A Ladder of Swords: A Tale of Love, Laughter and Tears — Reading Notes
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her refuge at Rozel, and was admitted to the Comtesse. There she learned the joyful truth that De la Forêt had not been slain, and was in hiding on the coast of Normandy.
The long waiting was a sore trial, yet laughter was often upon her lips henceforth. The peasants, the farmers and fishermen of Jersey, at first--as they have ever been--little inclined towards strangers, learned at last to look for her in the fields and upon the shore, and laughed in response, they knew not why, to the quick smiling of her eyes. She even learned to speak their unmusical but friendly Norman-Jersey French. There were at least a half-dozen fishermen who, for her, would have gone at night straight to the Witches’ Rock in St. Clement’s Bay--and this was bravery unmatched.
It came to be known along the coast that “ma’m’selle” was waiting for a lover fleeing from the French coast. This gave her fresh interest in the eyes of the serfs and sailors and their women folk, who at first were not inclined towards the Huguenot maiden, partly because she was French, and partly because she was not a Catholic. But even these, when they saw that she never talked religiously, that she was fast learning to speak their own homely patois, and that in the sickness of their children she was untiring in her kindness, forgave the austerity of the gloomy-browed old man her father, who spoke to them distantly, or never spoke at all; and her position was secure. Then, upon the other hand, the gentry of the manors, seeing the friendship grow between her and the Comtesse de Montgomery at Mont Orgueil Castle, made courteous advances towards her father, and towards herself through him.
She could scarce have counted the number of times she climbed the great hill like a fortress at the lift of the little Bay of Rozel, and from the Nez du Guet scanned the sea for a sail and the sky for fair weather. When her eyes were not thus busy, they were searching the lee of the hill-side round for yellow lilies, and the valley below for the campion, the daffodil, and the thousand pretty ferns growing in profusion there. Every night she looked out to see that her signal-fire was lit upon the Nez du Guet, and she never went to bed without taking one last look over the sea, in the restless, inveterate hope which at once sustained her and devoured her.
But the longest waiting must end. It came on the evening of the very day that the Seigneur of Rozel went to Angèle’s father and bluntly told him he was ready to forego all Norman-Jersey prejudice against the French and the Huguenot religion, and take Angèle to wife without penny or estate.
In reply to the seigneur, Monsieur Aubert said that he was conscious of an honor, and referred monsieur to his daughter, who must answer for herself; but he must tell Monsieur of Rozel that monsieur’s religion would, in his own sight, be a high bar to the union. To that the seigneur said that no religion that he had could be a bar to anything at all, and so long as the young lady could manage her household, drive a good bargain with the craftsmen and hucksters, and have the handsomest face and manners in the Channel Islands, he’d ask no more; and she might pray for him and his salvation without let or hindrance.
The seigneur found the young lady in a little retreat among the rocks, called by the natives _La Chaire_. Here she sat sewing upon some coarse linen for a poor fisherwoman’s babe when the seigneur came near. She heard the scrunch of his heels upon the gravel, the clank of his sword upon the rocks, and looked up with a flush, her needle poised; for none should know of her presence in this place save her father. When she saw who was her visitor, she rose. After greeting and compliment, none too finely put, but more generous than fitted with Jersey parsimony, the gentleman of Rozel came at once to the point.
“My name is none too bad,” said he--“Raoul Lemprière, of the Lemprières that have been here since Rollo ruled in Normandy. My estate is none worse than any in the whole islands; I have more horses and dogs than any gentleman of my acres; and I am more in favor at court than De Carteret of St. Ouen’s. I am the Queen’s butler, and I am the first that royal favor granted to set up three dove-cotes, one by St. Aubin’s, one by St. Helier’s, and one at Rozel; and--and,” he added, with a lumbering attempt at humor--“and, on my oath, I’ll set up another dove-cote without my sovereign’s favor, with your leave alone. By Our Lady, I do love that color in yon cheek! Just such a color had my mother when she snatched from the head of my cousin of Carteret’s milkmaid-wife the bonnet of a lady of quality and bade her get to her heifers. God’s beauty! but ’tis a color of red primroses in thy cheeks and blue campions in thine eyes. Come, I warrant I can deepen that color”--he bowed low--“Madame of Rozel, if it be not too soon!”
