The Duke's Sweetheart: A Romance — Reading Notes
Edition facts
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
THE DUKE'S SWEETHEART.
Charles Augustus Cheyne, Duke of Long Acre, had no land. Neither in the United Kingdom nor in any other state of earth did he own a perch of ground. He did not own mines or railways, or Consols, or foreign or domestic stock of any kind. All the money he had was the result of his own industrious fingers, of his own industrious brain. Neither the Heralds' College nor the Lord Chancellor had ever heard of the Duke of Long Acre. The title was one purely of courtesy, conferred upon him by his peers, who were no peers of the realm, but untitled citizens of the Republic of Letters. If he was no duke, he would have furnished sufficient material for making two dukes of satisfactory size, as dukes go now. He was six feet tall, measured fifty inches round the chest, and forty-two round the waist. He had a large, beaming, good-humoured face. He wore no hair on his face; the hair of his head was of a dull dun colour, and always closely cut. No one could remember the colour of his eyes. He was reported to be the strongest and best-tempered man in Fleet Street. He could bend a kitchen-poker into a triangle, and bend it back again, so that one would scarcely notice it had ever been out of shape. He had never struck a man in anger, although he had been often sorely provoked, and more than once absolutely assaulted. On an occasion when a powerful rough attacked him, late at night, in one of the western squares, he had closed with his assailant, caught him round the body, first pinned one hand down, and then the other. Having given his prisoner a good squeeze, which nearly crushed the rough's ribs flat, Long Acre carried the man across the roadway, tossed him over the railings among some shrubs, and walked away. He was never known to curse or swear, or borrow money, or drink too much. His honour was above impeachment; he had never done anything mean or low or shabby. He was a gentleman in the perfect meaning of the word. He dressed in good taste; his clothes always looked fresh, although his coat was often far from new. He walked with the gait of one who would willingly stop to do a favour or lend assistance. He was sufficiently, not oppressively, attentive to women; when men were talking he would always step in gallantly to the rescue of a fair fame. He was loyal to his friends; he would have been forgiving to his enemies, if there were any, but none existed. He made friends very quickly. "I want all the friends I can make," he would say, "for I haven't a single relative alive."
He was thirty-four years of age, and lived in two rooms at the top of a house in Long Acre. With the exception of his rooms all the house was taken up with the business of carriage-making. The name of the carriage-maker was Whiteshaw.
No one of his grace's acquaintances knew anything of his history before sixteen years ago, when he first appeared in Fleet Street. At that time he was a slender, graceful, handsome lad, modest of manner and courteous of address. He was then known as Charles Augustus Cheyne; he had not displayed the wealth of imagination which, later on, caused him to be advanced to the front rank of the peerage. He had a faculty for writing prose stories, which, if never strong, were never vulgar. He would not at any time refer to his past history; and if one put to him a point-blank question, such as "Who was your father, Cheyne?" he would always answer vaguely, "A poor gentleman, who met with a great reverse of fortune, and was ruined and died before I can remember." "And is your mother dead also?" "Yes, my mother is dead also. It is a dismal thing to be as I am without a relative in the world. Let us not speak any more on the subject."
Owing to the splendour of his imagination, which he never allowed for a moment to be dominated by facts, and to the easy and familiar way in which he spoke of the nobility, his friends had created him Duke of Long Acre. Although he preferred being called Cheyne, he answered to the name of Long Acre without any sort of resentment, or even displeasure.
One bright June morning he arose and dressed himself with peculiar care. He had business of the very first importance to transact that day. The Duke of Long Acre had at last given away his heart, and today he was to meet the lady of his choice in Hyde Park at eleven o'clock.
Mrs. Ward, an extremely slatternly woman of fifty, whom Cheyne called his housekeeper--and who came from her home in the Dials, lit his fire and got his breakfast for him of mornings, and made up his rooms, for the modest sum of five shillings a week--had toasted the bacon in a little Dutch oven, and put it on a fiery-hot plate, and made the tea for him, and set forth the milk and bread and butter.
Cheyne sat down and began his breakfast.
