation duties, had graduated at Osborne, and afterwards been at sea and risen from "snotty" to lieutenant, sat beside her, listening intently.

"Just as we thought, darling," he remarked. "For me, loving you so dearly, it is a terrible thing to know that your father is such a deadly and ingenious enemy of ours as he is. Truly the German plotters are in our midst in every walk of life, from high society down to the scum of the East End. The brutes are out to win the war by any underhand, subtle, and brutal means in their power. But we have discovered one line of their enemy intentions and, with your aid, dearest, we will follow it up and, without exposing your father and bringing disgrace upon you, we'll set out to combat them every time."

"Agreed, dear," declared the girl with patriotic enthusiasm. "I have told you all along of my suspicions. To-night they are verified. Father, and that devilish scoundrel, Nystrom, mean mischief--for payment too--one thousand pounds each!"

"The infernal brutes!" exclaimed the man at her side. "At least it is to you, dear, that this discovery is due. I had no idea what you were after when you sent me that wire to-night."

"I suspected, and my suspicions have proved correct," said the girl. "Shall we wait here and follow them? They must cross the river if they intend to go into London to-night--as no doubt they do."

"Yes. They believe you to be soundly asleep, I suppose?"

"I locked my door, and have the key in my pocket," replied his well-beloved with a light laugh.

And she, putting her ready lips to his, sat with him in the car at the foot of the long suspension-bridge, waiting for any person to cross.

They remained there for perhaps half-an-hour, ever eager and watchful. Several taxis passed, but otherwise all was quiet in the night. Now and then across the sky fell the big beams of searchlights seeking enemy aircraft, and these they were watching, when, suddenly, a powerful, dark-painted car approached.

"Look!" cried Ella. "Why, that's that fellow Benyon's car--he's a friend of Dad's!"

Next moment it flashed past, and beneath the dim light at the head of the bridge they both caught a glimpse of two men within, one of whom was undoubtedly Theodore Drost.

"Quick!" cried Ella. "Let's follow them! Fortunately you have to-night another car, unknown to them!"

In an instant Seymour Kennedy had started his engine, and slowly he drew out across the bridge, speeding after the retreating car over the river, along Bridge Road to Hammersmith Broadway and through Brook Green, in a direction due north.

Through the London streets it was not difficult at that hour to follow the red tail-light of the car in which Drost sat with his bosom friend George Benyon, a mysterious person who seemed to be an adventurer, and who lived somewhere in York or its vicinity.

"I wonder if they are going up to York?" Ella asked, as she sat in the deep seat of the coupe at her lover's side.

"We'll see. If they get on to the North Road we shall at once know their intentions," was her lover's reply.

Half-an-hour later the pseudo-Dutch pastor and his companion, driven by rather a reckless young fellow, were on the main Great North Road, and Kennedy, possessing a lighter and superior car, had no misgivings as to overtaking them whenever he wished.

On through the night they went, passing Barnet, Hatfield, Hitchin, the cross-roads at Wansford, and up the crooked pebbled streets of Stamford, until in the grey of morning they descended into Grantham, with its tall spire and quaint old Angel and Crown Hotel.

It was there that Drost and his companion breakfasted, while Ella and her lover waited and watched.

Some devilish plot of a high-explosive nature was in progress, but of its true import they were in utter ignorance. Yet their two British hearts beat quickly in unison, and both were determined to frustrate the outrage, even at the sacrifice of their own lives.

At three o'clock in the afternoon Drost and Benyon drew up at the Station Hotel at York, and there took lunch, while Ella and her lover ate a very hurried and much-needed meal in the railway-buffet in the big station adjoining.

Then, after they had watched the departure of the big mud-spattered car which contained the two conspirators, they were very quickly upon the road again after them.

Out of the quiet old streets of York city, past the Minster, they turned eastward upon that well-kept highway which led towards the North Sea Coast.

An hour's run brought them to the pleasant town which I must not, with the alarming provisions of the Defence of the Realm Act before me, indicate with any other initial save that of J--.

The town of J--, built upon a deep and pretty bay forming a natural harbour with its breakwater and pier, was, in the pre-war days, a popular resort of the summer girl with her transparent blouses and her pretty bathing costumes, but since hostilities, it was a place believed to be within the danger zone.

As they descended, by the long, winding road, into the town, they could see, in the bay, a big grey four-funnelled first-class cruiser lying at anchor, the grey smoke curling lazily from her striped funnels--resting there no doubt after many weeks of patrol duty in the vicinity of the Kiel Canal.

Indeed, as they went along the High Street, they saw a number of clear-eyed liberty men--bluejackets--bearing upon their caps the name H.M.S. _Oakham_.

The car containing Ella's father and his companion pulled up at the Palace Hotel, a big imposing place, high on the cliff, therefore Kennedy, much satisfied that he had thus been able to follow the car for over two hundred miles, went on some little distance to the next available hotel.

