Confessions of a Young Lady: Her Doings and Misdoings — A Closer Reading
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There were four men and three women. I should have put them down as the seven I had heard alluded to, had there not also been a litter of children. It was only the children who seemed to take any interest in me. They clustered round, a ragamuffin crowd, regarding me as if I were some strange beast. At last one of them exclaimed,--
"Mother, here's a little girl!"
The woman whom, I supposed, the child addressed, looked up from some potatoes which she was washing in a pail of water.
"Well, little girl, what is it you're wanting?"
The place, the people, their surroundings, everything was so altogether different to the vague something I had anticipated, that, like the creature of moods I was, I seemed, all at once, to have passed from a world of fact into a world of dream. It was like one in a dream I answered,--
"I have come to be the Infant Roscius."
Not unnaturally the lady who was washing the potatoes failed to understand.
"What's that?" she demanded.
I repeated my assertion.
"I have come to be the Infant Roscius."
Other of the grown-ups roused themselves to stare at me.
"What's she talking about?" inquired a second woman, who had a baby at her breast.
An elderly man, who was perched on the edge of the platform smoking a pipe, hazarded an explanation.
"She's after tickets; that's what it is she wants."
The potato washer seemed to be brightened by the hint.
"Has your mother sent you to buy some tickets?"
I shook my head solemnly.
"I have come to act."
That my appearance, words and manner together were creating some sort of a sensation I understood. That these were ignorant people I had already--with my wonted promptitude--concluded. It seemed to me that it would be necessary to treat them as children--and dull of comprehension at that--to whom I, as a grown-up person, had to explain, in the clearest possible manner, exactly what it was that had brought me there. This I at once proceeded to do, with what I have no doubt whatever was an air of ineffable superiority.
"I am going to be a Wonderful Girl. I am nearly twelve, and Young Betty was only twelve, and he earned over seventeen thousand pounds in one season, and if I earn as much as that I will give it all to you." I paused--to reflect. "At least I would give you a great deal of it. Of course, I should like to keep some, because a Wonderful Girl mayn't go on long, and when I stop of course I should want to have a fortune to live upon, like Young Betty had. But still that wouldn't matter, because there'd be plenty for seven."
Amid my confused imaginings I had pictured the announcement of my purpose being received with wild applause. Those who heard would cast themselves at my feet, throw their arms about me, and rain tears upon my head. Not that that sort of thing would be altogether agreeable. But something of the kind would have to be put up with. When people were beside themselves with gratitude at seeing themselves snatched from the gaping jaws of feelings had to be allowed them. If, however, the persons to whom my explanation was actually addressed were beside themselves with gratitude they managed to conceal the fact with astonishing success. It struck me that they did not understand me even yet, which showed that they must be excessively dull. More stupid even than the teeny weeny tots in the first class who could not be got to see things.
The seven looked from me to each other, then back again to me. The woman with the baby repeated her former question, as if she had no sense of comprehension. I wondered if she was deaf.
"What's she talking about?"
The man who had dropped the hint about the tickets, descending from his perch upon the platform, came sauntering in my direction. As he moved he placed his hand against his forehead.
"Barmy on the crumpet," he observed.
What he meant I had not a notion. It moved a third woman, whose girth precluded any notion of her being on the verge of famine, to exclaim,--
The potato washer began to put me through an examination.
"You ain't come all the way from West Marden here?"
"I've come from Miss Pritchard's school."
The statement seemed to fill the man with illuminating light.
"Ah, that's just what I thought! D'rectly I see her that's just what I thought. Miss Pritchard's--that's the girls' school on the Brighton road, house is inside a wall. I went there to try to get them for _Uncle Tom's Cabin_. First the lady said there wasn't to be no flogging, then that she couldn't possibly bring her pupils if there wasn't any chairs for them to sit up. I told Mr Biffin what she said. And he said, well there wasn't any chairs, and there was an end of it."
The woman with the baby interposed an observation.
"We should do better if there was chairs. It isn't likely that the front seat people will want to sit on boards."
The big woman proffered a reminder.
"On the front seats there's baize."
Which the woman with the baby spurned.