The girl listened to this cheerful and loquacious proposal and courtship all in one, ending with the premature bestowal of a title, in mingled anger, amusement, disdain, and apprehension. Her heart fluttered, then stood still, then flew up in her throat, then grew terribly hot and hurt her, so that she pressed her hand to her bosom as though that might ease it. By the time he had finished, drawn himself up, and struck his foot upon the ground in burly emphasis of his devoted statements, the girl had sufficiently recovered to answer him composedly, and with a little glint of demure humor in her eyes. She loved another man; she did not care so much as a spark for this happy, swearing, swashbuckling gentleman; yet she saw he had meant to do her honor. He had treated her as courteously as was in him to do; he chose her out from all the ladies of his acquaintance to make her an honest offer of his hand--he had said nothing about his heart; he would, should she marry him, throw her scraps of good-humor, bearish tenderness, drink to her health among his fellows, and respect and admire her--even exalt her almost to the rank of a man in his own eyes; and he had the tolerance of the open-hearted and open-handed man. All these things were as much a compliment to her as though she were not a despised Huguenot, an exiled lady of no fortune. She looked at him a moment with an almost solemn intensity, so that he shifted his ground uneasily, but at once smiled encouragingly, to relieve her embarrassment at the unexpected honor done her. She had remained standing; now, as he made a step towards her, she sank down upon the seat and waved him back courteously.
“A moment, Monsieur of Rozel,” she ventured. “Did my father send you to me?”
He inclined his head and smiled again.
“Did you say to him what you have said to me?” she asked, not quite without a touch of malice.
“I left out about the color in the cheek,” he answered, with a smirk at what he took to be the quickness of his wit.
“You kept your paint-pot for me,” she replied, softly.
“And the dove-cote, too,” he rejoined, bowing finely, and almost carried off his feet by his own brilliance.
She became serious at once--so quickly that he was ill prepared for it, and could do little but stare and pluck at the tassel of his sword, embarrassed before this maiden, who changed as quickly as the currents change under the brow of the Couperon Cliff, behind which lay his manor-house of Rozel.
“I have visited at your manor, Monsieur of Rozel. I have seen the state in which you live, your retainers, your men-at-arms, your farming-folk, and your sailor-men. I know how your Queen receives you; how your honor is as stable as your fief.”
He drew himself up again proudly. He could understand this speech.
“Your horses and your hounds I have seen,” she added, “your men-servants and your maid-servants, your fields of corn, your orchards, and your larder. I have sometimes broken the commandment and coveted them and envied you.”
“Break the commandment again for the last time,” he cried, delighted and boisterous. “Let us not waste words, lady. Let’s kiss and have it over.”
Her eyes flashed. “I coveted them and envied you; but, then, I am but a vain girl at times, and vanity is easier to me than humbleness.”
“Blood of man, but I cannot understand so various a creature!” he broke in, again puzzled.
“There is a little chapel in the dell beside your manor, monsieur. If you will go there, and get upon your knees, and pray till the candles no more burn and the Popish images crumble in their places, you will yet never understand myself or any woman.”
“There’s no question of Popish images between us,” he answered, vainly trying for foothold. “Pray as you please, and I’ll see no harm comes to the Mistress of Rozel.”
He was out of his bearings and impatient. Religion to him was a dull recreation invented chiefly for women.
She became plain enough now. “’Tis no images nor religion that stands between us,” she answered, “though they might well do so. It is that I do not love you, Monsieur of Rozel.”
His face, which had slowly clouded, suddenly cleared.
“Love! Love!” He laughed good-humoredly. “Love comes, I’m told, with marriage. But we can do well enough without fugling on that pipe. Come, come, dost think I’m not a proper man and a gentleman? Dost think I’ll not use thee well and ‘fend thee, Huguenot though thou art, ’gainst trouble or fret or any man’s persecutions--be he my lord bishop, my lord chancellor, or King of France, or any other?”
