Gunboat and Gun-runner: A Tale of the Persian Gulf — Text and Context

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Jeans, T. T. (Thomas Tendron), Padday, C. M. (Charles Murray), 1868-1954 [Illustrator] Project Gutenberg 2014
Illegal arms transfers -- Fiction; Great Britain. Royal Navy -- Fiction; Persian Gulf -- Fiction Readers of public-domain and historical texts
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Words: 106,111
Reading time: 462 min
Text sections: 12
A lieutenant's firsthand account of Royal Navy patrols intercepting arms-smuggling dhows in the Persian Gulf, structured around tense night ambushes, coastal landings, and the precarious authority of a small armed launch.
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and so did a little pale-faced, rather nice-looking girl about twenty-two, with hair the very same shade as the Baron’s. She was not English—I could tell that by the way she talked—and she kept almost entirely to herself. I never spoke to her during the voyage, but once I overheard her snub the major in broken English, in the most deliberate, delightful manner, and as he went away, with a silly expression on his face, our eyes met. There was such an irresistibly humorous twinkle in hers that I smiled too—I really could not help it. At that her smile died away, as if ashamed of itself, her pale face flushed, and I followed the major, feeling like a naughty boy who had been caught prying.

At Port Said we picked up Mr. Thomas Scarlett—Gunner, R.N.—serving in the _Jason_, which was doing guardship there.

I had seen his appointment to the _Bunder Abbas_ in the newspapers, and, as we should have to live together for the next two years, I was anxious to know what manner of man he was.

He certainly looked a queer chap, tall and thin, with stooping shoulders, bushy black eyebrows meeting across his forehead, two piercing black eyes deeply sunk beneath them, a beaked nose over very thin tight lips, and the blackest of hair, moustache, and pointed beard. He looked very much like a vulture, with his long thin neck stretching out from a low collar, much too large for him. When he talked, the words tumbled out, one after the other, so quickly that, until one became used to him, it was difficult to understand what he said.

We soon found out that he had been in the Persian Gulf many times in the course of the last few years, so Baron Popple Opstein and I used to take him along to our special corner on deck, and ask him questions. He gave us the impression that he did not wish to go out there again, and whenever he talked of the Persian Gulf and of his former experiences there he seemed nervous and very ill at ease. But, once we made him talk, his stories of pirates, pearl-fishers, slavers, and gun-runners were as absorbing as one could wish. Old Popple Opstein’s face would grow purple with excitement. Mr. Scarlett, too, would often work himself into a great pitch of vehemence as he told some especially thrilling yarn.

"You might be an Arab yourself," I said one night, when he had brought a story to a climax, leaving us breathless and fascinated with his glowing, fiery description.

"I am almost, sir," he said. "My father was the constable of the Residency at Bushire, and my mother was half-Arab."

That explained his dark complexion, and why, in the middle of a yarn, he would often slide off his chair and sit Moorish fashion—cross-legged. He could always talk more easily in that attitude.

Ever since he had joined the Navy he had served, off and on, in the East, his knowledge of all the languages and different dialects of those parts, picked up when he was a boy, being so useful.

One night, four days out from Suez, we were making him tell us all he knew about gun-running. It was very warm, damp, and unpleasant, so he took off his coat. In doing so he happened to pull the shirtsleeve of his left arm above his elbow. By the light of a lantern overhead we saw something glittering round his arm. My chum peered forward to look at it, but the gunner hastily pulled his sleeve down.

"What the dickens is that?" we both asked.

First glancing fore and aft, to see that no one was near, he very reluctantly pulled up his sleeve.

He held his arm so that the lantern light fell upon it, and we saw that the thing round his arm was a small snake, marvellously enamelled—a cobra it was. The joints, even each separate scale, seemed flexible, and as he worked his muscles underneath it the snake seemed to cling more tightly to his skin, in the most horribly realistic fashion. Two greenish-tinged opal eyes blinked at us as the light overhead flickered in them.

The Baron leant forward to touch it, but Mr. Scarlett, with a sudden look of horror, shot out his right hand and clutched the Baron’s hand so violently that he cried out.

"Don’t touch it, sir! For God’s sake, don’t touch it. There’s poison enough in that thing to kill a dozen men!" he gasped fiercely.

"What is it—what do you mean? Tell us!" we cried.

