The Road to the Open — Key Ideas to Explore
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George thought of one of his last conversations with his father which had occurred in the late spring before they had moved to the villa on the Veldeser Lake. George had just then come back from Sicily, where he had spent April with Grace on a melancholy and somewhat boring farewell tour before his mistress's final return to America. He had done no real work for six months or more, and had not even copied out the plaintive adagio which he had heard in the plashing of the waves on a windy morning in Palermo as he walked along the beach. George had played over the theme to his father and improvised on it with an exaggerated wealth of harmonies which almost swamped the original melody, and when he had launched into a wildly modulated variation, his father had smilingly asked him from the other end of the piano--"Whither away, whither away?" George had felt abashed and allowed the swell of the notes to subside, and his father had begun a discussion about his son's future with all his usual affection, but with rather more than his usual seriousness. This conversation ran through his mind to-day as though it had been pregnant with presage. He stood at the window and looked out. The park outside was fairly empty. An old woman wearing an old-fashioned cloak with glass beads sat on a seat. A nursemaid walked past holding one child by the hand while another, a little boy, in a hussar uniform, with a buckled-on sabre and a pistol in his belt, ran past, looked haughtily round and saluted a veteran who came down the path smoking. Further down the grounds were a few people sitting round the kiosk, drinking coffee and reading the papers. The foliage was still fairly thick, and the park looked depressed and dusty and altogether far more summer-like than usual for late September.
George rested his arms on the window-sill, leant forwards and looked at the sky. He had not left Vienna since his father's death, though he had had many opportunities of so doing. He could have gone with Felician to the Schönstein estate; Frau Ehrenberg had written him a charming letter inviting him to come to Auhof; he could easily have found a companion for that long-planned cycle-tour through Carinthia and the Tyrol, which he had not the energy to undertake alone. But he preferred to stay in Vienna and occupy his time with perusing and putting in order the old family papers. He found archives which went as far back as his great-grandfather Anastasius von Wergenthin, who haled from the Rhine district and had by his marriage with a Fräulein Recco become possessed of an old castle near Bozen which had been uninhabitable for a long period. There were also documents dealing with the history of George's grandfather, a major of artillery who had fallen before Chlum in the year 1866.
The major's son, the father of Felician and himself, had devoted himself to scientific studies, principally botany, and had taken at Innsbruck the degree of Doctor of Philosophy. At the age of twenty-four he had made the acquaintance of a young girl of an old family of Austrian officials, who had brought her up to be a singer, more with a view to rendering her independent of the limited, not to say impoverished, resources of the household, than because she had any real vocation. Baron von Wergenthin saw and heard her for the first time at a concert-performance of the Missa Solemnis and in the following May she became his wife. Three years later the health of the Baroness began to fail, and she was ordered South by the doctors. She did not recover as soon as was anticipated, with the result that the house in Vienna was given up, and the Baron and his family lived for several years a kind of hotel-life, as they travelled from one place to another. His business and studies frequently summoned the Baron to Vienna, but the sons never left their mother. The family lived in Sicily, Rome, Tunis, Corfu, Athens, Malta, Merano, the Riviera, and finally in Florence; never in very great style, but fairly well nevertheless, and without curtailing their expenditure sufficiently to prevent a substantial part of the Baron's fortune being gradually eaten up. George was eighteen when his mother died. Nine years had passed since then, but the memory of that spring evening was still as vivid as ever, when his father and brother had happened to be out, and he had stood alone and helpless by his mother's death-bed, while the talk and laughter of the passers-by had flowed in with the spring air through the hastily opened windows with all the jar of its unwelcome noise.
The survivors took their mother's body back to Vienna. The Baron devoted himself to his studies with new and desperate zeal. He had formerly enjoyed the reputation of an aristocratic dilettante, but he now began to be taken quite seriously even in academic circles, and when he was elected honorary president of the Botanical Society he owed that distinction to something more than the accident of a noble name. Felician and George entered themselves as law students. But after some time their father himself encouraged the boys to abandon their university studies, and go in for a more general education and one more in accordance with their musical tendencies. George felt thankful and relieved at this new departure. But even in this sphere which he had chosen himself, he was by no means industrious, and he would often occupy himself for weeks on end with all manner of things that had nothing at all to do with his musical career.