She came a step closer to him, even as though she would lay a hand upon his arm. “I believe that you would do all that in you lay,” she answered, steadily. “Yours is a rough wooing, but it is honest--”
“Rough! Rough!” he protested, for he thought he had behaved like some Adonis. Was it not ten years only since he had been at court?
“Be assured, monsieur, that I know how to prize the man who speaks after the light given him. I know that you are a brave and valorous gentleman. I must thank you most truly and heartily, but, monsieur, you and yours are not for me. Seek elsewhere, among your own people, in your own religion and language and position, the Mistress of Rozel.”
He was dumfounded. Now he comprehended the plain fact that he had been declined.
“You send me packing!” he blurted out, getting red in the face.
“Ah, no! Say that is my misfortune that I cannot give myself the great honor,” she said, in her tone a little disdainful dryness, a little pity, a little feeling that here was a good friend lost.
“It’s not because of the French soldier that was with Montgomery at Domfront?--I’ve heard that story. But he’s gone to heaven, and ’tis vain crying for last year’s breath,” he said, with proud philosophy.
“He is not dead. And if he were,” she added, “do you think, monsieur, that we should find it easier to cross the gulf between us?”
“Tut! tut! that bugbear love!” he said, shortly. “And so you’d lose a good friend for a dead lover? I’ faith, I’d befriend thee well if thou wert my wife, ma’m’selle.”
“It is hard for those who need friends to lose them,” she answered, sadly.
The sorrow of her position crept in upon her and filled her eyes with tears. She turned them to the sea--instinctively towards that point on the shore where she thought it likely Michel might be--as though by looking she might find comfort and support in this hard hour.
Even as she gazed into the soft afternoon light she could see, far over, a little sail standing out towards the Ecréhos. Not once in six months might the coast of France be seen so clearly. One might almost have noted people walking on the beach. This was no good token, for when that coast may be seen with great distinctness a storm follows hard after. The girl knew this, and, though she could not know that this was Michel de la Forêt’s boat, the possibility fixed itself in her mind. She quickly scanned the horizon. Yes, there in the northwest was gathering a dark-blue haze, hanging like small, filmy curtains in the sky.
The Seigneur of Rozel presently broke the silence so awkward for him. He had seen the tears in her eyes, and, though he could not guess the cause, he vaguely thought it might be due to his announcement that she had lost a friend. He was magnanimous at once, and he meant what he said, and would stand by it through thick and thin.
“Well, well, I’ll be thy everlasting friend if not thy husband,” he said, with ornate generosity. “Cheer thy heart, lady.”
With a sudden impulse she seized his hand and kissed it, and, turning, ran swiftly down the rocks towards her home.
He stood and looked after her, then, dumfounded, at the hand she had kissed.
“Blood of my heart!” he said, and shook his head in utter amazement.
Then he turned and looked out upon the Channel. He saw the little boat Angèle had descried making from France. Glancing at the sky, “What fools come there!” he said, anxiously.
They were Michel de la Forêt and Buonespoir the pirate, in a black-bellied cutter with red sails.
For weeks De la Forêt and Buonespoir had lain in hiding at St. Brieuc. At last Buonespoir declared all was ready once again. He had secured for the Camisard the passport and clothes of a priest who had but just died at Granville. Once again they made the attempt to reach English soil.
Standing out from Carteret on the _Belle Suzanne_, they steered for the light upon the Marmotier Rocks of the Ecréhos, which Angèle had paid a fisherman to keep going every night. This light had caused the French and English frigates some uneasiness, and they had patrolled the Channel from Cap de la Hague to the Bay of St. Brieuc with a vigilance worthy of a larger cause. One fine day an English frigate anchored off the Ecréhos, and the fisherman was seized. He, poor man, swore that he kept the light burning to guide his brother fishermen to and fro between Boulay Bay and the Ecréhos. The captain of the frigate tried severities; but the fisherman stuck to his tale, and the light burned on as before--a lantern stuck upon a pole. One day, with a telescope, Buonespoir had seen the exact position of the staff supporting the light and had mapped out his course accordingly. He would head straight for the beacon and pass between the Marmotier and the Maître Ile, where is a narrow channel for a boat drawing only a few feet of water. Unless he made this he must run south and skirt the Écrivière Rock and bank, where the streams setting over the sandy ridges make a confusing, perilous sea to mariners in bad weather. Or he must sail north between the Ecréhos and the Dirouilles, in the channel called Étoc, a tortuous and dangerous passage save in good weather, and then safe only to the mariner who knows the floor of that strait like his own hand. De la Forêt was wholly in the hands of Buonespoir, for he knew nothing of these waters and coasts; also he was a soldier and no sailor.