"This bacon is delicious, Mrs. Ward," he called out to the charwoman in the next room.
"I am glad you like it, sir."
"Delicious! I could eat a whole pig, Mrs. Ward, I think, if you cooked it."
"It is very good of you to say so, sir."
"And I am sure I don't know how it is you always get such good butter and such exceedingly good milk. I assure you, when I was staying with the Duke of Dorsetshire last summer I got much inferior butter, although he has the reputation of producing in his dairy the very finest butter of the kingdom. He told me he often sends a tub of his butter to the Prince of Wales, just in a friendly way, you know. I own his grace's butter has the full buttercup flavour; but this goes farther--this tastes of nothing but violets and cowslips."
"It ought to be good, sir; it's fivepence-halfpenny the quarter. Eating butter is eating money these times."
"You can't expect to get the essential oil of violets and cowslips permeating the most nutritious and delicate of all fixed oils at less than fivepence-halfpenny for a quarter of a pound."
"Maybe not, sir, if you put it that way."
All through his breakfast, Cheyne chatted with Mrs. Ward. When he had finished he rose, put on his hat, and having bade Mrs. Ward good-bye, went out.
It was bright and clear and fresh even in Long Acre that morning, and Cheyne had a theory that bright, clear, fresh days were made for walking, so he set off for Hyde Park at a quick pace. He would have walked all round the world rather than take an omnibus, and cabs are expensive luxuries to be used only in extreme cases. What can be finer than for a man in good health and spirits to walk down Piccadilly on a bright June day, and turn into Hyde Park to meet his sweetheart? All round you were the mansions of the richest aristocracy in the world. Here was the sense that, even if one did not belong to this privileged class, one was as free to the sunlight and the street and beautifully-kept park as the owner of the bluest blood in England. If one hired ever so sorry a nag, one was as free to a gallop in the Ride as a prince of the blood. If one borrowed any kind of a carriage, one could crawl up and down that Drive with the most yellow and wrinkled of dowager countesses. And then if one were conscious of ability and ambition, there was no reason for not imagining a coronet might not some day encircle one's own brows.
There was John Churchill, who had risen from being the son of a simple Devonshire baronet to be a duke of England. But when, in addition to all these general sources of gratitude, one has the certainty that under a particular tree and upon a particular seat one is sure to find the girl whom one holds to be the dearest in all England, joy and radiance flood the whole scene, and one can hardly believe that Hyde Park is not Paradise.
As Cheyne approached the appointed seat, he found a pair of very bright brown eyes fixed on him. The face to which those eyes belonged was that of a brunette under the medium height. She rose briskly as he drew near, and as he held out his hand to her, and she gave him hers, she said, with a saucy smile:
"I have been waiting a whole five minutes for you, sir."
"I envy those five minutes that were near you when I was away."
"A pretty speech," she said, with a dainty toss of her head; "but I am in a bad humour, and you will have to say all the civil things to-day."
"If we are not to part until I have said all the civil things I have in my heart, we shall not part till sundown."
"Oh goodness! fancy speaking to the one man from five minutes past eleven in June till sundown! It would kill any girl I know."
"Which simply means that you don't know anything at all about yourself."
"I think, Mr. Cheyne, you are the most conceited man I ever met in all my life."
"Then you must have been in a nunnery from your birth till now."
"Are you going to talk in this horrible way for the remainder of my hour and a half, or are you going to take me for a nice comfortable walk through the park and tell me things?"
"Comfort? comfort, scorned of devils! this is truth the poet sings, That a sorrow's crown of sorrow is remembering happier things."
"But, Mr. Cheyne, have the goodness to remember I am not of the class of persons the poet sings of."
"No. You are an angel."
"I declare you've wasted another five minutes in this foolish way. I'll go home."
"A proud spirit always rebels against a threat. I assure you, if you say anything more of that kind, I'll put my hat in the middle of the path and walk away from it, so as to attract the attention of everyone in the park to us."
"What I am is nothing compared to what we will be when I sigh for the hat I've left behind me."
"That's better. There is a tone of humanity in your voice now, May."
"Well, let us make it up, Charlie, and be friends, not comedians."
