An American Girl in London — Background and Themes
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Momma was a Miss Wastgaggle, of Boston, and she was teaching school in Chicago when poppa met her. Her grandfather, who educated her, was a manufacturer of glass eyes. There are Wastgaggles in Boston now, but they spell the name with one 'g,' and lately they have been wanting momma to write hers 'Mrs. Wastgagle-Wick; but momma says that since she never liked the name well enough to give it to any of her children, she is certainly not going to take it again herself. These Wastgagles speak of our great-grandfather as a well-known oculist, and I suppose, in a sense, he was one.
My father's father lived in England, and was also a manufacturer, poppa says, always adding, 'in a plain way;' so I suppose whatever he made he made himself. It may have been boots, or umbrellas, or pastry--poppa never states; though I should be disposed to think, from his taking up the baking-powder idea, that it was pastry.
I am sorry that I am not able to give you fuller satisfaction about my antecedents. I know that I must have had more than I have mentioned, but my efforts to discover them--and I have made efforts since I decided to introduce myself to you--have been entirely futile. I am inclined to think that they were not people who achieved any great distinction in life; but I have never held anything against them on that account, for I have no reason to believe that they would not have been distinguished if they could. I cannot think that it has ever been in the nature of the Wicks, or the Wastgaggles either, to let the opportunity for distinction pass through any criminal negligence on their part. I am perfectly willing to excuse them on this ground, therefore; and if I, who am most intimately concerned in the matter, can afford to do this, perhaps it is not unreasonable to expect it of you.
In connections we do better. A grand-aunt of some early Wastgaggles was burned as a witch in Salem, Mass.--a thing very few families can point back to, even in England, I should think; and a second cousin of momma's was the first wife of one of our Presidents. He was a Democratic President, though, and as poppa always votes the Republican ticket, we don't think much of that. Besides, as we are careful to point out whenever we mention the subject, she was in the cemetery years before he was in the White House. And there is Mrs. Portheris, of Half-Moon Street, Hyde Park, who is poppa's aunt by her first marriage.
We were all coming at first, poppa, and momma, and I--the others are still in school--and it had appeared among the 'City Personals' of the 'Chicago Tribune' that 'Colonel and Mrs. Joshua P. Wick, accompanied by Miss Mamie Wick'--I forgot to say that poppa was in the Civil War--'would have a look at monarchical institutions this summer.' Our newspapers do get hold of things so. But just a week before we were to sail something arose--I think it was a political complication--to prevent poppa's going, and momma is far too much of an invalid to undertake such a journey without him. I must say that both my parents are devoted to me, and when I said I thought I'd prefer going alone to giving up the trip, neither of them opposed it. Momma said she thought I ought to have the experience, because, though I'd been a good deal in society in Chicago, she didn't consider that that in itself was enough. Poppa said that the journey was really nothing nowadays, and he could easily get me a letter of introduction to the captain. Besides, in a shipful of two or three hundred there would be sure to be some pleasant people I could get acquainted with on the voyage. Mrs. Von Stuvdidyl, who lives next door to us, and has been to Europe several times, suggested that I should take a maid, and momma rather liked the idea, but I persuaded her out of it. I couldn't possibly have undertaken the care of a maid.
And then we all thought of Mrs. Portheris.
None of us had ever seen her, and there had been very little correspondence; in fact, we had not had a letter from her since several years ago, when she wrote a long one to poppa, something about some depressed California mining stock, I believe, which she thought poppa, as her nephew and an American, ought to take off her hands before it fell any lower. And I remember that poppa obliged her: whether as an American or as her nephew I don't know. After that she sent us every year a Christmas card, with an angel or a bunch of forget-me-nots on it, inscribed, 'To my nephew and niece, Joshua Peter and Mary Wick, and all their dear ones.' Her latest offering was lying in the card-basket on the table then, and I am afraid we looked at it with more interest than we had ever done before.
The 'dear ones' read so sympathetically that momma said she knew we could depend upon Mrs. Portheris to take me round and make me enjoy myself, and she wanted to cable that I was coming. But poppa said No, his aunt must be getting up in years now, and an elderly English lady might easily be frightened into apoplexy by a cablegram. It was a pity there was no time to write, but I must just go and see her immediately, and say that I was the daughter of Joshua P. Wick, of Chicago, and she would be certain to make me feel at home at once. But, as I said, none of us knew Mrs. Portheris.
