Love in a Cloud: A Comedy in Filigree — Key Ideas to Explore

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Bates, Arlo, 1850-1918 Project Gutenberg 2013
Authorship -- Fiction; Boston (Mass.) -- Social life and customs -- Fiction; Anonyms and pseudonyms -- Fiction Readers of public-domain and historical texts
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Words: 70,081
Reading time: 305 min
Text sections: 7
Arlo Bates's 1900 comedy of manners follows the social and romantic entanglements of Boston's elite, centering on the anonymous novel 'Love in a Cloud,' a widow's financial schemes, and a son's coerced engagement. The narrative unfolds through witty dialogue and chapter titles that frame each scene as a 'mischief' or 'business,' revealing a society where reputation and money drive courtship.
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rbinger began a laugh, but choked the bright little bantling as soon as it saw the light. He leaned forward, and laid his hand on the other's knee.

"I understand your feelings, Barnstable," he said, "and I honor you for them; but do consider a little. In the first place, there is no probability that you could make a jury believe that the novelist meant you and your wife at all. Think how many divorce suits there are, and how well that story would fit half of them. What you would do would be to drag to light all the old story, and give your wife the unpleasantness of having everything talked over again. You would injure yourself, and you could hardly fail to give very serious pain to her."

Barnstable stared at him with eyes which were full of confusion and of helplessness.

"I don't want to hurt her," he stammered.

"What do you want to do?"

The client cast down his eyes, and into his sallow cheeks came a dull flush.

"I wanted to protect her," he answered slowly; "and I wanted--I wanted to prove to her that--that I'd do what I could for her, if we were divorced."

The face of the other man softened; he took the limp hand of his companion and shook it warmly.

"There are better ways of doing it than dragging her name before the court," he said. "I tell you fairly that the suit you propose would be ridiculous. It would make you both a laughing-stock, and in the end come to nothing."

The square jaw was still firmly set, but the small eyes were more wistful than ever.

"But I must do something," Barnstable said. "I can't stand it not to do anything."

Harbinger rose with the air of a man who considers the interview ended.

"There is nothing that you can do now," he replied. "Just be quiet, and wait. Things will come round all right if you have patience; but don't be foolish. A lawyer learns pretty early in his professional life that there are a good many things that must be left to right themselves."

Barnstable rose in turn. He seemed to be trying hard to adjust his mind to a new view of the situation, but it was evident enough that his brain was not of the sort to yield readily to fresh ideas of any kind. He examined his hat carefully, passing his thumb and forefinger round the rim as if to assure himself that it was all there; then he cleared his throat, and regarded the lawyer wistfully.

"But I must do something," he repeated, with an air half apologetic. "I can't just let the thing go, can I?"

"You can't do anything but let it go," was the answer. "Some time you will be glad that you did let it be. Take my word for it."

Barnstable shook his head mournfully.

"Then you take away my chance," he began, "of doing something--"

He paused in evident confusion.

"Of doing something?" repeated Harbinger.

"Why, something, you know, to please--"

"Oh, to please your wife? Well, just wait. Something will turn up sooner or later. Speaking of wives, I promised Mrs. Harbinger to come home to a tea or some sort of a powwow. What time is it?"

"Yes, a small tea," Barnstable repeated with a queer look. "Pardon me, but is it too intrusive in me to ask if I may go home with you?"

Harbinger regarded him in undisguised amazement; and quivers of embarrassment spread over Barnstable's wavelike folds of throat and chin.

"Of course it seems to you very strange," the client went on huskily; "and I suppose it is etiquettsionally all wrong. Do you think your wife would mind much?"

"Mrs. Harbinger," the lawyer responded, his voice much cooler than before, "will not object to anybody I bring home."

The acquaintance of the two men was no more than that which comes from casual meetings at the same club. The club was, however, a good one, and membership was at least a guarantee of a man's respectability.

"I happen to know," Barnstable proceeded, getting so embarrassed that there was reason to fear that in another moment his tongue would cleave to the roof of his mouth and his husky voice become extinct altogether, "that a person that I want very much to see will be there; and I will take it as very kind--if you think it don't matter,--that is, if your wife--"

"Oh, Mrs. Harbinger won't mind. Come along. Wait till I get my hat and my bag. A lawyer's green bag is in Boston as much a part of his dress as his coat is."

The lawyer stuffed some papers into his green bag, rolled down the top of his desk, and took up his hat. The visitor had in the meantime been picking from his coat imaginary specks of lint and smoothing his unsmoothable hair.