The man addressed himself to me. He was a thin man, with iron-grey hair, and there was something about his face which made me think that though he was untidy, and I wished he would not wear such a very greasy cap, I might induce myself in time to like him. Never once did he remove his pipe from his mouth, nor his hands from his trouser pockets.
"Well, Miss Boyes, it's a pity you should have come to act, seeing that there's a good many of us here that does that sort of thing already. The difficulty is to get people to come and see us do it. Do you think that many of your friends would come and see you act?"
"Well, not many of my friends."
"That, again, is unfortunate."
"But strangers would."
"It's that way with you, is it? With us it's different. We look to friends for our support. Strangers are sometimes disagreeable. What plays were you thinking of acting?"
"I don't know any plays as yet. But I soon could."
"Of course. That's easy enough. _Hamlet_, I suppose, and that kind of thing. And what sort of part were you thinking of playing?"
"I really haven't thought."
"No, you wouldn't, such a trifle being of no consequence. You weren't thinking of playing old women?"
"Well, I don't think I could act old women. But I might try. Young Betty acted an old man."
"Young Betty did. Is that so? And who might young Betty be? A friend of yours? That young lady over there, her name's Betty."
He jerked his elbow towards the woman with the baby. I was shocked, although, having already taken their ignorance for granted, I was able to conceal my feelings with comparative ease.
"A boy? With a name like Betty? What was his father and mother up to then?"
"His name was William Henry West Betty. He was the Infant Roscius."
"He was The Wonderful Boy. I am going to be a Wonderful Girl."
"You're that already. Seeing that you are a Wonderful Girl, what might have put it into your head to come here?"
"You are very poor, aren't you?"
"Poor? That's what you might call a leading question. We're not rich. Who told you we were poor?"
"Didn't you only take one and ninepence at the door one night?"
By this time general interest was being roused in our conversation. As soon as the words were out of my mouth I was aware that they had been heard with more attention than anything I yet had said. Though why that should be the case was beyond my capacity of perception.
"Only took one and ninepence at the door one night, did we? Oh! Looks as if someone had been talking. From whom might you have heard that piece of news?"
"And one week weren't there less than two pounds to divide among seven? You could not live on that. No one could. It's not to be done. It simply means starvation."
I merely repeated, with all the earnestness of which I was capable, what I had heard the governesses saying. My remarks were followed by what even I felt was a significant silence. My interlocutor, bringing forward with his foot what looked like an empty egg-box, placed himself upon a corner. It creaked under his weight.
"It would seem as if somebody knows almost as much about this temple of the drama as it knows about itself. And it certainly is true that, regarded as a week's earnings, two pounds isn't much between seven. So you thought--?"
"I thought I'd come and help you."
"Come and help us? By acting?"
"If I'm going to be a Wonderful Girl--and I am going to be--it's quite time I was beginning. Young Betty was at the height of his fame when he was twelve. So I thought I would commence by making a lot of money for you here, which would keep you all from starving; and then, of course, I shall go on to London and make the rest of my fortune there."
"I see. Well, this bangs Banagher. Banagher it bangs."
What he meant I could not say. But he should have been a capital actor, because not a muscle of his face moved. A man behind him laughed--stinging me as with the lash of a whip.
The big woman delivered herself of her former ejaculation.
The potato washer remarked,--
"Strikes me, my girl, that you've a good opinion of yourself."
The grey-headed man had his eyes upon what I had in my hand.
"What might you happen to have there?"
"It's some food which I have brought for you."
"For me in particular, or for all the lot of us?"
"It's for the seven."
"The seven? I see. The seven who divided those two sovereigns."
"Yes. It's some German sausage. I hope you like German sausage."
"It's my favourite joint."
I endeavoured to correct what I imagined to be a still further display of his ignorance.
"I don't think that German sausage is a joint. It's not generally looked upon as such. It's a long, round, cold thing, off which, you know, they cut it in slices."
I passed him the parcel, he removing--for the first time--one of his hands from his pockets for the purpose of taking it, balancing it on his open palm as if on a scale. It was a pretty grimy piece of newspaper, and was not of a size to suggest extensive contents. I became more and more conscious of its wretched smallness as, with every outward appearance of care and gravity, he slowly unwrapped it. The others gathered closer round, as if agog with curiosity. Finally there were revealed three or four attenuated slices. He held them out at arm's length in front of them.