I AM not much acquainted in New York, so I had only poppa and Mr. Winterhazel to see me off. Mr. Winterhazel lives there, and does business in Wall Street, where he operates very successfully, I've been told, for such a young man. We had been the greatest friends and regular correspondents for three or four years--our tastes in literature and art were almost exactly the same, and it was a mutual pleasure to keep it up--but poppa had never met him before. They were very happy to make each other's acquaintance, though, and became quite intimate at once; they had heard so much about each other, they said. We had allowed two days before the steamer sailed, so that I could make some purchases--New York styles are so different from Chicago ones; and, as poppa said afterwards, it was very fortunate that Mr. Winterhazel was there. Otherwise, I should have been obliged to go round to the stores alone; for poppa himself was so busy seeing people about political matters that he hadn't the thirtieth part of a second for me, except at meal-times, and then there was almost always somebody there. London is nothing to New York for confusion and hurry, and until you get accustomed to it the Elevated is apt to be very trying to your nerves. But Mr. Winterhazel was extremely kind, and gave up his whole time to me; and as he knew all the best stores, this put me under the greatest obligation to him. After dinner the first evening he took me to hear a gentleman who was lecturing on the London of Charles Dickens, with a stereopticon, thinking that, as I was going to London, it would probably be of interest to me--and it was. I anticipated your city more than ever afterwards. Poppa was as disappointed as could be that he wasn't able to go with us to the lecture; but he said that politics were politics, and I suppose they are.
Next day I sailed from North River Docks, Pier No. 2, a fresh wind blowing all the harbour into short blue waves, with the sun on them, and poppa and Mr. Winterhazel taking off their hats and waving their handkerchiefs as long as I could see them. I suppose I started for Great Britain with about as many comforts as most people have--poppa and Mr. Winterhazel had almost filled my state-room with flowers, and I found four pounds of caramels under the lower berth--but I confess, as we steamed out past Staten Island, and I saw the statue of Liberty getting smaller and smaller, and the waves of the Atlantic Ocean getting bigger and bigger, I felt very much by myself indeed, and began to depend a good deal upon Mrs. Portheris.
As to the caramels, in the next three hours I gave the whole of them to the first stewardess, who was kind enough to oblige me with a lemon.
Before leaving home I had promised everybody that I would keep a diary, and most of the time I did; but I find nothing at all of interest in it about the first three days of the voyage to London. The reason was that I had no opportunity whatever of making observations. But on the morning of the fourth day I was obliged to go on deck. The stewardess said she couldn't put up with it any longer, and I would never recover if I didn't; and I was very glad afterwards that I gave in. She was a real kind-hearted stewardess, I may say, though her manner was a little peremptory.
I didn't find as much sociability on deck as I expected. I should have thought everybody would have been more or less acquainted by that time, but, with the exception of a few gentlemen, people were standing or sitting round in the same little knots they came on board in. And yet it was very smooth. I was so perfectly delighted to be well again that I felt I must talk to somebody, so I spoke to one of a party of ladies from Boston who I thought might know the Wastgagles there. I was very polite, and she did not seem at all sea-sick, but I found it difficult to open up a conversation with her. I knew that the Bostonians thought a good deal of themselves--all the Wastgagles do--and her manner somehow made me think of a story I once heard of a Massachusetts milestone, marked '1 m. from Boston,' which somebody thought was a wayside tablet with the simple pathetic epitaph, 'I'm from Boston,' on it; and just to enliven her I told her the story. 'Indeed!' she said. 'Well, we are from Boston.'
I didn't quite know what to do after that, for the only other lady near me was English, I knew by her boots. Beside the boots she had grey hair and pink cheeks, and rather sharp grey eyes, and a large old-fashioned muff, and a red cloud. Only an Englishwoman would be wearing a muff and a cloud like that in public--nobody else would dare to do it. She was rather portly, and she sat very firmly and comfortably in her chair with her feet crossed, done up in a big Scotch rug, and being an English woman I knew that she would not expect anybody to speak to her who had not been introduced. She would probably, I thought, give me a haughty stare, as they do in novels, and say, with cold repression, 'You have the advantage of me, miss!'--and then what would my feelings be? So I made no more advances to anybody, but walked off my high spirits on the hurricane-deck, thinking about the exclusiveness of those Bostonians, and wondering whether, as a nation, we could be catching it from England.
You may imagine my feelings--or rather, as you are probably English, you can't--when the head steward gave me my place at the dinner-table immediately opposite the Bostonians, and between this lady and an unknown gentleman. 'I shall not make a single travelling acquaintance!' I said to myself as I sat down--and I must say I was disappointed. I began to realise how greatly we had all unconsciously depended upon my forming nice travelling acquaintances, as people always do in books, to make the trip pleasant, and I thought that in considering another voyage I should divorce myself from that idea beforehand. However, I said nothing, of course, and found a certain amount of comfort in my soup.