"I hope I look all right," Barnstable said nervously. "I--I dressed before I came here. I thought perhaps you would be willing--"

"Oh, ho," interrupted Harbinger. "Then this whole thing is a ruse, is it? You never really meant to bring a suit for libel?"

The face of the other hardened again.

"Yes, I did," was his answer; "and I'm by no means sure that I've given it up yet."

The entrance of Mrs. Croydon into Mrs. Harbinger's drawing-room was accompanied by a rustling of stuffs, a fluttering of ribbons, and a nodding of plumes most wonderful to ear and eye. The lady was of a complexion so striking that the redness of her cheeks first impressed the beholder, even amid all the surrounding luxuriance of her toilet. Her eyes were large and round, and of a very light blue, offering to friend or foe the opportunity of comparing them to turquoise or blue china, and so prominent as to exercise on the sensitive stranger the fascination of a deformity from which it seems impossible to keep the glance. Mrs. Croydon was rather short, rather broad, extremely consequential, and evidently making always a supreme effort not to be overpowered by her overwhelming clothes. She came in now like a yacht decorated for a naval parade, and moving before a slow breeze.

Mrs. Harbinger advanced a step to meet her guest, greeting the new-comer in words somewhat warmer than the tone in which they were spoken.

"How do you do, Mrs. Croydon. Delighted to see you."

"How d' y' do?" responded the flutterer, an arch air of youthfulness struggling vainly with the unwilling confession of her face that she was no longer on the sunny side of forty. "How d' y' do, Miss Calthorpe? Delighted to find you here. You can tell me all about your cousin Alice's engagement."

Miss Calthorpe regarded the new-comer with a look certainly devoid of enthusiasm, and replied in a tone not without a suggestion of frostiness:--

"On the contrary I did not know that she was engaged."

"Oh, she is; to Count Shimbowski."

"Count Shimbowski and Alice Endicott?" put in Mrs. Harbinger. "Is that the latest? Sit down, Mrs. Croydon. Really, it doesn't seem to me that it is likely that such a thing could be true, and the relatives not be notified."

She reseated herself as she spoke, and busied herself with the tea-equipage. May rather threw herself down than resumed her seat.

"Certainly it can't be true," the latter protested. "The idea of Alice's being engaged and we not know it!"

"But it's true; I have it direct," insisted Mrs. Croydon; "Miss Wentstile told Mr. Bradish, and he told me."

May sniffed rather inelegantly.

"Oh, Miss Wentstile! She thinks because Alice is her niece she can do what she likes with her. It's all nonsense. Alice has always been fond of Jack Neligage. Everybody knows that."

Mrs. Croydon managed somehow to communicate to her innumerable streamers and pennants a flutter which seemed to be meant to indicate violent inward laughter.

"Oh, what a child you are, Miss Calthorpe! I declare, I really must put you into my next novel. I really must!"

"May is still so young as to be romantic, of course," Mrs. Harbinger remarked, flashing at her young friend a quick sidewise glance. "Besides which she has been educated in a convent; and in a convent a girl must be either imaginative or a fool, or she'll die of ennui."

"I suppose you never were romantic yourself," put in May defensively.

"Oh, yes, my dear; I had my time of being a fool. Why, once I even fell violently in love with a man I had never seen."

The swift rush of color into the face of Miss Calthorpe might have arrested the attention of Mrs. Croydon, but at that moment the voice of Graham interrupted, announcing:--

"Mr. Bradish; Mr. Neligage."

The two men who entered were widely different in appearance.

That Mr. Bradish was considerably the elder was evident from his appearance, yet he came forward with an eager air which secured for him the first attention. He was lantern-jawed, and sanguine in color. Near-sight glasses unhappily gave to his eyes an appearance of having been boiled, and distorted his glance into an absurd likeness to a leer. A shadow of melancholy, vague yet palpable, softened his face, and was increased by the droop of his Don Quixote like yellow mustaches. The bald spot on his head and the stoop in his shoulders betrayed cruelly the fact that Harry Bradish was no longer young; and no less plainly upon everything about him was stamped the mark of a gentleman.