"There isn't much," I managed to murmur, oppressed, all at once, by the discovery of what a dreadful little there really was. "But I had only twopence."
"You had only twopence, so you purchased two pennyworths of German sausage--for seven."
"Of course I'll earn a deal of money for you besides."
A girl came rushing into the tent behind me. The interruption was welcome, for I instinctively felt that matters had reached a point at which a diversion of any sort was to be desired. But I was far from being prepared for the proclamation which she instantly made.
"Here's the lady come!--I've been and fetched her!"
To my blank astonishment there appeared--Miss Pritchard. That intelligent young woman, having a shrewd eye for a possible reward, had availed herself of the information which had been extracted from me to rush off to the school to proclaim my whereabouts, receiving, as I afterwards learnt, a shilling for her pains. Never before had I seen Miss Pritchard in such a state of agitation; and no wonder, considering the pace at which she must have torn along the road.
"Molly!--Molly Boyes, what is the meaning of this?"
The sight of her had driven me speechless. I could not have told her for everything the world contained. My interlocutory friend explained instead--in a fashion of his own.
"It's all right, madam--everything's quite right! Having heard that things were in a bad way with us in this temple of the drama this young lady has brought us two pennyworths of German sausage to save us from actual starvation, and has expressed her intention--I don't quite follow that part, but so far as I can make out she's proposing to make our fortunes by beginning to be a Wonderful Girl; which it isn't necessary for her to begin to be, seeing as how I should say that she's been a Wonderful Girl ever since the moment she was born."
Of what immediately followed I have but a dim appreciation. I know that, on the instant, I was turned into a common butt--or I felt as if I was. The children pointed their fingers at me and jeered. The grown-ups were all talking at once. There was general confusion. The whole rickety tent was filled with a tumult of scorn and laughter.
Presently I was being escorted by Miss Pritchard back to school, the children standing in the middle of the road to point after me as I went. I was in an agony of shame. With that keenness of vision with which I have been dowered I perceived, as I was wont to do, too late, what an idiot I had been! What a simpleton! What a conceited, presumptuous, ignorant little wretch! How I had made of myself a mock and a show for the amusement of the company of Bradford's Royal Theatre! I felt as if the hideous fact was written on my face--on every line of me. All I wanted was to hide, to bury myself somewhere where none might witness my distress. Although my worthy schoolmistress was walking faster than I ever saw her walk before or afterwards, I kept tugging at her hand--she was not going fast enough for me.
So soon as we reached the school she took me into her little private sitting-room, and, without removing her hat, or giving me time to take off mine, required from me an immediate explanation of my conduct. Amid my blinding sobs I gave her as full and complete an explanation as she could possibly have desired. The bump of frankness was--and is--marked on my phrenological chart as developed to an even ridiculous extent. When I have been indulging in one of my usual escapades nothing contents me but an unrestrained declaration of all the motives which impelled me to do the thing or things which I ought to have left undone.
I told her about the article in the magazine, and about what I had heard of the pitiful state of things at Bradford's Royal Theatre, and my determination to assist them while starting on my meteoric career. And before I had gone very far, instead of scolding, she had her arm about me, and was endeavouring to soothe my sobs. She must have been a very sensitive person for a schoolmistress--though I do not know why I should say that, because I have not the least idea why schoolmistresses should not be as sensitive as anybody else, since they are human--for when I began to tell her of how I had expended my capital on the purchase of what that grey-headed man had called his "favourite joint," she drew me quite close to her, and in the midst of my own anguish I actually felt the tears upon her cheeks. She took me on her knee, and instead of sending me to bed, or into the corner, or punishing me in any way whatever, she kissed and comforted me as if I had not been the most ridiculous child in the world. It might not have been the sort of treatment I deserved, but I loved her for it ever afterwards.