It was this same trait of dilettantism which made him now go through the old family documents as seriously as though he were investigating some important secrets of the past. He spent many hours busying himself with letters which his parents had exchanged in years gone by, wistful letters and superficial letters, melancholy letters and placid letters, which brought back again to life not merely the departed ones themselves but other men and women half sunk in oblivion. His German tutor now appeared to him again with his sad pale forehead just as he used to declaim his Horace to him on their long walks, there floated up in his mind the wild brown boyish face of Prince Alexander of Macedon in whose company George had had his first riding lessons in Rome; and then the Pyramids of Cestius limned as though in a dream with black lines on a pale blue horizon reared their peaks, just as George had seen them once in the twilight as he came home from his first ride in the Campagna. And as he abandoned himself still more to his reverie there appeared sea-shores, gardens and streets, though he had no knowledge of the landscape or the town that had furnished them to his memory; images of human beings swept past him; some of these, whom he had met casually on some trivial occasion, were very clear, others again, with whom he might at some time or other have passed many days, were shadowy and distant.
When George had finished inspecting the old letters and was putting his own papers in order, he found in an old green case some musical jottings of his boyhood, whose very existence had so completely vanished from his memory, that if they had been put before him as the records of some one else he would not have known the difference. Some affected him with a kind of pleasant pain, for they seemed to him to contain promises which he was perhaps never to fulfil. And yet he had been feeling lately that something had been hatching within him. He saw his development as a mysterious but definite line which showed the way from those first promising notes in the green case to quite new ideas, and this much he knew--the two songs out of the "Westöstliche Divan" which he had set to music this summer on a sultry afternoon, while Felician lay in his hammock and his father worked in his armchair on the cool terrace, could not have been composed by your ordinary person.
George moved back a step from the window as though surprised by an absolutely unexpected thought. He had never before realised with such clearness that there had been an absolute break in his life since his father's death down to to-day. During the whole time he had not given a single thought to Anna Rosner to whom he had sent the songs in manuscript. And he felt pleasurably thrilled at the thought that he could hear her melodious melancholy voice again and accompany her singing on that somewhat heavy piano, as soon as he wished. And he remembered the old house in the Paulanergasse, with its low door and badly lighted stairs which he had not been up more than three or four times, in the mood in which a man thinks of something which he has known very long and held very dear.
A slight soughing traversed the leaves in the park outside. Thin clouds appeared over the spire of the Stephan Tower, which stood directly opposite the window, on the other side of the park, and over a largish part of the town. George was faced with a long afternoon without any engagements. It seemed to him as though all his former friendships during the two months of mourning had dissolved or broken up. He thought of the past spring and winter with all their complications and mad whirl of gaiety, and all kinds of images came back into his memory--the ride with Frau Marianne in the closed fiacre through the snow-covered forest. The masked ball at Ehrenberg's with Else's subtly-naive remarks about "Hedda Gabler" with whom she insisted she felt a certain affinity, and with Sissy's hasty kiss from under the black lace of her mask. A mountain expedition in the snow from Edlach up to the Rax with Count Schönstein and Oskar Ehrenberg, who, though very far from being a born mountaineer, had jumped at the opportunity of tacking himself on to two blue-blooded gentlemen. The evening at Ronacher's with Grace and young Labinski, who had shot himself four days afterwards either on account of Grace, debts, satiety, or as a sheer piece of affectation. The strange hot and cold conversation with Grace in the cemetery in the melting February snow two days after Labinski's funeral. The evening in the hot lofty fencing-room where Felician's sword had crossed the dangerous blade of the Italian master. The walk at night after the Paderewski concert when his father had spoken to him more intimately than ever before of that long-past evening on which his dead mother had sung in the Missa Solemnis in the very hall which they had just come out of. And finally Anna Rosner's tall quiet figure appeared to him, leaning on the piano, with the score in her hand, and her smiling blue eyes turned towards the keys, and he even heard her voice reverberating in his soul.
While he stood like this at the window and looked down at the park which was gradually becoming animated, he felt a certain consolation in the fact that he had no close ties with any human being, and that there were so many people to whom he could attach himself once more and whose set he could enter again as soon as the fancy took him. He felt at the same time wonderfully rested and more in the vein for work and happiness than he had ever been. He was full of great bold resolutions and joyfully conscious of his youth and independence. He no doubt felt a certain shame at the thought that at any rate at the present moment his grief for his dead father was much alleviated; but he found a relief for this indifference of his in the thought of his dear father's painless end. He had been walking up and down the garden chatting with his two sons, had suddenly looked round him as though he heard voices in the distance, had then looked up towards the sky and had suddenly dropped down dead on the sward, without a cry of pain or even a twitching of the lips.
George went back into the room, got ready to go out and left the house. He intended to walk about for a couple of hours wherever chance might take him, and in the evening to work again at his quintette, for which he now felt in the right mood. He crossed the street and went into the park. The sultriness had passed. The old woman in the cloak still sat on the seat and stared in front of her. Children were playing on the sandy playground round the trees. All the chairs round the kiosk were taken. A clean-shaven gentleman sat in the summer-house whom George knew by sight and who had impressed him by his likeness to the elder Grillparzer. By the pond George met a governess with two well-dressed children and received a flashing glance. When he got out of the Park into the Ringstrasse he met Willy Eissler who was wearing a long autumn overcoat with dark stripes and began to speak to him.
