Guy Deverell, v. 1 of 2 — Reading Notes

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Le Fanu, Joseph Sheridan, 1814-1873 Project Gutenberg 2012
England -- Fiction; Revenge -- Fiction; Country homes -- Fiction Readers of public-domain and historical texts
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Words: 75,059
Reading time: 327 min
Text sections: 7
Le Fanu's novel opens with Sir Jekyl Marlowe at the Plough Inn, then shifts to Wardlock Manor and the Green Chamber. The excerpts reveal a tense atmosphere, recurring motifs of waiting and surveillance, and a cast of characters including Lady Alice, Donica Gwynn, and the mysterious Guy Strangways.
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Sir Jekyl Marlowe at the Plough Inn.

The pretty little posting station, known as the Plough Inn, on the Old London Road, where the Sterndale Road crosses it, was in a state of fuss and awe, at about five o'clock on a fine sharp October evening, for Sir Jekyl Marlowe, a man of many thousand acres, and M.P. for the county, was standing with his back to the fire, in the parlour, whose bow-window looks out on the ancient thoroughfare I have mentioned, over the row of scarlet geraniums which beautify the window-stone.

"Hollo!" cried the Baronet, as the bell-rope came down in answer to an energetic but not angry pull, and he received Mrs. Jones, his hostess, who entered at the moment, with the dismantled bell-handle still in his hand. "At my old tricks, you see. I've been doing you a mischief, hey? but we'll set it right in the bill, you know. How devilish well you look! wonderful girl, by Jove! Come in, my dear, and shut the door. Not afraid of me. I want to talk of ducks and mutton-chops. I've had no luncheon, and I'm awfully hungry," said the comely Baronet in a continued chuckle.

The Baronet was, by that awful red-bound volume of dates, which is one of the melancholy drawbacks of aristocracy, set down just then, and by all whom it might concern, ascertainable to be precisely forty-nine years and three months old; but so well had he worn, and so cleverly was he got up, that he might have passed for little more than forty.

He was smiling, with very white teeth, and a gay leer on pretty Mrs. Jones, an old friend, with black eyes and tresses, and pink cheeks, who bore her five-and-thirty years as well almost as he did his own burthen. The slanting autumnal sun became her, and she simpered and courtesied and blushed the best she could.

"Well, you pretty little devil, what can you do for me--hey? You know we're old friends--hey? What have you got for a hungry fellow? and don't stand at the door there, hang it--come in, can't you? and let me hear what you say."

So Mrs. Jones, with a simpering bashfulness, delivered her bill of fare off book.

The Baronet was a gallant English gentleman, and came of a healthy race, though there were a 'beau' and an archbishop in the family; he could rough it good-humouredly on beefsteak and port, and had an accommodating appetite as to hours.

"That will do very nicely, my dear, thank you. You're just the same dear hospitable little rogue I remember you--how long is it, by Jove, since I stopped here that day, and the awful thunderstorm at night, don't you recollect? and the whole house in such a devil of a row, egad!" And the Baronet chuckled and leered, with his hands in his pockets.

"Three years, by Jove, I think--eh?"

"Four years in August last, Sir Jekyl," she answered, with a little toss of her head and a courtesy.

"Four years, my dear--four devils! Is it possible? why upon my life it has positively improved you." And he tapped her cheek playfully with his finger. "And what o'clock is it?" he continued, looking at his watch, "just five. Well, I suppose you'll be ready in half-an-hour--eh, my dear?"

"Sooner, if you wish, Sir Jekyl."

"No, thank you, dear, that will do very nicely; and stay," he added, with a pluck at her pink ribbon, as she retreated: "you've some devilish good port here, unless it's all out--old Lord Hogwood's stock--eh?"

"More than two dozen left, Sir Jekyl; would you please some?"

"You've hit it, you wicked little conjurer--a bottle; and you must give me a few minutes after dinner, and a cup of coffee, and tell me all the news--eh?"

The Baronet, standing on the threadbare hearthrug, looked waggishly, as it were, through the panels of the shut door, after the fluttering cap of his pretty landlady. Then he turned about and reviewed himself in the sea-green mirror over the chimneypiece, adjusted his curls and whiskers with a touch or two of his fingers' ends, and plucked a little at his ample silk necktie, and shook out his tresses, with his chin a little up, and a saucy simper.