Jack Neligage, on the other hand, came in with a face of irresistible good nature. There was a twinkle in his brown eyes, a spark of humor and kindliness which could evidently not be quenched even should there descend upon him serious misfortune. His face was still young enough hardly to show the marks of dissipation which yet were not entirely invisible to the searching eye; his hair was crisp and abundant; his features regular and well formed. He was a young fellow so evidently intended by nature for pleasure that to expect him to take life seriously would have seemed a sort of impropriety. An air of youth, and of jocund life, of zest and of mirthfulness came in with Jack, inevitably calling up smiles to meet him. Even disapproval smiled on Jack; and it was therefore not surprising if he evaded most of the reproofs which are apt to be the portion of an idle pleasure-seeker. He moved with a certain languid alertness that was never hurried and yet never too late. This served him well on the polo-field, where he was deliberately swift and swiftly deliberate in most effective fashion. He came into the drawing-room now with the easy mien of a favorite, yet with an indifference which seemed so natural as to save him from all appearance of conceit. He had the demeanor of the conscious but not quite spoiled darling of fortune.

"You are just in time for the first brewing of tea," Mrs. Harbinger said, when greetings had been exchanged. "This tea was sent me by a Russian countess who charged me to let nobody drink it who takes cream. It is really very good if you get it fresh."

"To have the tea and the hostess both fresh," Mr. Bradish responded, "will, I fear, be too intoxicating."

"Never mind the tea," broke in Mrs. Croydon. "I am much more interested in what we were talking about. Mr. Bradish, you can tell us about Count Shimbowski and Alice Endicott."

Jack Neligage turned about with a quickness unusual in him.

"The Count and Miss Endicott?" he demanded. "What about them? Who's had the impertinence to couple their names?"

Mrs. Croydon put up her hands in pretended terror, a hundred tags of ribbon fluttering as she did so.

"Oh, don't blame me," she said. "I didn't do it. They're engaged."

Neligage regarded her with a glance of vexed and startled disfavor. Then he gave a short, scornful laugh.

"What nonsense!" he said. "Nobody could believe that."

"But it's true," put in Bradish. "Miss Wentstile herself told me that she had arranged the match, and that I might mention it."

Neligage looked at the speaker an instant with a disbelieving smile on his lip; and tossing his head went to lean his elbow on the mantel.

"Arranged!" he echoed. "Good heavens! Is this a transaction in real estate?"

"Marriage so often is, Mr. Neligage," observed Mrs. Harbinger, with a smile.

Bradish began to explain with the solemn air which he had. He was often as obtuse and matter-of-fact as an Englishman, and now took up the establishment of the truth of his news with as much gravity as if he were setting forth a point of moral doctrine. He seemed eager to prove that he had at least been entirely innocent of any deception, and that whatever he had said must be blamelessly credible.

"Of course it's extraordinary, and I said so to Miss Wentstile. She said that as the Count is a foreigner, it was very natural for him to follow foreign fashions in arranging the marriage with her instead of with Alice."

"And she added, I've no doubt," interpolated Mrs. Harbinger, "that she entirely approved of the foreign fashion."

"She did say something of that sort," admitted Bradish, with entire gravity.

Mrs. Harbinger burst into a laugh, and trimmed the wick of her tea-lamp. Neligage grinned, but his pleasant face darkened instantly.

"Miss Wentstile is an old idiot!" said he emphatically.

"Oh, come, Mr. Neligage," remonstrated his hostess, "that is too strong language. We must observe the proprieties of abuse."

"And say simply that she is Miss Wentstile," suggested Mrs. Croydon sweetly.

The company smiled, with the exception of May, whose face had been growing longer and longer.

"I don't care what she says," the girl burst out indignantly; "I don't believe Alice will listen to such a thing for one minute."

"Perhaps she won't," Bradish rejoined doubtfully, "but Miss Wentstile is famous for having her own way. I'm sure I shouldn't feel safe if she undertook to marry me off."

"She might take you for herself if she knew her power, Mr. Bradish," responded Mrs. Croydon. "No more tea, my dear, thank you."

"For Heaven's sake don't mention it then," he answered. "It's enough to have Jack here upset. The news is evidently too much for him."

"What news has upset my son, Mr. Bradish?" demanded a crisp voice from the doorway. "I shall disown him if he can't hide his feelings."

Past Graham, who was prepared to announce her, came a little woman, bright, vivacious, sparkling; with clear complexion and mischievous dimples. A woman trimly dressed, and in appearance hardly older than the son she lightly talked of disowning. The youthfulness of Mrs. Neligage was a constant source of irritation to her enemies, and with her tripping tongue and defiant independence she made enemies in plenty. Her gypsyish beauty and clear skin were offenses serious enough; but for a woman with a son of five and twenty to look no more than that age herself was a vexation which was not to be forgiven. Some had been spiteful enough to declare that she preserved her youth by being entirely free from feeling; but since in the same breath they were ready to charge the charming widow with having been by her emotions carried into all sorts of improprieties, the accusation was certainly to be received with some reservations. Certainly she was the fortunate possessor of unfailing spirits, of constant cleverness, and delightful originality. She had the courage, moreover, of daring to do what she wished with the smallest possible regard for conventions; and it has never been clearly shown how much independence of conventionality and freedom of life may effect toward the preservation of a woman's youth.