What was more, she promised not to betray me to the governesses, or to my schoolfellows, or to anyone. Though I think that she wrote and told my mother, though mother never breathed a hint of her having done anything of the sort to me. But I always thought so. It was weeks and weeks before I could bear the slightest allusion to anything "wonderful" without becoming conscious of an internal quiver. I fancy Miss Pritchard must have given instructions as to the direction our walks were to take. It was some little time before the governess led us past the site of Bradford's Royal Theatre. When next we went that way every vestige of the "temple of the drama" had disappeared. The dingy--and odious--tent had gone.
It was with a positive gasp of satisfaction that I recognised the fact. A weight seemed lifted off my bosom, and my heart grew lighter there and then. When, the walk being over, we returned, before anyone could stop me, or had an inkling of my intention, I dashed headlong into Miss Pritchard's private room. She was seated at the table writing.
"It's gone!" I cried.
She must have been very quick of understanding. She did not ask me what had gone. She just put her arm about me, as she had done before, and pushed my hair from off my brow, and, I think, she laughed.
I do protest that it was not altogether my fault. At least--; but if I tell you exactly how it was you will understand what I mean.
I was fifteen. It was after I had left Miss Pritchard's. Not that I was much wiser than I was when I was at Miss Pritchard's. Though that was not my opinion at the time. In what I then called my judgment I was the wisest person the world had ever seen--perhaps it would be more correct to write that that was my estimate of myself as a rule. There were between-whiles when I knew better. I was at Mrs Sawyer's--Lingfield House School--at Brighton to be finished. And a nice finish they made of me.
It was the summer term and I was romantic, I had my phases. One term I was cynical; another philosophical; a third filled with a wild despair. That one I was all for sentiment. I had been reading all manner of stuff, prose and poetry; I had even written some poems myself. As I burned them years and years ago I do not mind owning it. I was convinced that there was nothing in the world worth living for except love. Given Love--it ought to have a capital L; in my poems it always had--you had everything a reasonable being could desire. Lacking it, wealth, fame, clothes, and even chocolate creams, were as dust and ashes.
There was, that term, a governess who must have been almost as great a goose I was. I am not sure that she was quite so right in the head as she might have been. She only stayed that term. Why Mrs Sawyer ever had her is more than I can say. Her name was Frazer--Mamie Frazer. Her autograph--suggestive of a fly slipping over the paper after a visit to the inkstand--stares at me out of my birthday book at this moment. She was the most speechless person I ever encountered. So to speak, you might carry on a conversation with her for hours and she would never say a word. As a listener she was immense. By degrees her attitude so got upon your nerves that I, for one, would feel like murder.
"Say something!" I would beseech of her. "Do please say something! Don't you know that I have been talking myself hoarse and you haven't uttered a single word."
She would only sigh. To a person who was fond of conversational give-and-take it was trying.
From the opening paragraph, the narrator establishes a distinctive voice: self-deprecating yet sharp, confessing that as a child she was “a creature of impulse” who acted first and regretted later. This tone persists throughout the excerpts, where she recounts her youthful escapades with a blend of irony and candor. Marsh crafts her speech to be both intimate and theatrical, as when she describes staring at a travelling actor “with greater curiosity had he been the Slave of Aladdin's Wonderful Lamp.” The prose is dense with specific, sensory details—the “dingy canvas structure” of the theatre, the “mass of unruly, very dark brown hair”—that ground the narrator’s flights of fancy in a tangible world.
The Narrator’s Impulsive Voice
The narrator’s self-characterization as someone who “started to regret it when it was about half done” is not merely a plot cue but a stylistic signature. Marsh gives her a breathless, additive syntax that mimics impulsive thought: “I did a thing; started to regret it when it was about half done; and if I ever thought at all about the advisability of doing it, it was certainly only when everything was over.” The semicolons and delayed clauses create a rhythm of afterthought. This pattern recurs in the later excerpt, where she describes a carriage ride with the Princess Margaretta: “She leaned back in the carriage. She shaded herself with her parasol in such a way that, while her face must have been invisible to the people on the front, it was visible enough to me.” The short, declarative sentences here contrast with the earlier rush, showing the narrator’s ability to shift tempo when observing others.