They cleared Cape Carteret with a fair wind from the northeast, which should carry them safely as the bird flies to the haven of Rozel. The high, pinkish sands of Hatainville were behind them; the treacherous Taillepied rocks lay to the north, and a sweet sea before. Nothing could have seemed fairer and more hopeful. But a few old fishermen on shore at Carteret shook their heads dubiously, and at Port Bail, some miles below, a disabled naval officer, watching through a glass, rasped out, “Criminals or fools!” But he shrugged his shoulders, for if they were criminals he was sure they would expiate their crimes this night, and if they were fools--he had no pity for fools.
But Buonespoir knew his danger. Truth is, he had chosen this night because they would be safest from pursuit, because no sensible seafaring man, were he king’s officer or another, would venture forth upon the impish Channel save to court disaster. Pirate and soldier in priest’s garb had frankly taken the chances.
With a fair wind they might, with all canvas set--mainsail, foresail, jib, and foretopsail--make Rozel Bay within two hours and a quarter. All seemed well for a brief half-hour. Then, even as the passage between the Marmotier and the Ecréhos opened out, the wind suddenly shifted from the northeast to the southwest and a squall came hurrying on them--a few moments too soon; for, had they been clear of the Ecréhos, clear of the Taillepieds, Felée Bank, and the Écrivière, they could have stood out towards the north in a more open sea.
Yet there was one thing in their favor: the tide was now running hard from the northwest, so fighting for them while the wind was against them. Their only safety lay in getting beyond the Ecréhos. If they attempted to run in to the Marmotier for safety, they would presently be at the mercy of the French. To trust their doubtful fortunes and bear on was the only way. The tide was running fast. They gave the mainsail to the wind still more, and bore on towards the passage. At last, as they were opening on it, the wind suddenly veered full northeast. The sails flapped, the boat seemed to hover for a moment, and then a wave swept her towards the rocks. Buonespoir put the helm hard over, she went about, and they close-hauled her as she trembled towards the rocky opening.
This was the critical instant. A heavy sea was running, the gale was blowing hard from the northeast, and under the close-hauled sail the _Belle Suzanne_ was lying over dangerously. But the tide, too, was running hard from the south, fighting the wind, and at the moment when all seemed terribly uncertain swept them past the opening and into the swift-running channel, where the indraught sucked them through to the more open water beyond.
Although the _Belle Suzanne_ was in more open water now, the danger was not over. Ahead lay a treacherous sea, around them roaring winds, and the perilous coast of Jersey beyond all.
“Do you think we shall land?” quietly asked De la Forêt, nodding towards the Jersey coast.
“As many chances ’gainst it as for it, m’sieu’,” said Buonespoir, turning his face to the north, for the wind had veered again to northeast, and he feared its passing to the northwest, giving them a head-wind and a swooping sea.
Night came down, but with a clear sky and a bright moon, the wind, however, not abating. The next three hours were spent in tacking, in beating towards the Jersey coast under seas which almost swamped them. They were standing off about a mile from the island, and could see lighted fires and groups of people upon the shore, when suddenly a gale came out from the southwest, the wind having again shifted. With an oath Buonespoir put the helm hard over, the _Belle Suzanne_ came about quickly, but as the gale struck her the mast snapped like a pencil, she heeled over, and the two adventurers were engulfed in the waves.
The novel opens not with a scene but with a record: the register of the Walloon church in Southampton, where the marriage of Michel de la Forêt and Angèle Claude Aubert is noted. Parker then describes how he, as narrator, discovered this and other 'human documents'—including a tear-stained letter—that inspired his tale. This framing device establishes the story as one reconstructed from fragments, a 'ladder of swords' built from historical traces.