Some passengers coming along the deck, he instantly covered it with his sleeve.

"I generally wear a bandage over it," he said nervously. "The night was so hot that I took it off."

"Well, tell us about it," we urged him. "Where did you get it?"

"Jassim gave it to me," Mr. Scarlett answered, his black eyes burning strangely as he looked round to see that no one could overhear him. "I’ll tell you when and how that snake came here. It’s a long story—and a sad one. When you have heard it you will know why I do not want to go back to the Persian Gulf. But, for God’s sake, sirs, don’t ever mention it to a soul!"

We promised—we would have promised anything to learn its story.

*The Story of the "Twin Death"*

"It was nearly thirty years ago when I first saw that bracelet," Mr. Scarlett began in a strained voice. "I was only a boy then. It was brought to my father’s house, at Bushire, by a Banyan jeweller—a friend of his—who showed it to him as one of the most marvellous and curious pieces of workmanship in the East. I remember how frightened I was to hear the stories he told of it, and to see them examining it.

"When the jeweller had gone, my father, who knew its history, told me that, when it was pulled off the arm which wore it, it would writhe and strike with the poisoned fangs in its head, and kill both the wearer and the person who tore it off.

"There is an Arab song, nearly two hundred years old, which sings of it. The song is about the woman who first wore it. She was the favourite wife of a murdered Sultan of Khamia, and fell alive into the hands of his Persian conqueror. He wanted to marry her because she was so beautiful, and she dared him, if he would win her, to tear the bracelet off her arm—dared him in front of his Court—and he was so mad with love that he did so, although he knew what would happen. The snake struck them both, and they died. In that Arab song she is supposed to sing several verses after the fangs struck her, but," Mr. Scarlett’s voice trembled hoarsely, "I know that she had not time."

"You don’t mean to tell us that this is the same one?" the Baron asked breathlessly.

"It is, sir. I wish it wasn’t."

"But how did you get it?" he asked again.

"Let the gunner spin his yarn," I told him impatiently.

"Well," he went on, "it has always been worn by the chief wife of the Sultan of Khamia. It is her privilege to be the only wife who follows her husband at his death. She had to kill herself by tearing it off her own arm, and if her courage failed her a slave stood by to do it, and the two would die. The slave was not likely to fail her, for to die by ’the twin death’ was supposed to be a sure way of attaining Paradise, and not many slaves ever thought that they would have the chance to get there.

"Some of this my father told me, and the rest, and many other things besides, I learnt afterwards from the Arabs up and down the coast.

"I saw it next eight or nine years afterwards. I was an ordinary seaman in a gunboat lying off Muscat, and, happening to be ashore one afternoon, with nothing to do, I noticed that there was quite a crowd of natives gathered on the shore.

"They told me that the Sultan of Khamia was just going to embark on his way to Mecca, so I stopped to see him, knowing that he was the worst brigand and pirate in the whole of the Gulf, and wishing to see what kind of chap he was.

"Presently he came down with a crowd of attendants to guard him—a fine-looking fellow he was—and after him followed some hooded cages or palanquins. Inside these, hidden from view, were, I knew, his favourite wives, accompanying him as far as Jeddah. Out of the first stretched a beautiful arm, and on it was that snake bracelet.

"I half expected to see it, and recognized it at once. You should have seen that crowd of natives give way and fall back. Everyone knew what it was, and what it meant. They edged away as if it was the devil himself.

"The closed cages were taken on board a lighter; the lighter was towed out to a little steamer rolling in the mouth of the harbour between the two old Portuguese forts, and I soon forgot all about the bracelet.

"Five years afterwards fate brought me to the Gulf again. I was a petty officer in the gunboat _Pigeon_ then, and everywhere we went we heard the name of Jassim, the now Khan of Khamia—the absolute despot of the south-western part of the Persian Gulf, the head of the Jowassim tribes of slavers and pirates, and the terror of the seas. Not a dhow dared leave any port without first paying tribute to him, and the tales of his atrocities made our blood boil with rage; because he was not satisfied with being master of the Gulf, but he’d swoop down on coast towns, demand tribute from them, and, if there was any resistance—even hesitation in paying—he would kill every man, woman, and child in ways so callously brutal that you could not imagine a human being capable of inventing them.