But a man tires even of that prospect; and he turned on his heel, and whistled at the smoky mezzotint of George III. on the opposite wall. Then he turned his head, and looked out through the bow-window, and his whistling stopped in the middle of a bar, at sight of a young man whom he espied, only a yard or two before the covered porch of the little inn.

This young gentleman was, it seemed, giving a parting direction to some one in the doorway. He was tall, slender, rather dark, and decidedly handsome. There were, indeed, in his air, face, and costume, that indescribable elegance and superiority which constitute a man "distinguished looking."

When Sir Jekyl beheld this particularly handsome young man, it was with a disagreeable shock, like the tap on a big drum, upon his diaphragm. If anyone had been there he would have witnessed an odd and grizzly change in the pleasant Baronet's countenance. For a few seconds he did not move. Then he drew back a pace or two, and stood at the further side of the fire, with the mantelpiece partially between him and the young gentleman who spoke his parting directions, all unconscious of the haggard stare which made Sir Jekyl look a great deal less young and good-natured than was his wont.

This handsome young stranger, smiling, signalled with his cane, as it seemed, to a companion, who had preceded him, and ran in pursuit.

For a time Sir Jekyl did not move a muscle, and then, with a sudden pound on the chimneypiece, and a great oath, he exclaimed--

"I could not have believed it! What the devil can it mean?"

Then the Baronet bethought him--"What confounded stuff one does talk and think, sometimes! Half the matter dropt out of my mind. Twenty years ago, by Jove, too. _More_ than that, egad! How could I be such an ass?"

And he countermarched, and twirled on his heel into his old place, with his back to the fire, and chuckled and asked again--

"How the plague _could_ I be such a fool?"

And after some more of this sort of catechism he began to ruminate oddly once more, and, said he--

"It's plaguy _odd_, for all that."

And he walked to the window, and, with his face close to the glass, tried in vain to see the stranger again. The bow-window did not command the road far enough to enable him to see any distance; and he stuck his hat on his head, and marched by the bar, through the porch, and, standing upon the road itself, looked shrewdly in the same direction.

But the road makes a bend about there, and between the hedgerows of that wooded country the vista was not far.

With a cheerful air of carelessness, Sir Jekyl returned and tapped on the bar window.

"I say, Mrs. Jones, who's that good-looking young fellow that went out just now?"

"The gentleman in the low-crowned hat, sir, with the gold-headed cane, please?"

"Yes, a tall young fellow, with large dark eyes, and brown hair."

"That will be Mr. Strangers, Sir Jekyl."

"Does he sleep here to-night?"

"And what's his business?"

"Oh, dear! No business, Sir Jekyl, please. He's a real gentleman, and no end of money."

"I mean, how does he amuse himself?"

"A looking after prospects, and old places, and such like, Sir Jekyl. Sometimes riding and sometimes a fly. Every day some place or other."

"Oh! pencils and paint-boxes--eh?"

"I aven't seen none, sir. I can't say how that will be."

"Well, and what is he about; where is he gone; where is he now?" demanded the Baronet.

"What way did Mr. Strangers go, Bill, just now?" the lady demanded of boots, who appeared at the moment.

"The Abbey, please, Sir Jekyl."

"The Abbey--that's Wail Abbey--eh? How far is it?"

"How far will it be, Bill?"

"'Taint a mile all out, ma'am."

"Not quite a mile, Sir Jekyl."

"A good ruin--isn't it?" asked the Baronet.

"Well, they do say it's _very_ much out of repair; but I never saw it myself, Sir Jekyl."

"Neither did I," said Sir Jekyl. "I say, my good fellow, you can point it out, I dare say, from the steps here?"

"Ay, please, Sir Jekyl."

"You'll have dinner put back, Sir--please, Sir Jekyl?" asked Mrs. Jones.

"Back or forward, _any_ way, my dear child. Only I'll have my walk first."

And kissing and waving the tips of his fingers, with a smile to Mrs. Jones, who courtesied and simpered, though her heart was perplexed with culinary solicitudes "how to keep the water from getting into the trout, and prevent the ducks of overroasting," the worthy Baronet, followed by Bill, stept through the porch, and on the ridge of the old high-road, his own heart being oddly disturbed with certain cares which had given him a long respite; there he received Bill's directions as to the route to the Abbey.