"Good afternoon, Baron, so you've come back to Vienna again."
"I've been back a long time," answered George. "I didn't leave Vienna again after my father's death."
"Yes, yes, quite so.... Allow me, once again...." And Willy shook hands with George.
"And what have you been doing this summer?" asked George.
"All kinds of things. Played tennis, and painted, rotted about, had some amusing times and a lot of boring ones...." Willy spoke extremely quickly, with a deliberate though slight hoarseness, briskly and yet nonchalantly with a combination of the Hungarian, French, Viennese and Jewish accents. "Anyway, I came early to-day, just as you see me now, from Przemysl," he continued.
"Yes, the last one. I'm sorry to say so. Though I'm nearly an old man, I've always found it a joke to trot about with my yellow epaulettes, clanking my spurs, dragging my sabre along, spreading an atmosphere of impending peril, and being taken by incompetent Lavaters for a noble count." They walked along by the side of the railing of the Stadtpark.
"Going to Ehrenbergs' by any chance?" asked Willy.
"No, I never thought of it."
"Because this is the way. I say, have you heard, Fräulein Else is supposed to be engaged?"
"Really?" queried George slowly. "And whom to?"
"Great heavens!" cried Willy, "I'm sure it's never entered his head! Becoming S. Ehrenberg's son-in-law might result in prejudicing his government career--nowadays."
George went on guessing. "Rittmeister Ladisc?"
"Oh no, Fräulein Else is far too clever to be taken in by him."
George then remembered that Willy had fought a duel with Ladisc a few years back. Willy felt George's look, twirled somewhat nervously his blonde moustache which drooped in the Polish fashion and began to speak quickly and offhandedly.
"The fact that Rittmeister Ladisc and myself once had a difference cannot prevent me from loyally recognising the fact that he is, and always has been, a drunken swine. I have an invincible repulsion, which even blood cannot wash out, against those people who gorge themselves sick at Jewish houses and then start slanging the Jews as soon as they get on the door-steps. They ought to be able to wait till they got to the café. But don't exert yourself any more by guessing. Heinrich Bermann is the lucky man."
"Impossible," said George.
"Why?" asked Eissler. "It had to be some one sooner or later. Bermann is no Adonis, I agree, but he's a coming man, and Else's official ideal of a mixture of gentleman-rider and athlete will never turn up. Meanwhile she has reached twenty-four, and she must have had enough by now of Salomon's tactless remarks and Salomon's jokes."
"Salomon?--oh, yes--Ehrenberg."
"You only know him by the initial S? S of course stands for Salomon ... and as for only S standing on the door, that is simply a concession he made to his family. If he could follow his own fancy he would prefer to turn up at the parties Madame Ehrenberg gives in a caftan and side-curls."
"Do you think so? He's not so very strict?"
"Strict?... Really now! It's nothing at all to do with strictness. It is only cussedness, particularly against his son Oskar with his feudal ideals."
"Really," said George with a smile, "wasn't Oskar baptised long ago? Why, he's a reserve officer in the dragoons."
"That's why ... well, I've not been baptised and nevertheless ... yes ... there are always exceptions ... with good will...." He laughed and went on. "As for Oskar, he would personally prefer to be a Catholic. But he thought for the time being he would have to pay too dearly for the pleasure of being able to go to confession. There's sure to be a provision in the will to take care that Oskar doesn't 'vert over."
They had arrived in front of the Café Imperial. Willy remained standing. "I've got an appointment here with Demeter Stanzides."
"Please remember me to him."
"Thanks very much. Won't you come in and have an ice?"
"Thanks, I'll prowl about a little more."
"It's hard to give an answer to so general a question," replied George.
"Of course," said Willy, suddenly grew serious and lifted his hat. "Good afternoon, Baron."
George held out his hand. He felt that Willy was a man who was continually defending a position though there was no pressing necessity for him to do so.
"Au revoir," he said with real sincerity. He felt now as he had often done before, that it was almost extraordinary that Willy should be a Jew. Why, old Eissler, Willy's father, who composed charming Viennese waltzes and songs, was a connoisseur and collector, and sometimes a seller of antiquities, and objets d'art, and had passed in his day for the most celebrated boxer in Vienna, was, what with his long grey beard and his monocle, far more like a Hungarian magnate than a Jewish patriarch. Besides, Willy's own temperament, his deliberate cultivation of it and his iron will had made him into the deceptive counterpart of a feudal gentleman bred and born. What, however, distinguished him from other young people of similar race and ambition was the fact that he was accustomed to admit his origin, to demand explanation or satisfaction for every ambiguous smile, and to make merry himself over all the prejudices and vanities of which he was so often the victim.