"His latest exploit had been to capture the whole fleet of pearl-fishing dhows and trading baggalows[#] inside Muscat harbour. He filled them with his rascally followers—Bedouins chiefly—and thought himself strong enough to tackle the English.

[#] Baggalow=large ocean-going dhow.

"We soon heard that he was preparing to seize the pearl-fishing dhows which were then fitting out at Bahrein—under the English flag and the English guns of the fort there—to sail for the pearl banks, down south.

"The _Pigeon_ and the old _Sphinx_ were therefore ordered to search for Mr. Jassim and teach him a lesson.

"Well, after dodging in and out of the bays in that rocky coast, shoving our nose in, finding nothing, and shunting out again, we found him, one morning, anchored at the head of a shallow bay with all his fleet.

"Four hundred and twenty-two dhows we counted, their sloping masts and yards showing up like a forest against the shore. Every one of them was flaunting the red flag with a white border, the flag of the Jowassims. The whole place was a-flutter with them.

"At the top of the bay Jassim had built himself a fort, and lived there, we found out afterwards, in great style, with his harem, sheikhs’ sons to wait on him, gold plates to eat off, and everything simply tiptop.

"Four hundred odd dhows were there, manned for the most part by dare-devil Bedouins, with a fair sprinkling of Beni Ghazril, Ballash, and Ahmed tribes—all low-caste tribes not too keen on fighting. Armed they were with old smooth bores—nine-pounders, there or thereabouts—and the little _Pigeon_ was equal to taking on the lot if she could only have fetched in close enough; which she couldn’t, as she drew too much water. We had to anchor five miles away from these dhows—five miles if a yard.

"Out came a sheikh or a khan—some big swell—to say that Jassim was only waiting for a change of wind to come out and eat us up. As it was blowing a steady shamel (you two gentlemen will know what that is before you’ve been out here long), blowing right into the bay, and not likely to ease down for two or three days, we didn’t trouble about them trying to escape. Well, the skipper sent that sheikh chap back with a flea in his ear, and presently Jassim himself came along in a grand barge, flying the Turkish flag—like his cheek!—and as cool as anything comes up the side and gives our skipper two hours to clear out of it.

"The cheek of the man amused the skipper, who merely took him aft into his cabin, kept him there for two hours, talking and drinking coffee, showed him his watch and that the two hours had gone by, told him he would have hanged him had he not been flying the Turkish flag, and sent him back to his fleet.

"The tide rising presently, we chanced our luck and moved in a bit closer. Directly we moved, those dhows, hundreds of them, let rip at us with their old pop-guns, the shot plunking into the water half-way, and not even the ’ricos’ reaching us.

"That was just what the skipper was waiting for. He opened fire with our four-inch guns, keeping it up from four o’clock that afternoon till six, and setting a good many of the dhows on fire. Just before the sun went down, along came the old _Sphinx_, paddling furiously, and chipped in with her old-fashioned guns, till neither of us could see a thing to aim at, except flames occasionally. The whole bay was a mass of smoke from the dhows we had set on fire with our shells.

"It was a fine sight as the sun set behind the great mountains inshore, and the dark shadows of them came racing across the plain and the harbour, showing up the flames still more brightly.

"If you ever cruise along that coast don’t miss that sight—the sight of those shadows as the sun sinks behind the mountains," Mr. Scarlett interrupted his yarn to tell us.

"Well, all that night we and the _Sphinx_ fired occasionally to keep the Arabs’ nerves on edge, and made all ready to send in every boat we possessed, at daybreak, to see what we could do.

"That was the longest day’s work I ever did, and the worst—the worst," Mr. Scarlett hissed out, apparently waking up and altering his voice, as if he had been somebody else telling the yarn before, or as if he had suddenly turned over a fresh page in a book he was reading, remembered the terrible ending, and wanted to shut it up.

The Baron and I almost jumped out of our chairs.

"Yes, the worst. My God! it was the worst." He jumped to his feet, looked ashamed of himself, sat down, and went on to tell us in a strained voice, as though the ending was too terrible, how the crews of the _Pigeon_ and _Sphinx_ had pulled ashore in their boats, like midges round a horde of elephants. He said that two of the bigger dhows, placed end on end, would be nearly as big as the _Victory_.

We did not believe him.