It was a clear frosty evening. The red round sun by this time, near the horizon, looked as if a tall man on the summit of the western hill might have touched its edge with his finger. The Baronet looked on the declining luminary as he buttoned his loose coat across his throat, till his eyes were almost dazzled, thinking all the time of nothing but that handsome young man; and as he walked on briskly toward the Abbey, he saw little pale green suns dancing along the road and wherever else his eyes were turned.

"I'll see this fellow face to face, and talk a bit with him. I dare say if one were near he's not at all so like. It _is_ devilish odd though; twenty-five years and not a relation on earth--and dead--hang him! Egad, its like the Wandering Jew, and the what do you call 'em, _vitæ_. Ay, here it is."

He paused for a moment, looking at the pretty stile which led a little pathway across the fields to the wooded hollow by the river, where the ruin stands. Two old white stone, fluted piers, once a doorway, now tufted with grass, and stained and worn by time, and the stile built up between.

"I know, of course, there's nothing in it; but it's so odd--it _is_ so _devilish_ odd. I'd like to know all about it," said the Baronet, picking the dust from the fluting with the point of his walking-cane. "Where has he got, I wonder, by this time?" So he mounted the stile, and paused near the summit to obtain a commanding view.

"Well, I suppose he's got among the old walls and rubbish by this time. I'll make him out; he'll break cover."

And he skipped down the stile on the other side, and whistled a little, cutting gaily in the air with his cane as he went.

But for all he could do the same intensely uncomfortable curiosity pressed upon him as he advanced. The sun sank behind the distant hills, leaving the heavens flooded with a discoloured crimson, and the faint silver of the moon in the eastern sky glimmered coldly over the fading landscape, as he suddenly emerged from the hedged pathway on the rich meadow level by the slow river's brink, on which, surrounded by lofty timber, the ruined Abbey stands.

The birds had come home. Their vesper song had sunk with the setting sun, and in the sad solitude of twilight the grey ruins rose dimly before him.

"A devilish good spot for a picnic!" said he, making an effort to recover his usual agreeable vein of thought and spirits.

So he looked up and about him, and jauntily marched over the sward, and walked along the line of the grey walls until he found a doorway, and began his explorations.

Through dark passages, up broken stairs, over grass-grown piles of rubbish, he peeped into all sorts of roofless chambers. Everything was silent and settling down into night. At last, by that narrow doorway, which in such buildings so oddly gives entrance here and there into vast apartments, he turned into that grand chamber, whose stone floor rests on the vaults beneath; and there the Baronet paused for a moment with a little start, for at the far end, looking towards him, but a little upward, with the faint reflected glow that entered through the tall row of windows, on the side of his face and figure, stood the handsome young man of whom he was in pursuit.

The Baronet being himself only a step or two from the screw stairs, and still under the shadow of the overhanging arch in the corner, the stranger saw nothing of him, and to announce his approach, though not much of a musician, he hummed a bar or two briskly as he entered, and marched across and about as if thinking of nothing but architecture or the picturesque.

"Charming ruin this, sir," exclaimed he, raising his hat, so soon as he had approached the stranger sufficiently near to make the address natural. "Although I'm a resident of this part of the world, I'm ashamed to say I never saw it before."

The young man raised his hat too, and bowed with a ceremonious grace, which, as well as his accent, had something foreign in it.

"While I, though a stranger, have been unable to resist its fascination, and have already visited it three times. You have reason to be proud of your county, sir, it is full of beauties."

The stranger's sweet, but peculiar, voice thrilled the Baronet with a recollection as vivid and detested. In fact this well-seasoned man of the world was so much shocked that he answered only with a bow, and cleared his voice, and chuckled after his fashion, but all the time felt a chill creeping over his back.

There was a broad bar of a foggy red light falling through the ivy-girt window, but the young man happened to stand at that moment in the shadow beside it, and when the Baronet's quick glance, instead of detecting some reassuring distinction of feature or expression, encountered only the ambiguous and obscure, he recoiled inwardly as from something abominable.

"Beautiful effect--beautiful sky!" exclaimed Sir Jekyl, not knowing very well what he was saying, and waving his cane upwards towards the fading tints of the sky.

The stranger emerged from his shadow and stood beside him, and such light as there was fell full upon his features, and as the Baronet beheld he felt as if he were in a dream.

The Baronet Visits Wardlock Manor.