Dialogue as a Tool of Character
Marsh uses dialogue to reveal social maneuvering and hidden motives. In the exchange with the Princess, the narrator’s bluntness—“Then, if your husband’s name was Dowsett, I presume that your name is Dowsett, too”—is met with the Princess’s lofty deflection: “Once a Princess always a Princess.” The Princess’s speech is larded with affectations: “mere fripperies,” “so obviously ridiculous,” “one of the Four Hundred.” These phrases mark her as performative, while the narrator’s replies are terse and literal. Similarly, the curate Rouse’s excuse for dining late with the Princess—“a most interesting subject” and “almost a question of grammar”—is rendered with enough pomposity to expose his self-justification. Marsh does not label these characters; their words do the work.
Descriptive Economy and Social Observation
The excerpts show Marsh’s skill at sketching a scene with a few precise details. The travelling theatre is introduced not with a grand description but as “a good-sized oblong tent” in a field “attached to the Half Moon Hotel.” The ordinariness of the setting contrasts with the narrator’s awe. Later, the Princess’s parasol is used as a prop to control visibility: “she shaded herself with her parasol in such a way that, while her face must have been invisible to the people on the front, it was visible enough to me.” This small gesture conveys her calculated allure. Marsh also embeds social commentary in asides: the narrator notes that the Princess “looked supremely lovely. No wonder all the men were after her—the beggars.” The dash and the colloquial “beggars” undercut the admiration with a knowing, almost cynical edge.
Recurring Motifs: Impulse and Regret
The narrator’s opening confession—that she acts first and thinks later—is not a one-off remark but a structural motif. In the school episode, she recalls her “uncanny goings-on” that earned her the nickname “The Witch.” In the later scene, she charges the curate “to his face” and makes up her mind to “say a word to the Princess.” Each action is impulsive, and each is followed by a moment of reflection or complication. The pattern is reinforced by the narrator’s habit of interrupting her own story with parenthetical asides: “though what she knew about it I have not the faintest notion.” These asides create a sense of ongoing self-assessment, as if the confession itself is an act of belated thinking. The excerpts do not reveal whether the narrator ever learns to pause, but the repetition of this pattern suggests it is central to her character.
Readers attentive to diction will notice how Marsh uses the narrator’s vocabulary—words like “curiosity,” “awe,” “scoundrel,” and “beggars”—to signal her social position and moral judgments. The confessions are not just a recounting of events but a performance of self-awareness that is always slightly incomplete. The excerpts offer a rich sample of this voice, but the full novel likely extends these patterns across more episodes, deepening the portrait of a young woman who is both observer and participant in her own misdoings.
That rainy afternoon, I lingered over the impulsiveness in her confessions, noticing how her excuses revealed more than her deeds. The voice felt so alive it almost breathed. Later, seeking a similar tremor of wit shadowed by unease, I drifted to the quieter mischief of An Idyll of All Fools' Day — Background and Themes, where laughter folds into something stranger, like dusk settling on a joke half-told.
Oliver King
2 weeks agoSophia Baker
1 week agoJoseph Thomas
1 week agoDavid Rivera
2 weeks ago-
Deborah Amy Ward - 3 weeks ago
Confessions Of A Young Lady fails to live up to its promising premise. The protagonist comes across as immature and not particularly charming, making it hard to sympathize with her 'misdoings'. The plot is meandering, and the lessons learned are clichéd. The satire is heavy-handed and lacks subtlety. While the writing is adequate, it reads like a didactic morality tale rather than a genuine confession. A disappointing read. -
Priscilla Lopez - 6 days ago
Confessions Of A Young Lady is a witty and insightful exploration of a young woman's escapades and personal growth. The protagonist is wonderfully flawed and utterly relatable. Her 'misdoings' are both amusing and thought-provoking, offering a commentary on the societal expectations of her time. The writing is sharp, with a brisk pace that keeps you turning pages. A delightful read for anyone who enjoys character-driven narratives. -
Christy Bates - 6 days ago
This book offers an entertaining glimpse into the life of a spirited young woman. The confessions are engaging and sometimes humorous, and the social satire is well-conceived. However, the episodic nature makes the narrative feel disjointed at times. Some chapters are stronger than others, but overall, it's a pleasant, light read. If you appreciate classic literature, you'll find merit here, though it's not without flaws.
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Noah Harris
4 weeks ago