He told us how, as one boat would clap alongside a huge towering dhow, her demoralized crew would clamber down the other side to their boats or jump overboard. The bluejackets had brought tins of paraffin, with which they set on fire each dhow they boarded, adding still further to the terror and disorder, until the crews of all those four hundred odd junks abandoned them and clustered at the edge of the shore, behind the walls of Jassim’s fort, shouting bravely and shooting off their crazy rifles in defiance.

So the bluejackets left off their work of destruction, the boats pulled ashore together, the men wading as soon as their keels grated on the beach, whilst the Nordenfeldts and Gardner guns in their bows fired point-blank into the demoralized crowd of Arab scum. There must have been fifteen thousand of them on the beach; but panic broke out among them, and they melted away from the shore and from the fort, scurrying away inland in front of that handful of bluejackets until they had taken refuge in the defiles and crevasses of those barren mountains, where (as Mr. Scarlett told us) you could hardly believe it possible for a goat to live, but where they sought shelter like frightened sheep.

When he had come to this point Mr. Scarlett paused a little, as if he was reluctant to go on. Then he started again hurriedly:

"And we came back, very slowly back, panting, our feet red-hot and our tongues swollen with thirst, the blazing sun on our backs. And we found Jassim squatting on his prayer mat on the sloping shore, his back turned to the sea and his burning ships, his face turned to the sun.

"A woman crouched at his feet.

"These two were alone, the only living things there; no other human being had stayed with him; she alone of all his harem and his people remained to share his fate. I was sent for to act as interpreter; and our skipper—a tender-hearted man—had pity on Jassim now that his power was absolutely broken, and gave him the choice of coming on board or staying where he was. Jassim chose to stay, answering proudly and defiantly, as though he was still lord of a powerful fleet, or as though his spirit was not broken. Then it was that I saw this hateful snake for the third time—it was on that woman’s arm."

Mr. Scarlett’s voice began to tremble, and as he coiled cross-legged on the deck, and put his hands to his forehead, we could see his dark, burning eyes gazing outboard, across the deck and the deck rails, to where the sea and the blackness of the night sky met each other, a dark rim beyond the moonlit sea surrounding the ship. His face was haggard and drawn, as if he saw what he was about to tell us.

"Yes, he was there! Jassim was there, his head bowed beneath a coarse burnous[#]; and whilst the rest of us went away to loot the fort and destroy the guns, a seaman and myself were left as guard on those two.

[#] Burnous = loose Arab cloak.

"I spoke to him in his own tongue, told him to cheer up, that his luck was ’out’ now, but that it was fate, and a better time would come. He seemed not to hear; he just sat gazing at the sun as it sank lower and lower towards the rim of the mountains, where all his men had disappeared; and his wife crouched moaning before him, putting a hand out now and again to touch him, just to remind him that she was there and suffering too. Presently she bared her left arm, and moaned to him not to allow himself to fall into the hands of the infidel, but to seek Paradise and take her with him, holding out her arm with the snake coiled round it, imploring him to pull it off and set them both free.

"Jassim never answered her, never looked down at her, never moved a muscle of his face, and never looked at that bracelet.

"But the sight of it was too much for the seaman left on guard. Poor fool! he thought it would be a fine curio, and before I could stop him he strode forward, bent down, and seized it.

"The woman gave one shriek of agony as he pulled it from her arm, and with an oath I saw him throw it down in the white sand, where it coiled and writhed, whilst he looked at the back of his hand and wiped away two tiny spots of blood.

"’Suck them, for God’s sake, suck them! The thing’s poisoned!’ I yelled, and, springing to the woman, bent down and sucked two little marks on her arm just below the shoulder.

"Jassim never moved an eyelash.

The narrative of Gunboat and Gun-runner moves between the cramped deck of the armed launch Bunder Abbas and the rocky, moonlit paths of the Baluch coast. The story is built around a series of patrols, boardings, and ambushes, each scene defined by the physical constraints of the setting—the narrow beam of a dhow, the steep descent of a mountain pass, the limited visibility of a starlit night. The author, a Royal Navy surgeon, draws on firsthand accounts to render these operations with a focus on procedural detail: how a search party is organized, how a dhow is approached, how a landing party communicates in the dark. The result is a work less concerned with grand strategy than with the immediate, sensory experience of small-boat work in a contested littoral.