This latter place, like the Palace, afforded a fine view of the bay, and as they stood at a window of the palm-lined lounge, they could see that upon the cruiser lights were already appearing.

Kennedy called the waiter for a drink, and carelessly asked what was in progress.

"The ship--the _Oakham_--came in the day before yesterday, sir," the man replied. "There's a party on board this evening, they say--our Mayor and corporation, and all the rest."

Ella exchanged glances with her lover. She recollected that khaki-covered despatch-box. Had her father brought with him that terrible death-dealing machine which he and Nystrom had constructed with such accursed ingenuity?

The hotel was deserted, as east coast hotels within the danger zone usually were in those war days, remaining open only for the occasional traveller and for the continuity of its licence. The great revue star had sent a telegram to her manager, asking that her understudy should play that night, and the devoted pair now stood side by side watching how, in the rapidly falling night, the twinkling electric lights on board the fine British cruiser became more clearly marked against the grey background of stormy sea and sky.

"I wonder what their game can really be?" remarked the young flying-officer reflectively as, alone with Ella, his strong arm crept slowly around her neat waist.

From where they stood they were afforded a wide view of the broad road which led from the town down to the landing-stage, from which the cruiser's steam pinnace and picket-boat were speeding to and fro between ship and shore. A dozen or so smart motor-cars had descended the road, conveying the guests of the captain and officers who, after their long and unrelaxing vigil in the North Sea, certainly deserved a little recreation. Then, as the twilight deepened and the stars began to shine out over the bay, it was seen that the procession of guests had at last ended.

"I think, Ella, that we might, perhaps, go down to the landing-stage," said Kennedy at last--"if you are not too tired, dear."

"Tired? Why, of course not," she laughed, and after he had helped her on with her coat, they both went out, passing down to the harbour by another road.

For fully an hour they idled about in the darkness, watching the swift brass-funnelled pinnace which, so spick and span, and commanded by a smart lad fresh from Osborne, was making the journey regularly between ship and quay. Away in the darkness the lights on the cruiser's quarter-deck reflected into the sea, while ever and anon the high-up masthead signal-lamp winked in Morse code to the coastguard station five miles distant across the bay.

While they were watching, the pinnace came in again, whereupon the smart figure of a naval officer in his topcoat appeared within the zone of light, and descended the steps, shouting in an interrogative tone:

"Ay, ay, sir!" came a cheery voice from the pinnace.

"Look!" gasped Ella, clinging to her lover's arm. "Why--it's Benyon-- dressed as a naval lieutenant! He's going on board, and he's carrying that despatch-box with him!"

Indeed, he had handed the heavy box to one of the men, and was at that moment stepping into the pinnace.

"Off to the ship--as quick as you can!" they heard him order, while, next moment, the boat was cast loose and the propeller began to revolve.

"We haven't a second to lose!" whispered Kennedy who, as soon as the pinnace was around the pier-head, called out "Boat!" In an instant half-a-dozen men, noticing that he was a naval officer, were eagerly crowding around him.

"I want to follow that pinnace--quick!" he said. "Three men--and you can sail out there. The wind's just right."

In a few moments a boat came alongside the steps, and into it the pair stepped, with three hardy North Sea boatmen.

Quickly sail was set and, favoured by a fresh breeze, the boat slowly heeled over and began to skim across the dark waters.

Already the light on the pinnace showed far away, it having nearly reached the ship. Therefore Kennedy, in his eagerness, stirred the three men to greater effort, so that by rowing and sailing by turns, they gradually grew nearer the long, dark war-vessel, while Ella sat clasping her well-beloved's hand in the darkness, and whispering excitedly with him.

Those were, indeed, moments of greatest tension, away upon that dark wintry sea beyond the harbour, that wide bay which, on account of its unusual depth and exposed position, was never considered a very safe anchorage.

Their progress seemed at a snail's pace, as it always seems upon the sea at night. They watched the pinnace draw up, and they knew that the man, Benyon, who, though German-born, had lived in London the greater part of his life--was on board carrying that terrible instrument of death that had been cleverly prepared in such official guise.

The Bomb-Makers unfolds as a series of linked episodes, each centered on a bomb plot or act of sabotage orchestrated by Theodore Drost, a German agent posing as a Dutch pastor. The narrative moves briskly between London's smoky German restaurants, shabby suburban houses, and the West End, reflecting the dual lives of its characters. A recurring motif is the ordinary object turned deadly: a china vase becomes a bomb casing, a harmless-looking parcel conceals explosives. This tension between the mundane and the menacing drives the plot, as does the constant threat of exposure—Drost's daughter Ella, who works in a theatre and socializes with English friends, is both a liability and a potential betrayer.