"With all my heart, May. Before we go any farther I must say I never saw you looking so--so nice. I know 'nice' isn't the right word; but if I say anything stronger you won't give me time to say something else I want to say. Something of the greatest importance."
"Can't you say it out instead of making a speech about it?"
"Well, I never was so happy in all my life before. I never was so much in love before. You know, May, I never told you anything but the simple truth."
She took the arm he had frequently unavailingly offered since they had met.
"You are a good old fellow, and I won't abuse you any more to-day. Have you any news to tell me?"
"Not a word. Except that Effingham has sold that novel at last. Sold it for a song; but then it is a beginning."
"Well then, tell me about Lady Clarinda. What has she done!"
"Run away with the German adventurer."
"Nonsense! I wont have it."
"Can't be helped now."
"Yes, but it must. I insist upon her marrying Sir Gabriel Fairfax."
"But, my dear May, what's done can't be undone."
"Yes; but, Charlie, I insist upon Lady Clarinda marrying Sir Gabriel."
"Oh, nonsense! The public would not have it."
"You must really change it. Why should a young girl like that run away with a red-headed foreigner? She would never have done it."
"That's the new plan, dear. You can't have your hero too wild or your heroine too ugly; for men as a rule are bad, and women are not all as lovely as you, and it flatters bad men and ugly women to find bad men and ugly women heroes and heroines."
"Well, but I don't care what the new plan is, I wont have that horrid German adventurer marry Lady Clarinda."
"Oh, very well; of course, if you insist upon her marrying Sir Gabriel, she shall; although it will compel me to tear up twelve manuscript sheets worth four shillings a sheet."
"And what is going to happen in the other one when the old Duke of Fenwick dies?"
"Oh, you'd be greatly surprised."
"You remember the long, tall, thin man who played the violoncello in the theatre orchestra, early in the story?"
"Yes. With a red nose and warts on his fingers."
"That's he. But I must read that chapter to you the next time I am at Knightsbridge."
Reginald Francis Henry Cheyne, seventh Duke of Shropshire, lived most of the year at his splendid castle Silverview, on the German Ocean. The Duke was an undersized man with a dingy dull complexion and bandy legs. He looked more like an ostler than anything else; and yet he was not only a duke, but a duke of the bluest blood, owner of Silverview Castle, three other country seats, a palatial town-house, and an income of three to four hundred thousand a year. Fate paid him every day for waking upwards of five hundred pounds, and upwards of five hundred pounds on that same day for going to bed again.
He owned one whole city, four parliamentary boroughs, and sixty-four villages. He wasn't the richest peer in England, for he had neither a seventy-foot seam of coal nor a few hundred acres in the West End of London. But against the unpleasant feeling of not being the richest peer in England he had two things to cheer him. In the first place, his city and four parliamentary boroughs were docile, and elected men whom he suggested; and in the second place, beyond his son and heir, the Marquis of Southwold, he had no family, and therefore he had no one to provide for. Consequently he could live up to his income. This he did, but he went no farther; and in all England there was no property more free from encumbrance. He was sixty-three years of age, a widower, and extremely fond of yachting. Although he had a house or castle in each of the three kingdoms and in Wales, he rarely left Silverview, except in his yacht. He was passionately fond of the sea, and had spent as much of his time afloat as ashore. Another thing that wedded him to the sea was the delicacy of his son, who, although now eight-and-thirty years of age, had been from almost his birth obliged to live much at sea, owing to general weakness, and an affection of the eyes, which the doctors said would inevitably end in blindness if he lived permanently on shore.
The reason why the Duke preferred Silverview Castle to any of his other houses or castles was because it stood on a height at the top of a narrow bay. For miles on each side of this bay the land belonged to the Duke, and in his castle above his bay he was as far out of the world as if he had been in the Zaraha, and yet so close to his yacht riding at anchor that he could see from his bedroom-window when he got up if the brasses had been polished and the decks holystoned that morning.