The Launch as a Floating Stage

The Bunder Abbas is not merely a vessel but a mobile base of operations, and Jeans repeatedly emphasizes its limitations. The launch is small, lightly armed, and dependent on coal; its crew lives in close quarters, and its authority rests on the threat of force rather than overwhelming firepower. The narrative lingers on the practicalities of life aboard: the watchkeeping, the stowage of gear, the constant need for fresh water. When the launch intercepts a dhow, the action is described from the perspective of the deck—the hail, the approach, the boarding party climbing over the gunwale. This confined viewpoint gives the story a documentary quality, as if the reader is standing beside the narrator, peering into the darkness.

Night Operations and the Limits of Sight

Several key episodes occur in near-total darkness, and Jeans makes the most of restricted visibility. During the ambush in the mountain pass, the narrator and his companion Webster can only track the Arab scout Jaffa by the white of his clothing, losing sight of him when he moves too far down the path. The tension of the scene depends on what cannot be seen: the unseen Bedouin below, the unseen match that Jaffa threatens to strike, the unseen rifles that might be raised. Later, when a rifle accidentally discharges, the confusion is immediate and dangerous—the darkness turns a mistake into a crisis. Jeans uses these moments to show how naval discipline and rehearsed phrases (the Arabic commands repeated until they become automatic) are fragile in the face of darkness and uncertainty.

The Recurring Image of the Dhow

Dhows appear throughout the text as both quarry and symbol. They are described with a sailor's eye for rig and hull: lateen sails, wooden hulls, cargo holds packed with rifles. The frontispiece illustration shows the Bunder Abbas coming upon a dhow in the act of landing guns, and the narrative returns to this image again and again—a low, dark shape on the water, a sudden flurry of activity on the beach, the race to intercept before the cargo is unloaded. The dhow is not exoticized; it is a working vessel, and the men who sail it are described as capable and determined. The cat-and-mouse game between launch and dhow gives the story its basic rhythm: pursuit, boarding, search, and often disappointment when the arms have already been moved inland.

Movement Between Sea and Shore

The structure of the book alternates between shipboard scenes and land-based operations, and Jeans pays careful attention to the logistics of moving between the two. A landing party must row ashore in a cutter, haul the boat up a beach, and then proceed on foot, often at night, over unfamiliar ground. The terrain is consistently difficult: loose stones, steep paths, the risk of ambush. The narrator’s anxiety about being cut off from the launch is a recurring note. In the mountain pass episode, the party is stranded on a ledge, unable to descend until dawn, and the sense of isolation is palpable. These transitions—from deck to beach, from beach to hill—are where the story’s tension is highest, because the characters are most vulnerable.

Readers should approach this book as a work of operational realism rather than adventure fiction. The author’s preface states that the incidents are based on actual occurrences and were reviewed by officers who served in the gun-running patrols. The narrative’s strength lies in its attention to the mundane details of patrol work—the waiting, the false alarms, the accidental discharge that nearly derails a carefully planned operation. Those interested in the history of the Royal Navy’s role in the Persian Gulf, or in the mechanics of small-boat interdiction, will find this a valuable firsthand account.

That old lieutenant’s quiet tension on the dark water reminded me of something else—the way Pabo, the Priest sits with you long after the last page, not loud, just present. Pabo, the Priest: A Novel — Reading Notes has that same unhurried weight, like a held breath you don’t notice until it’s gone.

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    Justin Frazier - 2 weeks ago
    Despite the promising premise, the book suffers from shallow character development and a predictable plot. The action scenes are repetitive and the dialogue is clichéd. The author spends too much time on technical descriptions and not enough on building tension or emotional connection. I found it difficult to care about the characters or the outcome.

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    Maxwell Rivera - 1 week ago
    An exciting tale with plenty of action and a vivid setting. The historical and cultural details are interesting, but the dialogue can be a bit stiff. The pace is fast, but some plot points are resolved too conveniently. Still, it's an enjoyable read for those who like sea adventures and historical fiction.

  • ...
    Jacob Andrew Jones - 1 week ago
    A thrilling adventure set in the exotic Persian Gulf! The author's knowledge of naval warfare and the region shines through, providing a realistic backdrop. The action sequences are gripping, and the protagonist's courage and determination are inspiring. The plot is full of twists and turns that kept me on the edge of my seat. A must-read for adventure enthusiasts.


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