I remember the courses of that dinner very well, and if they were calculated to make interesting literary matter I could write them out. The Bostonians ostentatiously occupied themselves with one another. One of them took up a position several miles behind her spectacles, looked at me through them, and then said something to her neighbour about 'Daisy Miller,' which the neighbour agreed to. I know what they meant now. The gentleman, when he was not attending to his dinner, stared at the salt-cellar most of the time, in a blank, abstracted way; and the English lady, who looked much nicer unshelled than she did on deck, kept her head carefully turned in the other direction, and made occasional remarks to an elderly person next her who was very deaf. If I had not been hungry, I don't know how I should have felt. But I maintained an absolute silence and ate my dinner.
Gradually--perhaps because the elderly person was so extremely deaf, and my own behaviour comparatively unaggressive--the lady of England began to assume a less uncomfortable position. A certain repellent air went out of her right shoulder. Presently she sat quite parallel with the table. By the advent of the pudding--it was cabinet pudding--I had become conscious that she had looked at me casually three times. When the Gorgonzola appeared I refused it. In America ladies eat very little Gorgonzola.
'Don't you like cheese?' she said, suddenly, a little as if I had offended her. I was so startled that I equivocated somewhat.
'No'm, not to day, I think--thank you!' I said. The fact is, I never touch it.
'Oh!' she responded. 'But then, this is your first appearance, I suppose? In that case, you wouldn't like it.' And I felt forgiven.
She said nothing more until dessert, and then she startled me again. 'Have you been bad?' she inquired.
I didn't know quite what to say, it seemed such an extraordinary question, but it flashed upon me that perhaps the lady was some kind of missionary, in which case it was my duty to be respectful. So I said that I hoped not--that at least I hadn't been told so since I was a very little girl. 'But then,' I said, 'The Episcopalian Prayer-book says we're all miserable sinners, doesn't it?' The lady looked at me in astonishment.
'What has the Prayer-book to do with your being ill?' she exclaimed. 'Oh, I see!' and she laughed very heartily. 'You thought I meant naughty! Cross-questions and crooked answers! Mr. Mafferton, you will appreciate this!' Mr. Mafferton was the gentleman whom I have mentioned in connection with the salt-cellars; and my other neighbour seemed to know him, which, as they both came from England, did not surprise me then, although now I should be inclined to consider that the most likely reason of all why they shouldn't be acquainted. I didn't see anything so very humorous in it, but the lady explained our misunderstanding to Mr. Mafferton as if it were the greatest joke imaginable, and she had made it herself. 'Really,' she said, 'it's good enough for "Punch!'" I was unfamiliar with that paper then, and couldn't say; but now I think it was myself.
Mr. Mafferton coloured dreadfully--I omitted to say that he was a youngish gentleman--and listened with a sort of strained smile, which debouched into a hesitating and uncomfortable remark about 'curious differences in idioms.' I thought he intended it to be polite, and he said it in the most agreeable man's voice I had ever heard; but I could not imagine what there was to flurry him so, and I felt quite sorry for him. And he had hardly time to get safely back to the salt-cellar before we all got up.
Next morning at breakfast I got on beautifully with the English lady, who hardly talked to the elderly deaf person at all, but was kind enough to be very much interested in what I expected to see in London. 'Your friends will have their hands full,' she remarked, with a sort of kind acerbity, 'if they undertake to show you all that!' I thought of poor old Mrs. Portheris, who was probably a martyr to rheumatism and neuralgia, with some compunction. 'Oh!' I said, 'I shouldn't think of asking them to; I'll read it all up, and then I can go round beautifully by myself!'
'By yourself!' she exclaimed. 'You! This is an independent American young lady--the very person I went especially to the United States to see, and spent a whole season in New York, going everywhere, without coming across a single specimen! You must excuse my staring at you. But you'll have to get over that idea. Your friends will never in the world allow it--I suppose you have friends?'
'No,' I said; 'only a relation.'
The lady laughed. 'Do you intend that for a joke?' she asked. 'Well, they do mean different things sometimes. But we'll see what the relation will have to say to it.'
Sara Jeannette Duncan's An American Girl in London opens with a preface that immediately establishes the narrator's distinctive stance: she claims to have written primarily for English readers, not Americans. This framing device sets up a running tension between the protagonist's American identity and her observations of English society. The narrative voice is colloquial and self-deprecating, as when Mamie Wick declares, 'I am an American Girl. Therefore, perhaps, you will not be surprised at anything further I may have to say for myself.' This direct address, combined with a structure that moves through discrete social episodes, gives the book the feel of a serialized correspondence.