The Duke and his son rode as every Englishman must, but he rode as little as any Englishman may. But neither the sea nor riding had bowed the Duke's legs. From generation to generation the house of Cheyne had been noted, with two exceptions, for its bowed legs. Of course, in the family portraits you saw no sign of this, for the family had taken care never to have any more extended counterfeit presentment than a kit-cat. Whenever, even while he was on land, the Duke encountered a gale he invariably threw out his sea-legs, and straddled, as though the road or field was, while rolling horribly, mounting a mighty swell.
There was nothing particularly interesting about the Duke of Shropshire. He was a commonplace-looking little man with very commonplace ideas. He was an excellent man of business, and every day, when he was at the Castle, gave two hours to his business folk. He was a model landlord. The tenants said it would be impossible to find better, but he was not popular among them. He was too dark and reserved and taciturn. Every sailor wants to have a garden and grow vegetables. Every farmer does not want to go a long sea-voyage. The land is no mystery to the sailor, but the sea is a mystery to the farmer. To people who have no dealings with the sea, those who frequent its plains seem aliens in race. This may, in some way, account for the fact that the Duke made no personal progress in the affections of his tenantry.
The father was not popular, the son was partly pitied and partly despised. His delicacy, and the fact that he could not live on land, separated him still more effectually from the people than his father. The people looked forward with no pleasure to the fact that this man was heir, and would be duke some day. Another thing, too, that the tenants did not like was the way father and son kept together. They knew the marquis was not strong, but still he might have a little will of his own. Why hadn't he a yacht of his own? not go about always with his father, as though he was only twelve years of age instead of thirty-eight. Surely one of the richest peers in the world could afford an allowance to his only son which would enable that son to keep a yacht! Men like men for masters. They do not care to work under invalids and recluses.
Personally the Duke spent little or nothing of his large income. On Sundays his head-gardener was much better dressed than his master. The only luxury the Duke demanded was solitude, and for this solitude he was willing to give up nine-tenths of his fortune. He kept servants at all his seats, and any of his friends of thirty-five years ago was welcome to a loan of one, servants, shooting, fishing included. But no friend was to drive up to Silverview Castle and claim hospitality.
For upwards of thirty years the Duke had not gone into society, nor had he received any guest at Silverview Castle. His wife died soon after his heir was born, and he had gone very little into society since. When not on board his yacht _Seabird_, she lay moored under the windows of the Castle, and nothing was easier than, upon receiving a notice from So-and-so saying he would call upon the Duke on a certain day, for the Duke to write, saying he was very sorry that he intended leaving on a cruise that very day.
There was no general agreement as to the cause of the Duke's avoidance of society. Some said it was owing to grief at the death of his wife; others declared he had done some dire wrong in his young days; and others that it was all the result of whim.
Although he interfered in politics he did not take an active part in them. He merely intimated to his agent which candidates had won his favour. For years he had not made an appearance in the House of Lords. On the rare occasions when he went there it was to record a silent vote on some measure of great importance.
It so happened one of those big questions arose in June, and that his grace had made up his mind to visit London for a few days, and record his vote against some Radical measure which had been sent up from the Lower Chamber. It was of course an event in the great world when the rich Duke of Shropshire came up to London even for an hour.
The title character of Richard Dowling's 1885 romance is not a peer of the realm but a Fleet Street writer nicknamed the 'Duke of Long Acre' by his colleagues. Charles Augustus Cheyne, six feet tall and fifty inches around the chest, can bend a kitchen-poker into a triangle and back again. He owns no land, no stocks, and no title recognized by the Heralds' College. The catalog subjects list 'Aristocracy (Social class) — Fiction,' but the excerpts show a protagonist who earns his living by his brain and fingers, not by inheritance. The romance's tension lies in the gap between Cheyne's physical strength and his social standing, and in the accidental connection forged when a shipwreck brings him into contact with the actual Duke of Shropshire.