The title itself, drawn from a woman's letter quoted on the title page, signals a central image: climbing a ladder of swords. This metaphor recurs throughout, as characters navigate perilous social and political heights. The narrative structure alternates between the island of Jersey and the English court, each setting carrying its own atmosphere and stakes.
From Island to Court: A Divided World
The story moves between two sharply contrasted settings: the insular, Norman-influenced Jersey and the glittering, treacherous court of Queen Elizabeth. The island is evoked through details like the Walloon church register and the seigneur of Rozel, while the court appears in scenes of duels and fêtes. This geographical split is not merely backdrop but structural: the narrative shifts between these poles, each with its own rhythm and moral climate.
In the excerpt, the duel between Lemprière and Leicester is set beside the Thames, with the morning mists over Kent and Essex, the smell of ripening fruit, and the crash through tigerlilies. This sensory richness contrasts with the court's artificiality. The island, by implication, is a place of older, more direct codes—Lemprière is a 'primitive Norman'—while the court is a maze of favor and intrigue. The movement between these worlds drives the plot and shapes the characters' choices.
The Duel as Moral Mirror
The duel between Lemprière and Leicester is rendered in precise, almost leisurely detail, yet it serves as a sharp character study. Lemprière, described as 'a vast epicurean, a consummate egotist,' feels no agitation; he swaggers 'as though marching to a marriage.' Leicester, by contrast, is driven by arrogance and a 'will for murder,' believing fate is always on his side. The morning itself—with its thrushes, ploughmen, and poachers—is indifferent to their conflict.
Parker uses the duel to expose the two men's moral blindness. Lemprière 'loved the things that his eyes saw' without questioning their meaning; Leicester feels only 'the garish and the splendid.' Neither grasps the 'million deep teachings trembling round him.' The duel is not just a plot event but a lens through which the novel examines different modes of egoism and self-deception, a pattern that likely extends to other characters.
Recurring Images: Swords, Climbing, and the Sea
The title image—a ladder of swords—permeates the novel's language and structure. The woman's letter quoted on the title page speaks of climbing such a ladder 'for many years,' suggesting a life of painful ascent. In the duel scene, swords are literal, but the image also resonates metaphorically: characters climb social ladders, navigate dangerous favor, and face moral tests that cut like blades.
The sea appears as another recurring motif. The frontispiece caption, 'She scanned the sea for a sail,' and the island setting of Jersey place the ocean as a boundary and a horizon. The sea separates the island from the court, but also connects them; it is a space of waiting, arrival, and departure. These images—swords, climbing, the sea—are woven into the narrative's fabric, giving it a cohesive symbolic texture that rewards close attention.
Voice and Narrative Framing
Parker's narrator is a self-conscious presence, explicitly shaping the story from discovered documents. He describes finding the marriage record and later 'human documents,' including a letter that 'was tear-stained, faded, beautifully written in old French.' This framing gives the tale an air of authenticity and melancholy, as if the narrator is piecing together a true but sorrowful history.
The narrative voice is ornate and slightly archaic, with a tendency toward moral commentary. Descriptions are lush—'the stinging sweetness of the morning,' 'the long whisper of enlivened nature'—but also analytical, as when Parker dissects Leicester's character. This voice creates a distance between reader and events, inviting reflection rather than immersion. The framing also allows Parker to acknowledge anachronisms (as he does in a note) while claiming emotional truth. The result is a novel that feels both historical and personal, a reconstruction of lives from fragments.
Readers attentive to the novel's structure will notice how Parker uses juxtaposition—between island and court, between characters' inner states and their actions—to build meaning. The recurring images of swords and climbing are not decorative but structural, linking scenes across the narrative. The framing device of discovered documents invites a reflective reading, one that considers how stories are assembled from traces. This is a novel that rewards patience with its details and its deliberate pacing.
That rainy afternoon, the sword-ladder’s clang faded into the murmur of the sea off Jersey, and I found myself thinking less of Michel’s duels than of his quiet, rain-soaked longing. The book underneath on the sofa caught my eye—The city of beautiful nonsense — Text and Context—and its title seemed to answer Parker’s storm with a softer, more forgiving kind of ache. Some afternoons simply rearrange themselves.
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