In fact Sir Jekyl would have been puzzled to know exactly what to say next, so odd were his sensations, and his mind so pre-occupied with a chain of extremely uncomfortable conjecture, had not the handsome young gentleman who stood beside him at the gaping window with its melancholy folds of ivy, said--

"I have often tried to analyse the peculiar interest of ruins like these--the mixture of melancholy and curiosity. I have seen very many monasteries abroad--perhaps as old as this, even older--still peopled with their monks, with very little interest indeed, and no sympathy; and yet here I feel a yearning after the bygone age of English monasticism, an anxiety to learn all about their ways and doings, and a sort of reverence and sadness I can't account for, unless it be an expression of that profound sympathy which mortals feel with every expression of decay and dissolution."

The Baronet fancied that he saw a lurking smile in the young man's face, and recoiled from psychologic talk about mortality.

"I dare say you're right, sir, but I am the worst metaphysician in the world." He thought the young man smiled again. "In your liking for the picturesque, however, I quite go with you. Do you intend extending your tour to Wales and Scotland?"

"I can hardly call this little excursion a tour. The fact is, my curiosity is pretty much limited to this county; there are old reasons which make me feel a very particular interest in it," said the young man, with a very pointed carelessness and a smile, which caused the Baronet inwardly to wince.

"I should be very happy," said Sir Jekyl, "if you would take Marlowe in your way: there are some pictures there, as well as some views you might like to see. I am Sir Jekyl Marlowe, and own two or three places in this county, which are thought pretty--and, may I give you my card?"

The snowy parallelogram was here presented and accepted with a mutual bow. The stranger was smiling oddly as Sir Jekyl introduced himself, with an expression which he fancied he could read in spite of the dark, as implying "rather old news you tell me."

"And--and--what was I going to say?--oh!--yes--if I can be of any use to you in procuring access to any house or place you wish to see, I shall be very happy. You are at present staying at my occasional quarters, the 'Plough.' I'm afraid you'll think me very impertinent and intrusive; but I should like to be able to mention your name to some of my friends, who don't usually allow strangers to see their places."

This was more like American than English politeness; but the Baronet was determined to know all about the stranger, commencing with his name, and the laws of good breeding, though he knew them very well, were not likely to stand long in his way when he had made up his mind to accomplish an object.

"My name is Guy Strangways," said the stranger.

"O--ho--it's very odd!" exclaimed the Baronet, in a sharp snarl, quite unlike his previous talk. I think the distance between them was a little increased, and he was looking askance upon the young gentleman, who made him a very low foreign bow.

There was a silence, and just then a deep metallic voice from below called, "Guy--hollo!"

"Excuse me--just a moment," and the young man was gone. The Baronet waited.

"He'll be back," muttered Sir Jekyl, "in a minute."

But the Baronet was mistaken. He waited at that open window, whistling out upon the deepening twilight, till the edges of the ivy began to glitter in the moonbeams, and the bats to trace their zigzags in the air; and at last he gave over expecting.

He looked back into the gloomy void of that great chamber, and listened, and felt rather angry at his queer sensations. He had not turned about when the stranger withdrew, and did not know the process of his vanishing, and for the first time it struck him, "who the plague could the fellow who _called_ him be?"

On the whole he wished himself away, and he lighted a cigar for the sake of its vulgar associations, and made his way out of the ruins, and swiftly through darkened fields toward the Old London Road; and was more comfortable than he cared to say, when he stepped through the porch into the open hall of the "Plough," and stopped before the light at the bar, to ask his hostess once more, quite in his old way, whether Mr. Strangways had returned.

"No, not yet; always uncertain; his dinner mostly overdone."

"Has he a friend with him?"

"And what is he like?"

"Older man, Sir Jekyl, a long way than young Mr. Guy Strangways; some relation I do think."

"When do they leave you?"

"To-morrow evening, with a chaise and pair for Aukworth."

"Aukworth? why, that's another of my properties!--ha, ha, ha, by Jove! Does he know the Abbey here is mine?"

"I rayther think not, Sir Jekyl. Would you please to wish dinner?"

"To be sure, you dear little quiz, dinner by all means; and let them get my horses to in half-an-hour; and if Mr. Strangways should return before I go, I'd like to see him, and don't fail to let me know--do ye see?"