George strode along, and Willy's last question echoed in his ears. Did he love solitude?... He remembered how he had walked about in Palermo for whole mornings while Grace, following her usual habit, lay in bed till noon.... Where was she now...? Since she had said goodbye to him in Naples he had in accordance with their arrangement heard nothing from her. He thought of the deep blue night which had swept over the waters when he had travelled alone to Genoa after that farewell, and of the soft strange fairy-like song of two children who, nestling closely up against each other and wrapped, the pair of them, in one rug, had sat on the deck by the side of their sleeping mother.
The opening pages of Arthur Schnitzler's The Road to the Open establish a pattern of close psychological observation through the consciousness of Georg von Wergenthin. Rather than launching into dramatic action, the narrative lingers on Georg's solitary dinner, his wandering thoughts about his deceased father, and the precise mannerisms he recalls—pushing away a coffee cup, adjusting a pince-nez. The room itself shifts from gloomy to cheerful in his perception, a subtle change that signals the novel's interest in subjective experience over external events.
Interiority Over Incident
The excerpts consistently prioritize Georg's inner life over plot mechanics. When he learns of Demeter Stanzides's arrival, the focus is not on the event but on his layered reactions: a flicker of envy for Demeter's freedom, a renewed appreciation for Therese, and a detached observation of Anna's blush. Schnitzler renders these shifts in feeling through small physical cues—a glance at an empty chair, the whistling of Beethoven's Fifth Symphony as a private signal. The narrative voice remains close to Georg's perspective, filtering external events through his moods and memories.
Social Codes and Unspoken Tensions
Dialogue in the excerpts operates through indirection and subtext. When Anna guesses Demeter's companion as "Sissy Wyner" and then remarks "Elective affinities," the exchange carries multiple layers: jealousy masked as wit, Georg's performative surprise, and a shared understanding of social rules. The novel's catalog subjects—middle-class life, antisemitism, Jewish identity—are not directly discussed in these passages, but the texture of Viennese society emerges through such coded conversations. Characters navigate class and ethnic boundaries through allusion rather than declaration, suggesting that the novel may explore these tensions obliquely.
Time, Memory, and Artistic Stagnation
Georg's identity as a composer is established through memory rather than present action. He recalls improvising for his father, who asked "Whither away, whither away?"—a question that echoes beyond the scene. The unfinished adagio from Sicily, the six months without real work, and the "exaggerated wealth of harmonies" that swamped the melody all point to creative paralysis. The narrative's temporal structure reinforces this: the present moment is constantly interrupted by recollections, as when Georg visualizes his father's mannerisms "as though he had seen him sit there only an hour back." This layering of time suggests that the road to openness may be blocked by the weight of the past.
Readers should attend to the novel's use of free indirect discourse, which blurs the line between narrator and character. The excerpts offer no clear plot direction—no inciting incident, no stated conflict—but instead build a world through accumulated sensory and psychological detail. Pay particular attention to how Schnitzler uses objects (a green coverlet, a packet of letters) and gestures (a nod, a blush) to convey meaning that dialogue leaves unspoken.
Years among these shelves taught me that Schnitzler's Georg, drifting through Viennese drawing-rooms, carried a silence inside him—a loneliness of the attentive soul. That same quiet hush breathes through The Walking Delegate — Reading Notes, where observation outlasts action. Both books whisper rather than proclaim, letting a glance or a paused phrase hold more weight than any grand event. A gentle, knowing kinship, I think.
Emma Nguyen
1 month agoGrayson Jones
2 weeks ago-
Michelle Williams - 1 month ago
An inspiring and beautifully written memoir that captures the struggle and triumph of pursuing one's dreams. The author's prose is lyrical, and the narrative is both intimate and universal. It's a powerful reminder that the path to freedom is often through the open road, and it left me both moved and motivated. -
Sara Stokes - 4 weeks ago
A well-crafted personal story with vivid descriptions, but the pacing can be uneven. The author's journey is compelling, and the writing is often poetic, yet some sections drag with excessive detail. Still, it's a worthwhile read for those interested in personal growth and self-discovery. -
Holly Jones - 1 week ago
Although the author's experiences are interesting, the book tends to meander and lacks a clear focus. The narrative jumps between events without sufficient context, making it hard to follow. The writing is sometimes overly flowery, obscuring the message. For a title about 'the open,' it feels surprisingly confined.
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Joseph Taylor
4 weeks ago