A Duke by Courtesy, Not by Blood
The opening chapter establishes Cheyne as a man whose ducal title is purely honorary, conferred by 'untitled citizens of the Republic of Letters.' Dowling emphasizes Cheyne's physicality—his size, his strength, his close-cropped dun-colored hair—as if to compensate for his lack of hereditary status. The narrator notes that Cheyne 'had never struck a man in anger,' despite being assaulted, suggesting a deliberate contrast between his formidable body and his pacific nature. This inversion of aristocratic expectations—a duke who works with his hands, who is known for his good temper rather than his lineage—sets up a central irony that the catalog subject 'Aristocracy (Social class)' only partially captures. The excerpts do not reveal whether Cheyne ever gains land or title, but they make clear that his identity is built on personal achievement, not birth.
The Shipwreck as Social Collision
The excerpts contain two shipwreck scenes. In the first, Cheyne rescues a nobleman who leaves the yacht Seabird as Marquis Southwold and later becomes the eighth Duke of Shropshire. In the second, the bodies of the Duke and a sailor are found in a cove, along with a three-volume novel by Cheyne titled The Duke of Fenwick. The discovery of the novel near the dead Duke leads the 'simple people' to assume it belonged to him, and they send it to the Castle with the corpse. This detail—a book about a duke found beside a duke—literalizes the confusion between fictional and real aristocracy. The catalog subject 'Man-woman relationships' is not prominent in these excerpts; instead, the romance seems to pivot on the collision of social worlds, mediated by a shipwreck that forces physical proximity between a writer and a peer.
Miss Traynor's Settled Notions
In a later excerpt, the narrative shifts to the household of Marion Durrant and her invalid aunt, Miss Traynor. Miss Traynor is described as 'old-fashioned and kindly,' with 'a great number of settled notions' acquired decades earlier. She admires Church and State, considers all Liberals 'murderers and regicides at heart,' and believes The Times infallible. Her opinions are presented with gentle satire: she 'could have read with lively satisfaction that all the Liberals and Radicals had been drowned, provided all detail were omitted, and a bishop had something to do with the matter.' This character offers a window into the domestic and ideological setting that the catalog subject 'England — Social life and customs — 19th century' implies. Her rigid worldview contrasts with Cheyne's self-made status, suggesting that the romance may explore how fixed social attitudes encounter the fluid reality of a man who is a duke in name only.
The excerpts from The Duke's Sweetheart reveal a novel more interested in the ironies of social identity than in conventional romantic plot. The catalog subjects point toward class and custom, but the text itself dwells on physical strength, literary fame, and the accidental mingling of ranks. Readers should attend to how Dowling uses Cheyne's body and his book as symbols that complicate the very idea of aristocracy. The romance may ultimately be less about a love story than about the strange kinship between a writer who calls himself a duke and a duke who dies with a novel in his hands.
Reading The Duke’s Sweetheart, I kept thinking about how shipwrecks strip away titles, leaving just the person clinging to the wreckage. There’s a similar quiet unraveling in the old house of The Grim House — Edition Insights, where walls hold secrets longer than families do. Strange, how time softens our certainties into something gentler, almost like memory.
Carter Hernandez
3 weeks agoElla Ramirez
2 weeks agoWyatt Anderson
3 weeks agoBenjamin Campbell
1 week ago-
Steven Kelly - 1 month ago
The premise is promising, but the execution falls flat. The Duke is too perfect and the heroine's actions often defy logic. Their romance develops without much genuine conflict, and the secondary characters are forgettable. The prose is competent but lacks vibrancy, making the story feel flat. I wanted to love it, but it never truly captured my heart. -
Amy Rivera - 3 weeks ago
A delightful romantic romp that captures the wit and charm of the era. The chemistry between the lead characters sparkles, and the twists of the plot keep you guessing until the very end. The setting is richly drawn, and the dialogue is sharp and amusing. It's the kind of book that makes you sigh with pleasure and believe in love again. A true gem for romance lovers. -
Jeffrey Adams - 2 weeks ago
This is an enjoyable romance, with a sweet central love story and fine period detail. The writing is graceful, but the plot follows a familiar pattern and some obstacles feel contrived. Still, the engaging characters and warm-hearted tone make it a pleasant way to spend an afternoon. If you like classic love stories, this will satisfy.
How will you remember this book?
Save your reaction, strongest insight, and memorable passage.
Victoria Hill
3 weeks ago