She evidently understood the art of entering a room well. She came forward swiftly, yet without ungraceful hurry. She nodded brightly to the ladies, gave Bradish the momentary pleasure of brushing her finger-tips with his own as she passed him, then went forward to shake hands with Mrs. Harbinger. Without having done anything in particular she was evidently entire mistress of the situation, and the rest of the company became instantly her subordinates. Mrs. Croydon, almost twice her size and so elaborately overdressed, appeared suddenly to have become dowdy and ill at ease; yet nothing could have been more unconscious or friendly than the air with which the new-comer turned from the hostess to greet the other lady. There are women to whom superiority so evidently belongs by nature that they are not even at the trouble of asserting it.

"Oh, Mrs. Neligage," Mrs. Croydon said, as she grasped at the little glove which glanced over hers as a bird dips above the water, "you have lived so much abroad that you should be an authority on foreign marriages."

"Just as you, having lived in Chicago, should be an authority on un-marriages, I suppose. Well, I've had the fun of disturbing a lot of foreign marriages in my day. What marriage is this?"

"We were speaking of Miss Wentstile's proposing to marry Alice to Count Shimbowski," explained Mrs. Harbinger.

"Then," returned Mrs. Neligage lightly, "you had better speak of something else as quickly as possible, for Alice and her aunt are just behind me. Let us talk of Mrs. Croydon's anonymous novel that's made such a stir while I've been in Washington. What is it? 'Cloudy Love'! That sounds tremendously improper. My dear, if you don't wish to see me fall in a dead faint at your feet, do give me some tea. I'm positively worn out."

She seated herself near Mrs. Croydon, over whose face during her remarks had flitted several expressions, none of them over-amiable, and watched the hostess fill her cup.

"Come, Mrs. Neligage," protested Bradish with an air of mild solicitation. "You are really too bad, you know. It isn't 'Cloudy Love,' but 'Love in a Cloud.' I didn't know that you confessed to writing it, Mrs. Croydon."

"Oh, I don't. I only refuse to deny it."

"Oh, well, now; not to deny is equivalent to a confession," he returned.

"Not in the least," Mrs. Neligage struck in. "When you are dealing with a woman, Mr. Bradish, it isn't safe even to take things by contraries."

THE TICKLING OF AN AUTHOR

The entrance of Miss Wentstile and her niece Alice Endicott made the company so numerous that it naturally broke up into groups, and the general conversation was suspended.

Miss Wentstile was a lady of commanding presence, whose youth was with the snows of yester year. She had the eye of a hawk and the jaw of a bulldog; nor was the effect of these rather formidable features softened by the strong aquiline nose. Her hair was touched with gray, but her color was still fresh and too clear not to be natural. She was richly dressed in dark green and fur, her complexion making the color possible in spite of her years. She was a woman to arouse attention, and one, too, who was evidently accustomed to dominate. She cast a keen glance about her as she crossed the room to her hostess, sweeping her niece along with her not without a suggestion that she dragged the girl as a captive at her chariot-wheel.

Jack Neligage stepped forward as she passed him, evidently with the intention of intercepting the pair, or perhaps of gaining a word with Alice Endicott.

"How do you do, Miss Wentstile," he said. "I am happy to see you looking so well."

"There is no reason why I should not look well, Mr. Neligage," she responded severely. "I never sit up all night to smoke and drink and play cards."

Neligage smiled his brightest, and made her a bow of mock deference.

"Indeed, Miss Wentstile," he responded, "I am delighted to know that your habits have become so correct."

She retorted with a contemptuous sniff, and by so effectually interposing between him and her niece that Miss Endicott could only nod to him over her aunt's shoulder. Jack made a grimace more impertinent than courtly, and for the time turned away, while the two ladies went on to Mrs. Harbinger.

"Well, Alice," Mrs. Harbinger said, "I am glad you have come at last. I began to think that I must appoint a substitute to pour in your place."

"I am sorry to be so late," Miss Endicott responded, as she and her hostess exchanged places. "I was detained unexpectedly."

"I kept her," Miss Wentstile announced with grim suddenness. "I have been talking to her about--"

"Aunt Sarah," interposed Alice hurriedly, "may I give you some tea?"