Episodic Movement and Social Scenes
The excerpts reveal a narrative built around set-piece social encounters: a private view at the Royal Academy, a cab ride through Bond Street, a negotiation over invitations. Each scene is self-contained, often beginning with a problem (a missing invitation, a reluctant host) and resolving through dialogue and action. The movement between scenes is abrupt—Lady Torquilin appears 'flushed with exertion' after climbing stairs, and the narrator is whisked from letter-writing to a gallery visit within minutes. This episodic structure mirrors the protagonist's experience as a visitor, moving from one social tableau to the next without deep continuity. The cab journey itself becomes a stage for exposition, as Lady Torquilin recounts how she secured the entry. Duncan uses these transitions to compress time and maintain a brisk, anecdotal pace.
Recurring Images: Elevators, Catalogues, and Tailor-Mades
Certain objects recur with emblematic force. The elevator at the hotel is mentioned twice: once when Lady Torquilin 'saw [the narrator] off down the elevator' and later when she avoids it because 'those stairs will kill me.' The lift becomes a marker of modernity and American convenience, contrasted with English exertion. The catalogue—'a fat, pale-blue catalogue book'—serves as a token of legitimacy, passed from Sir Bellamy Bellamy to Lady Torquilin to Mamie. The narrator carries it 'with vague apprehensions, a bad conscience,' aware that it 'didn't belong to me.' The 'tailor-made' dress is specified as the appropriate attire, linking clothing to social propriety. These recurring details anchor the abstract theme of belonging in tangible, material terms.
The Narrator's Self-Conscious Voice
Mamie Wick's narration is marked by a constant awareness of her own performance. She notes that in England 'an unmarried person, of my age, is not expected to talk much,' yet she has 'always talked a great deal, and, one might say, been encouraged to do it.' This self-awareness extends to her conduct at the Academy: she 'fancied' that a doorman looked knowingly at her, as if to say 'About that tailor-made there is something fraudulent.' The parenthetical 'I say I "fancied"' underscores her reflexive monitoring of her own perceptions. Even her regret at missing an outing is described as 'an intensity of regret which cannot come often in the course of an ordinary lifetime'—a hyperbolic, slightly ironic phrasing that distances her from earnest emotion. The voice is consistently that of an observer who is also the observed.
Dialogue as Social Negotiation
Duncan renders social maneuvering almost entirely through dialogue. Lady Torquilin's account of securing the invitation is a miniature drama of persuasion, complete with reported speech: '"Where is your young friend?" said he. Then I took my chance.' The exchange is punctuated by dashes and interjections ('such a humbug as the man is!'), conveying the rhythm of spoken conversation. The narrator's own dialogue is minimal but pointed: 'But am I invited?' she asks, and later, 'I don't feel as if I have been properly invited.' These questions expose the gap between formal etiquette and actual practice. The dialogue does not advance plot so much as it enacts the constant, subtle negotiation of status and access that defines the protagonist's London experience.
Readers should attend to the way Duncan uses the first-person voice not as a transparent window but as a constructed persona—one that admits its own limitations. The narrator's frequent asides and self-corrections invite skepticism about her reliability. The book rewards attention to its small, telling details: a catalogue, a dress, a cabman's altercation. These are the materials from which Mamie Wick builds her account of London, and they are worth more than any sweeping judgment she might offer.
I’ve often shelved An American Girl in London beside my desk, its narrator’s gentle bewilderment at foreign manners still fresh after all these years. That same wondering tone—the slow, amused noticing of how people carry themselves—returns in A Young Man’s Year — Reading Companion, like an old acquaintance nodding from across the stacks. Some books keep each other company quietly, without ever being asked.
Grace Hall
2 weeks agoOliver Rodriguez
2 weeks agoAlexander Flores
1 month ago-
Javier Torres - 3 weeks ago
The book relies too heavily on clichés about English culture and manners, which become tiresome. The narrative lacks a strong structure, and the author's perspective often comes across as superficial. It rarely offers genuine insight, instead focusing on trivial details. Ultimately, it feels like a missed opportunity to explore deeper cultural exchange. -
Joseph Brown - 1 week ago
A delightful and charming travelogue that captures the essence of London through the eyes of an American woman. The author's observations are witty and insightful, and her adventures are both humorous and endearing. It's a fresh perspective that will appeal to Anglophiles and travelers alike. -
Jack Stone - 1 week ago
A light and enjoyable account of an American's experiences in London, but it's fairly predictable. The author's humor is engaging, but some of the anecdotes feel familiar and lack the depth of a truly insightful travel memoir. Still, it's a pleasant read for those interested in cultural observations.
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Wyatt Nguyen
3 weeks ago