Dinner came and went, but Mr. Strangways did not return, which rather vexed Sir Jekyl, who, however, left his card for that gentleman, together with an extremely polite note, which he wrote at the bar with his hat on, inviting him and his companion to Marlowe, where he would be at home any time for the next two months, and trusted they would give him a week before they left the country.

The first chapter introduces Sir Jekyl Marlowe at the Plough Inn, where he pulls down a bell-rope and receives Mrs. Jones. The scene establishes his forceful presence and the inn's fuss and awe. The narrative quickly moves to Wardlock Manor, where Lady Alice Redcliffe keeps her horses waiting while she receives Donica Gwynn with sharp formality. The excerpts show Le Fanu's attention to physical detail—the dismantled bell-handle, the black oak wainscoting, the pawed gravel—and his use of waiting as a structural device.

The middle chapters introduce the Green Chamber at Marlowe and the mysterious Guy Strangways, whose appearance causes Sir Jekyl a thrill of discomfort. The novel builds a sense of hidden history and impending revelation, with characters like M. Varbarriere and the Bishop adding layers of intrigue.

Waiting as a Structural Motif

The excerpts repeatedly place characters in states of enforced waiting. Lady Alice's horses stand three-quarters of an hour while she delays Donica Gwynn's entrance. Sir Jekyl's room is visited, and the baronet pursues. The chapter titles themselves—'Sir Jekyl bethinks him of Pelter and Crowe,' 'Inquiries have been made by Messrs. Pelter and Crowe'—suggest a narrative built around deferred action. Le Fanu uses these pauses to heighten tension and to reveal character through small gestures: Lady Alice tapping her foot, opening and shutting her bag, sniffing and muttering. The reader is placed in a similar position of anticipation, waiting for the past to catch up with the present.

The Green Chamber and the Haunted Past

The Green Chamber at Marlowe is mentioned in the table of contents and appears to be a locus of mystery. Sir Jekyl's reaction to Guy Strangways—a 'most unpleasant sensation'—is compared to a man haunted by a spectral illusion. The narrative suggests that Strangways is a 'resurrection of the past' and an 'omen of his fate.' Le Fanu does not explain the connection, but the recurring motif of the Green Chamber and the baronet's unease point to a buried history. The reader is left to infer that the house itself holds secrets, and that the living characters are entangled in events that predate the novel's opening.

Voice and Social Dynamics

Le Fanu's dialogue captures the clipped, formal speech of the gentry. Lady Alice's 'Upon my life!' and 'Very pretty behaviour!' convey impatience and condescension. Donica Gwynn's replies are 'curt and dry,' matching her hostess's sharpness. The narrator also uses free indirect style to render characters' thoughts: Sir Jekyl 'grew in a sort of way accustomed to this haunting enigma.' The social hierarchy is reinforced by physical positioning—Lady Alice sits 'very high and stiffly'—and by the servants' perspective, as when the coachman's 'purple visage' and the footman's 'peevish listlessness' are noted. These details ground the supernatural undertones in a concrete social world.

The Role of the Bishop and the Survey

Later chapters introduce the Bishop at Marlowe and a survey of the Green Chamber. The Bishop's presence suggests a formal, perhaps ecclesiastical, dimension to the mystery. Lady Alice 'pumps the Bishop' in chapter XXXVII, indicating that she seeks information. The survey of the Green Chamber, discussed in chapter XXVI, implies a physical investigation of the house. These elements, combined with the arrival of M. Varbarriere and his conversations with Guy Strangways, create a network of inquiries and revelations. The excerpts do not resolve these threads, but they establish a pattern of characters probing the past, each with their own motives.

Readers should attend to the novel's use of waiting and surveillance as narrative engines. The excerpts offer no resolution, only a series of charged encounters and withheld explanations. Le Fanu's strength lies in the accumulation of small, telling details—a dismantled bell-handle, a pawed gravel hole, a muttered exclamation—that build an atmosphere of unease. The first volume sets up a mystery that will presumably unfold in the second, and the reader's patience is rewarded by the texture of the prose and the precision of the social observation.

In the tense quiet of Guy Deverell, all those hours spent watching doors and waiting for footsteps—that restlessness made me think of the slower ache inside Madonna Mary — A Closer Reading. Both books understand a certain loneliness of the kept vigil, the way a house can hold a breath too long. I've shelved them near one another ever since.

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