Episodic Structure and the Bomb Plot Cycle

The book is structured as a series of discrete episodes, each revolving around a specific bomb-making scheme. The opening chapter, 'The Devil's Dice,' introduces the core conflict: Drost and his handler Ortmann worry that Ella knows too much. Subsequent chapters follow a pattern: a plot is hatched, a bomb is constructed, and something goes wrong—often fatally for the courier. This repetitive structure emphasizes the precariousness of the spies' work and the inevitability of failure. The episodes are linked by recurring characters and locations, but each can be read as a self-contained story. Le Queux uses this format to build suspense through incremental revelations, though the overall arc remains incomplete in the excerpts.

Recurring Images: Bombs, Disguise, and the Ordinary

Bombs appear not as abstract threats but as tangible objects, often disguised as everyday items. A china vase 'about fourteen inches high' with 'dark-blue ornamentation' is handed to Ella with a request to find a duplicate—a request that hints at its true purpose. Similarly, a bomb that kills Rozelaar is described as 'too elaborate' or 'simplicity itself,' underscoring the fine line between success and disaster. Disguise is equally central: Drost poses as a Dutch pastor, Ortmann as a Mr. Horton or Mr. Harberton, and Schrieber as a Swiss. These false identities are supported by forged papers, a detail that grounds the story in wartime anxieties about enemy aliens. The contrast between shabby exteriors and dangerous interiors—Drost's worn clerical coat versus his daughter's fine furs—mirrors the theme of hidden menace.

Movement Between Public and Private Spaces

The narrative shuttles between distinct settings that map the characters' dual lives. The opening scene in a 'small square shop set with little tables, dingy in the haze of tobacco-smoke' establishes a German enclave in London, a space of whispered conspiracies. From there, the action moves to Drost's house in Barnes, a suburban retreat where plots are hatched, and to Ortmann's 'dreary little house close by Wandsworth Common,' a deliberate contrast to his Park Lane residence. Ella's movement between these spaces—from the theatre to her father's house—allows her to gather information, but also places her in danger. The constant travel between public venues (restaurants, shops) and private homes (where bombs are built) creates a rhythm of concealment and revelation.

Voice and Dialogue: Whispers and Warnings

Le Queux relies heavily on dialogue to convey tension, often through half-whispered warnings and veiled threats. Ortmann's opening line—'Do get rid of the girl! Can't you see that she's highly dangerous!'—sets a tone of paranoia. The characters speak in short, clipped sentences, with frequent references to what is 'dangerous' or 'indiscreet.' The dialogue also reveals power dynamics: Ortmann, the Count, gives orders; Drost, the bomb-maker, obeys but occasionally grumbles. Ella's speech is lighter, marked by laughter and cigarettes, but she too uses language strategically, declaring her intent to 'discover what is intended.' The narrative voice is omniscient but restrained, reporting actions and dialogue without deep interiority, which keeps the focus on plot rather than psychology.

Readers approaching The Bomb-Makers should attend to the way Le Queux uses objects and settings to signal danger. The repeated failure of bomb plots—often through accident or betrayal—suggests a world where even the most careful plans unravel. The incomplete excerpts leave Ella's ultimate role unclear, but her position as a double agent—loyal to her English friends while spying on her father—offers a compelling lens. The book rewards attention to small details: a vase, a forged passport, a careless word.

That grey afternoon, bombs ticking in Le Queux’s London felt almost cozy, each disguise peeling back to another. It made me think of hidden lives, of false fronts, until I drifted to a different hiding—India, 1857, where whole cities wore masks of loyalty. I found myself reaching for On the Face of the Waters: A Tale of the Mutiny — Themes and Context. The rain never stopped.

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  • ...
    Michael Parker - 2 weeks ago
    {'rating': 5, 'text': 'An absolutely gripping espionage thriller! The Bomb Makers is a meticulously researched and intensely paced account of espionage in World War I London. Theodore Drost is a brilliantly crafted villain, and the revelations about his daughter Ella add a poignant layer to the action. The intricate details about bomb-making and the cat-and-mouse pursuit are both fascinating and terrifying. Highly recommended for history buffs and thriller enthusiasts alike.'}

  • ...
    Dennis Roth - 2 weeks ago
    {'rating': 2, 'text': 'While The Bomb Makers covers a fascinating period, the execution is disappointing. The narrative relies heavily on dry technical explanations that interrupt the flow of the story, making for a tedious read. The characters, including Drost and his daughter, feel like stereotypes rather than flesh-and-blood people. The plot has some thrills, but they are lost in a sea of unnecessary detail. A chore to finish.'}

  • ...
    Melissa Alison Lewis - 2 weeks ago
    {'rating': 3, 'text': "The Bomb Makers is an interesting historical thriller with a lot of technical detail about explosives and the spy trade. The plot is engaging, and the author's knowledge of the era is evident. However, the writing can be overly descriptive at times, slowing down the pace, and some secondary characters are underdeveloped. Still, it's a decent read if you're interested in WWI espionage."}


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