"Don't interrupt me, Alice. I was talking to her about--"

Arlo Bates's Love in a Cloud: A Comedy in Filigree opens with a pointed exchange about a novel that shares its title, immediately establishing the work's self-referential wit. The first chapter, 'The Mischief of a Maid,' introduces May Calthorpe defending the anonymous book against Mrs. Harbinger's boredom, while the chapter headings—'The Mischief of a Widow,' 'The Business of a Lover'—frame each scene as a calculated social maneuver. The excerpts reveal a world where conversations about fiction double as negotiations of status, and where a mother's debt to a flirtatious man drives her to arrange her son's engagement without his knowledge.

The Architecture of Mischief

The chapter titles in Love in a Cloud form a deliberate pattern: nearly half begin with 'The Mischief of' or 'The Business of,' turning each episode into a named social transaction. This structure mirrors the novel's concern with how actions are framed and interpreted. In the opening, Mrs. Harbinger's refusal to discuss the anonymous novel is itself a social performance, while May's eagerness reveals her investment in the book's reputation. Later, Mrs. Neligage's announcement that she 'made an offer in your name' to May Calthorpe transforms a private financial crisis into a public engagement, treating a son's consent as a negotiable asset. The titles thus function as a running commentary on the gap between private motives and public roles.

Money, Debt, and the Language of Obligation

Financial pressures surface abruptly in the excerpts, undercutting the comedy of manners. Mrs. Neligage reveals she owes six thousand dollars to Sibley Langdon, a man she flirted with, and that the debt was 'to save me from the consequences of—' before her voice falters. This unspoken consequence hangs over the scene, linking romantic maneuvering to economic vulnerability. Jack Neligage's reaction—rising with an oath, his sunny face growing pale—shifts the tone from banter to confrontation. The novel's Boston setting, with its County Club and social calls, becomes a stage where debts and engagements are negotiated with the same cool self-possession. The widow's 'serene face' as she settles her coat suggests that financial ruin is merely another card to play.

The Anonymous Novel as Social Mirror

The book-within-a-book, also titled Love in a Cloud, functions as a catalyst for the characters' interactions. Mrs. Harbinger complains that 'nobody talks of anything else,' while her husband, who 'never reads novels,' not only read it but 'actually kept awake over it.' This detail hints at the novel's power to disrupt social norms. May's defensive praise—'it isn't a stupid name'—and her eagerness to know Mr. Harbinger's opinion suggest that the anonymous work becomes a proxy for personal alliances. The excerpts do not reveal the plot of this inner novel, but its presence as a topic of conversation allows Bates to comment on how fiction circulates within a community, shaping reputations and relationships.

Readers approaching Love in a Cloud should attend to the gap between what characters say and what they conceal. The dialogue is crisp, but the silences—the unspoken consequences, the debts left vague, the engagements arranged without consent—carry the weight. The chapter titles offer a map of the novel's social logic, but the comedy depends on recognizing how often mischief and business are the same thing.

It has often struck me, shelving these old friends, how Love in a Cloud's delicate dance of schemes and whispers finds a quieter echo in another volume—one that gathers tales from West Country lanes and Irish hearths. Each holds a mirror to the small, human business of getting by, a gentle comedy of manners shared between covers. Perhaps that is why they sit so well together. Three Courses and a Dessert Comprising Three Sets of Tales, West Country, Irish, and Legal; and a Melange — Reading Notes seems to nod knowingly at that old Boston gossip, as if they were old acquaintances.

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  • ...
    Brett Tara Santos - 4 weeks ago
    {'review_type': 'negative', 'content': 'Love In A Cloud tries too hard to be clever, resulting in dialogue that feels forced and unnatural. The plot is thin and predictable, with little character development to anchor the humor. The filigree style, meant to be charming, becomes tiresome. A disappointing read that does not live up to its promising setup.'}

  • ...
    Brent Willis - 2 weeks ago
    {'review_type': 'positive', 'content': "Love In A Cloud: A Comedy In Filigree is a delightful, witty romp through the intricacies of Victorian courtship. The author's sparkling dialogue and clever wordplay make every page a joy. The characters are charmingly eccentric, and the plot, though light, is engaging. A perfect read for anyone seeking a charming escape with a dose of humor."}

  • ...
    Cameron Clark - 2 weeks ago
    {'review_type': 'neutral', 'content': "Love In A Cloud is a pleasant, lighthearted comedy with its fair share of witty banter and romantic misunderstandings. The filigree style is unique but occasionally overwhelming, making some scenes feel overly ornate. Still, it's a quick, enjoyable read for fans of classic romantic comedies who don't mind a bit of literary flourish."}


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